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Movie Review

Semi-autobiographical Suncoast explores end-of-life decisions with grace

Alex Bentley
Feb 9, 2024 | 2:25 pm

Topical movies tend to come down hard on the side of a particular issue that a filmmaker wants to shine a light on, with little to no ambiguity as to their true feelings. The new Hulu film Suncoast is a different beast, as it approaches a controversy from the recent past in a very personal way that’s only tangential to the larger issue.

Doris (Nico Parker) is a teenager who helps take care of her disabled brother, Max (Cree Kawa), who has brain cancer, leaving him unable to see, walk, or talk. As he approaches the end of his life, their mom Kristine (Laura Linney) decides to put him in a care facility called Suncoast near their home in Clearwater, Florida, one which just so happens to also being caring for a woman named Terri Schiavo.

Schiavo is a woman who came to be known in the early 2000s because her persistent vegetative state caused a dispute between her husband and her parents, with protesters joining both sides. The film has one of the protesters, Paul (Woody Harrelson) befriend Doris during several meetings outside of Suncoast. At the same time, Doris uses her mom’s fixation on Max’s needs over her own to open up their house to her high school classmates, broadening her friend group in the process.

Written and directed by first-time feature filmmaker Laura Chinn, the film has a lived-in feeling that’s confirmed by a dedication to Chinn’s brother Max at the end. Telling the semi-autobiographical tale of her own family’s experiences allows Chinn to broach the topic of end-of-life decisions in a relatively light way, acknowledging the emotions of the issue while still giving time for more fun scenes.

To this end, scenes about high schoolers acting immature and/or irresponsibly surround heavier scenes, such as one where Doris and Paul debate whether or not letting Schiavo die is “murder.” Complicating matters is the knowledge that Max will die sooner rather than later, and whether it’s fair to Doris for her to give up any semblance of a social life to “be there for her brother.”

While the film has a very dramatic issue at its core, Chinn does a great balancing act of acknowledging the controversy but never letting it overwhelm the more intimate story she’s trying to tell. The pain Doris is feeling on multiple fronts is evident from the beginning of the film, and Chinn manages to craft a coming-of-age story that feels familiar and different at the same time.

Helped by a mass of curly hair and an innocent face, Parker turns in a great performance that, coupled with a memorable appearance in the 2023 HBO series The Last of Us, should bode well for her acting future. Linney and Harrelson are, per usual, fantastic in their supporting roles, elevating every scene they’re in. The actors playing Doris’ classmates are hit-and-miss, but Daniella Taylor and Amarr show some promise.

Suncoast is a family drama that talks a lot about death without ever coming across as morbid or depressing. Chinn, who’s spent most of her career writing comedic material, makes an auspicious film debut, making a film that resonates on multiple levels without being cloying or preachy.

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Suncoast is now streaming on Hulu.

Laura Linney and Nico Parker in Suncoast

Photo by Eric Zachanowich / courtesy of Searchlight Pictures

Laura Linney and Nico Parker in Suncoast.

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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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