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Weekend Event Planner

These are the 18 best things to do in Dallas this weekend

Alex Bentley
Sep 28, 2023 | 6:00 am

The last weekend of September was already a big one in Dallas because of the start of the State Fair of Texas. But this year that major event will be competing with a ton of other big happenings, including seven concerts with notable names, the start of six local theater productions, a symphony concert, and a trio of comedy performances.

Big Tex and State Fair of Texas at sunset
Photo courtesy of the State Fair of Texas
The State Fair of Texas starts its 24-day run at Fair Park on September 29.

Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

Thursday, September 28

Luke Bryan in concert
Since his debut album in 2011, country singer Luke Bryan has been as consistent as they come, with each of his five albums featuring all-original songs going to No. 1 on the Billboard Country charts and making at least the top 5 on the Billboard 200. He's also upped his profile by appearing on The Voice and, since 2018, serving as a judge on American Idol. He'll play at Dos Equis Pavilion in support of his 2022 compilation album, Prayin' In A Deer Stand.

Wilco in concert
Alt-rock band Wilco is one of those groups who has always scored well with music critics and its loyal fanbase, even if their albums have rarely become big hits. They have released 13 albums over 28 years, including the new Cousin, with their heyday coming from 2004-2011, when they had four straight top 10 albums on the Billboard 200. They'll play at South Side Ballroom.

Undermain Theatre presents Bondage
Bondage, making its regional premiere at Undermain Theatre, takes place pre-Emancipation on a small island in the South. With the onset of puberty, Zuri must use her wits to outsmart the twisted desires of a drunken master and a sadistic mistress on a haunted plantation. Hierarchies of race and gender collide in this AfroSurreal tale of an enslaved girl who dares to follow her own instincts toward liberation by any means. The production will run through October 15.

Dallas Symphony Orchestra presents "Copland and Liszt"
"Copland and Liszt," featuring conductor Fabio Luisi, clarinetist Anthony McGill, tenor Carl Tanner, and the Dallas Symphony Chorus, will include William Schuman's American Festival Overture, Copland's Concerto for Clarinet and Orchestra, and Liszt's A Faust Symphony. It will be performed on Thursday and Sunday only at Meyerson Symphony Center.

Theatre Three presents Lizzie: The Musical
Lizzie Borden was accused of murdering her father and stepmother with an axe in the late summer of 1892. Lizzie: The Musical explores the mind of Borden and speculates on the motivations she may have had: overwhelming oppression, abuse, and madness. By her side is her older sister Emma, maid Bridget, and neighbor Alice. Together, the four women tell the story of why the legend of Lizzie Borden was born with an electric punk rock score. The production runs at Theatre Three through October 29.

Friday, September 29

State Fair of Texas
The 24-day, four-weekend extravaganza that is the State Fair of Texas returns, with its impressive butter sculptures, nightly fireworks, oodles of fried food, and more. Visitors can try all the new concoctions, check out the Midway, enjoy free concerts from artists like Lonestar, Ceelo Green, and Lil Jon, or take a trip to the top of the Top 'o Texas Tower. Just make sure you don't pay full price for your tickets! The Fair goes on at Fair Park through October 22.

Pink in concert
It can be difficult for a singer to maintain a certain image over a long period of time, but Pink - or, if you prefer, P!nk - has managed to do just that. She's stuck with her version of pop/rock for over 20 years, and her fans have rewarded her by pushing her to the top of the charts with every album, including the new Trustfall. She'll play at Globe Life Field in Arlington as part of her Summer Carnival Tour, joined by Brandi Carlile, Grouplove, and KidCutUp.

Company of Rowlett Performers presents Arsenic and Old Lace
Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor - they killed him. Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family. The production runs through October 8 at Garland Civic Theatre.

Cara Mía Theatre presents We Have Iré
We Have Iré is a bilingual musical play about the triumphant journeys of artists from Cuba’s countryside to the United States and back. Brought together by their common pursuit of achieving their dreams, their stories come to life through Afro-Caribbean music, contemporary dance, spoken word, storytelling, and jazz. Cara Mía Theatre will put on three performances through Sunday at Latino Cultural Center.

Art Centre Theatre presents Fire Bringer
At the dawn of humanity, one tribe of cave-people survives the many trials of prehistoric life under the wise leadership of Jemilla, The Peacemaker. But one member of the tribe doesn't seem to fit in: Zazzalil. While out hatching her latest scheme, Zazzalil stumbles upon the most important discovery in history. One that will pit her tribe against wooly mammoths, saber-toothed tigers, and change the world forever. The production, featuring separate adult and teen casts, runs through October 15 at Art Centre Theatre in Plano.

Texas Theatre presents Christopher Titus
Christopher Titus is a prolific stand-up comedian, writer, actor, and producer. He is currently performing his ninth 90-minute special "Stories I Shouldn't Tell, while his most recent hit special, “Amerigeddon,” is available on Amazon. He also has a podcast,The Armageddon Update/Titus Podcast. He'll perform at Texas Theatre.

Russell Peters: "Act Your Age World Tour"
Canadian comedian Russell Peters holds the distinction of being the first comedian to get a Netflix stand-up special with 2013's Notorious. He's gone on to have another Netflix special and one for Amazon Prime Video, starred in a variety of movies and TV shows, and toured the world. Peters will be at Texas Trust CU Theatre at Grand Prairie as part of his "Act Your Age World Tour," in which he gives his hilarious takes on cancel culture, aging, and the current state of the world.

Girls Gotta Eat: "Snack City Tour"
Ashley and Rayna from the comedy podcast Girls Gotta Eat come to Dallas as part of their "Snack City Tour," in which they and special guests will answer burning questions about sex, dating, and relationships in a one-of-a-kind, interactive experience. No one leaves without a fresh outlook on dating and at least one new ab from laughing. They'll perform at Majestic Theatre.

Theatre Coppell presents The Mousetrap
In The Mousetrap, a murder mystery play by Agatha Christie, a group of seven strangers find themselves snowed in at a remote countryside guesthouse as news spreads of a murder in London. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst. One by one, the suspicious characters reveal their sordid pasts. The production runs through October 15 at Coppell Arts Center.

Saturday, September 30

Maluma in concert
Colombian rapper/singer Maluma has been near or at the top of the Billboard Latin charts since his 2015 sophomore album, Pretty Boy, Dirty Boy. Since then he's collaborated with a bunch of other big artists, including Marc Anthony, Jason Derulo, Shakira, Madonna, and The Weeknd, as well as Jennifer Lopez, with whom he co-starred in the 2022 film Marry Me. He'll perform at American Airlines Center in support of his new album, Don Juan.

RBD in concert
Mexican Latin pop group RBD was huge in their native country and across Latin and South America in the 2000s, starting with their 2004 debut album, Rebelde. The group, which gained popularity due to them starring on the telenovela of the same name, would go on to release five albums (including versions in both Portuguese and English) before disbanding in 2009. Now they've reunited to celebrate that first album and more with the Soy Rebelde Tour. They'll perform at Globe Life Field in Arlington.

Sunday, October 1

Depeche Mode in concert
There are few bands who have been able to maintain both the passion and popularity to keep a career going for over 40 years, but Depeche Mode is one of those rare acts. They have released 15 albums since 1981, including the new Memento Mori, with every one of them since 1990 making the top 15 in both their native UK and the U.S. They'll play at American Airlines Center.

Death Cab for Cutie and The Postal Service in concert
It's rare for a singer to be well-known for two different groups, but Ben Gibbard has accomplished that feat. For 25 years, he's headed up Death Cab for Cutie, which reached its peak with 2005's Plans, featuring the hit "Soul Meets Body." But he also did a side project in 2003 with producer Jimmy Tamborello and Jenny Lewis called The Postal Service, producing a single album, Give Up, which featured the ubiquitous hit "Such Great Heights." The two bands will join forces for a special concert at Texas Trust CU Theatre in Grand Prairie.

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Movie Review

The End of Oak Street can't live up to its Spielberg inspirations

Alex Bentley
Aug 13, 2026 | 12:50 pm
Ewan McGregor and Anne Hathaway in The End of Oak Street
Photo by Daniel McFadden
Ewan McGregor and Anne Hathaway in The End of Oak Street.

Steven Spielberg is the iconic director of the last 50 years, so it’s no surprise that many other filmmakers have borrowed from his classic films. But most of the time those come in the form of references or homages, not straight up theft, which is what it feels like watching The End of Oak Street play out in front of your eyes.

Set in the early 1980s in an idyllic suburban neighborhood of an unnamed city, Denise (Anne Hathaway) and Greg (Ewan McGregor) are parents to two teenagers, Audrey (Maisy Stella) and Brian (Christian Convery). They’re also possibly heading toward divorce, as Audrey is secretly writing a novel with a thinly-veiled plot about their life, and Brian is cagey about having to earn extra money with a pizza delivery job.

That all gets put on the backburner when a mysterious event takes their entire neighborhood back to the time of dinosaurs. Armed with little more than a shotgun and sledgehammer, Audrey and Brian do their best to keep the family safe in their house. But the longer the ordeal goes on, circumstances force them out onto the streets and into the increasing danger that’s all around them.

Written and directed by David Robert Mitchell, the film tries immensely hard to be like the Spielberg movies its filmmaker clearly adores, but fails at almost every turn. It never earns the broken family in ‘80s suburbia vibes that were prevalent in E.T., going all in right away in the opening scene with a neighborhood block party that feels forced. Other elements like a bully who has it out for Brian, the family dog that disappears, and an angry neighbor come across as the tropes they are and not as organic parts of the plot.

When it finally gets to its dinosaur sequences, they pale in comparison to those found in Jurassic Park. The strange manner in which the dinosaurs appear is a big part of that, but the action involving them forgoes ominous moments that could build tension for those that play up gore in an unexpected way for a PG-13 movie. Many of the attacks have so little emotional meaning that they come off as comical, which is entertaining but in a hollow way.

As if those weren’t enough, Mitchell - perhaps at the behest of producer J.J. Abrams (who made his own Spielbergian film, Super 8) - tries to honor Spielberg in other ways. Just like in Jaws, he employs the use of a split diopter lens, which keeps characters in both the foreground and background in focus. But instead of using it judiciously, it’s brought out in three separate scenes, including a laughable one with the four family members where it turns into overkill.

Hathaway, coming off of a role in The Odyssey that could earn her an Oscar nomination, is the best part of this film. But even her evident skills are dragged down by the ridiculousness of the story, which requires hysterics that even she can’t sell. McGregor can normally be counted on for a good performance, but he gives several line readings with strange cadences that make his already-underwritten character come off worse. Stella and Convery are okay, but their roles are unmemorable overall.

Mitchell and his team can never settle on exactly what type of film they were trying to make, and so even though The End of Oak Street has a few moments that work, they’re surrounded by many others that don’t. In trying to emulate Spielberg - there’s even a blatant Back to the Future (produced by Spielberg) rip-off towards the end - all Mitchell has done is show how difficult it is to be the master.

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The End of Oak Street opens in theaters on August 14.

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