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    Movie Review

    Humans are scarier than zombies in 28 Years Later: The Bone Temple

    Alex Bentley
    Jan 15, 2026 | 1:51 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple

    Ralph Fiennes in 28 Years Later: The Bone Temple.

    Photo by Miya Mizuno

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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    Movie Review

    The Super Mario Galaxy Movie chases nostalgia for shiny but shallow sequel

    Alex Bentley
    Apr 1, 2026 | 12:37 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers - directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel - have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy - sometimes using game mechanics, sometimes not - to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    I have long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word - “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

    ---

    The Super Mario Galaxy Movie is now playing in theaters.

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