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    Who Needs Real Models?

    Donna Karan enlists (hip) real people to showcase DKNY collection

    Clifford Pugh
    Feb 12, 2014 | 8:31 am

    Donna Karan has become an urban legend for building a fashion empire based on a hip New York look during the last quarter-century. Part of her success has come in continuing to channel the spirit of the city that never sleeps.

    For the showing of her fall 2014 DKNY collection, Karan decided to enlist some real New Yorkers as models to showcase her streetwise looks. "You can weave your own family," a voice intoned in a video before the show kicked off with rapper Angel Haze in a crepe jumper with fringe sequin collar, faux fur vest and perforated leather jacket.

    The real models added some street cred to the clothes and a more festive runway spirit.

    Nearly half of the 55 looks in the collection were showcased by non-models with cool jobs — tattoo artist, jewelry designer, club host, pro skateboarder and budding entrepreneur (the co-founder of Beautified, an app to locate same-day beauty services). They added some street cred to the clothes and a more festive runway spirit, with whoops of encouragement from friends in the crowd.

    The novice models were just as professional, albeit a little more real-looking and certainly more diverse. They sported dreadlocks, 'fros and dyed blue hair — looks seldom seen on Fashion Week runways — and represented a much wider spectrum of racial and ethnic groups.

    The collection featured the requisite letter jackets, puffy coats and fur hoods, along with cozy striped shearling coats and tiger-print cardigans. It also had a lot of black — this is, after all, the New York look — in vinyl skirts, a lace-and-faux fur shift and sweatshirts with sequin sleeves. But toward the end, Karan slipped in houndstooth patterns in black and navy, along with pink parkas and a lace slip dress for a more dressed-up occasion.

    Getting most of the attention before the show was singer Rita Ora, who caused a near stampede from eager photographers. Ora, who is the face of DKNY in ads, is currently filming Fifty of Shades of Grey, but she declined to reveal how the movie version might differ from the book. "I can't spoil it," she said.

    Donna Karan takes her runway bow.

    Fashion Week fall 2014 collections Donna Karan DKNY February 2014
    Photo by © Photo by Neilson Barnard Getty Images for Mercedes-Benz Fashion Week
    Donna Karan takes her runway bow.
    unspecified
    news/fashion

    Designer News

    Legendary Dallas designer debuts sleek new women’s collection

    Lisa Petty
    Aug 14, 2025 | 3:34 pm
    Geoffrey Henning
    Thomas Garza
    Geoffrey Henning

    You may not know his name, but Geoffrey Henning likely had a hand in shaping your wardrobe.

    The designer’s 20-plus years at Dallas-based JCPenney, culminating as Vice President of Design across men’s, women’s, and children’s categories, put him in the unique position of dressing a substantial percentage of the population.

    His unique eye, first honed at the studio of the legendary Alfred Sung in Canada, and later in New York, went on to help inform the look of an era for middle America through one the biggest retailers of its time. If you’re envisioning the “Cerulean Sweater” scene from The Devil Wears Prada right now, you’re on the right track.

    In February 2025, Henning entered his post-JCP era — but a retirement, it’s certainly not. He recently debuted an all-new collection called GRACITY/tx that reflects the whole of his experiences thus far.

    "I have been very fortunate over my career to journey through the different aspects of design," Henning says. "From starting with a purity of ethos at a designer level, to inspiring style at an accessible price point, which allowed for a broader expression of my craft."

    This combination of influences is at the heart of GRACITY/tx, named for “gray, the space between extremes.”

    "When I look at the women who have influenced me over the years, there is a common theme: vulnerability and strength," he says.

    Leading with subtle sophistication, the line includes dresses, outerwear, and separates that are sleek, versatile, and impeccably styled. Above all, they project the wearer’s own self-confidence.

    Attendees at the recent debut show included Dallas fashion insider Rhonda Sargent Chambers, who recalled that "when Geoffrey and I first met, I was struck by his deep knowledge of fashion design, fabric origins and history."

    "His creative designs have graced our presence for over twenty years, and he is now creating pieces that no one has seen elsewhere," Chambers said.

    Nikki Solomon, founder of Inwood Village designer boutique Rich Hippie, echoed the sentiment succinctly: “No one does it like Geoffrey," she said.

    Henning, not one for the spotlight, observed quietly while stying a model in alternating looks: a stunning chemise to dress up or down, a halter in black and white, an impeccably constructed strapless mini to wear through all four seasons. Details like leather belts and exposed hook-and-eye closures bring a touch of Dallas-specific drama.

    The collection can be found at Elements in Dallas, Sloan/Hall in Houston, and private trunk shows that they market on social media. Prices range from $200 for shell tops to $2,000 for long dresses, and they're also planning to add a shop button to their website.

    Ultimately, the occasion represented a new tick on a timeline that has proved, throughout the years, this designer’s deep understanding of the people he dresses and the city they love, another balance of contrasts.

    “My work brought me here, but Dallas has kept me because it’s bold, it’s proud, it’s authentic, it loves the arts, and it remains grounded in the spirit of the Wild West," Henning says.

    Geoffrey Henning

    Thomas Garza

    Geoffrey Henning

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