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    Holiday Concert News

    Trans-Siberian Orchestra takes reimagined Christmas '25 tour to Dallas

    Alex Bentley
    Sep 8, 2025 | 9:56 am
    Trans-Siberian Orchestra
    Trans-Siberian Orchestra will play twice at American Airlines Center on December 20.
    Photo courtesy of Trans-Siberian Orchestra

    Rock group Trans-Siberian Orchestra has put Texas on their Christmas wish list, playing in four cities in the state as part of their 2025 Winter Tour, including two shows at American Airlines Center on Saturday, December 20.

    Kicking off on November 13, the tour will travel to 64 cities and include 106 performances, including visits to Austin, Houston, and San Antonio.

    The holiday show, The Ghosts of Christmas Eve: The Best of TSO & More, will feature a reimagined and expanded presentation of "The Ghosts of Christmas Eve," which follows the journey of a runaway child who breaks into an abandoned vaudeville theater on December 24.

    They will also perform a second set of hits and fan favorites, including a 25th anniversary salute to their third album, Beethoven’s Last Night.

    Additionally, the tour will include the return of the TSO signing line for the first time since 2019. Every fan attending an evening performance will have the opportunity to get one item signed by members of the group, completely free of charge.

    The group, which is about to celebrate the 30th anniversary of their 1996 debut album, is known for their fusion of rock music, classical music, and theatrical spectacle, complete with pyrotechnics, lasers, and more.

    Although they are best known for their three Christmas albums and tours, the band has released three other non-Christmas albums in their career, most recently Letters from the Labyrinth in 2015.

    The group will continue the tradition of contributing at least $1 from every ticket sold to local charities. Charities for the Dallas shows include Care Dallas and America Can! Cars For Kids.

    Tickets for the tour go on sale to the general public on Friday, September 12 at ticketmaster.com, with presales starting on September 11.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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