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Design Star

Design mogul and HGTV star Esther LaVonne won’t stop creating until she has itall

Samantha Webster
Dec 9, 2012 | 2:29 pm
  • Interior designer and musician Esther LaVonne ultimately wants to create acharity for abused and neglected girls.
    Photo by Lesliann Nemeth
  • Interior design rendering.
  • Interior design rendering.
  • Interior design rendering.
  • Esther LaVonne's design website.
  • “My goal in the next five to 10 years is to have my design company run itself,"LaVonne says.
    Photo by Lesliann Nemeth
  • LaVonne continues to pursue a music career because, she says, “I’m not going tostop doing what I love [music] just because I’m successful in another field.”
    Photo by Lesliann Nemeth
  • Esther LaVonne's coffee table.
    Photo by Lesliann Nemeth

Esther LaVonne wears many hats, and she doesn’t intend to hang up any of them soon. The Austin- and Los Angeles-based designer is equal parts design mogul, performer, philanthropist and, at heart, a role model to women.

At the age of 30, the 5-foot-10 raven-haired beauty has accomplished more than many of us will in a lifetime.

At 18, she was attending the University of Texas for pre-med. By 22, she had moved both of her sick parents to Austin. By 25, she owned her own home and business. Last year, she was the winner of a reality TV show.

LaVonne, who grew up in Santa Anna, Texas, was cooking, cleaning and learning how to pay the family bills by age 8.

During our interview, she is personable, humble and talks excitedly about the future. As the hour ticks by, I’m increasingly blown away by her life story — a story fraught with hardship and loss that somehow gave birth to this powerhouse of a woman.

A self-made woman
Esther LaVonne was born in Santa Anna, Texas (population 1,000), to a father suffering from Parkinson’s disease and a mother with schizophrenia. She is the youngest of eight children.

But even as the baby of the family, she grew up fast. “I was raised around people who were always sick,” she says. “It made me want to become a doctor. All I wanted to do was help them.”

For LaVonne, a “normal” childhood was never an option. Between her family’s chronic illness and full household, they often had a hard time making ends meet.

She was cooking, cleaning and learning how to pay the family bills by age 8. At 10 she convinced her father to purchase an aging Victorian mansion located on an acre of land in nearby Brownwood.

He bought the home for $17,000, and, by the time Esther had redecorated it at age 15, he was able to resell it for $45,000. It was clear that his daughter had a gift for making spaces beautiful.

However, LaVonne’s real passion as a teenager was music, not interior design. The only musical outlet in Santa Anna was church, a place she spent the majority of her childhood, singing and helping out wherever she could.

LaVonne’s real passion as a teenager was music, not interior design. The only musical outlet in Santa Anna was church, a place she spent the majority of her childhood.

When her parents separated, she pleaded to go live with her mom in Brownwood — a town with a school choir program. Her father agreed. She attributes the experience to her blossoming from a “shy bookworm” into a confident songbird not afraid to take on the world.

Discovering talent
In 1999 LaVonne won a scholarship to study pre-med at UT, a field she pursued with duty and pride. Her childhood dream to become a doctor was what had motivated her to escape her small-town upbringing.

But a year into the program, it became clear that becoming a doctor wasn’t a good match. “It was the first time in my life I didn’t have a backup plan,” she recalls. “I was terrified.”

She confided in her aunt, who suggested that she pursue a degree in interior design. While studying to get her license, a friend talked her into cocktail waitressing. After a few months, she became a bartender at some of Austin’s biggest establishments: Oslo, Barcelona, Shakespeare’s Pub and The Belmont.

LaVonne credits bartending for opening some important doors in her life. “I learned to talk to anybody and not be scared,” she says. “People would come in and offer me modeling jobs. One time Robert Rodriguez came into my bar and cast me to be an extra in Sin City. I’d take home sometimes $400 a night bartending. It blew me away.”

It was at a casting to play a singer that LaVonne realized she missed music, so she formed a band. Although her stage presence and ability to draw a crowd were strong, she was going broke paying for a band and demo fees. In 2005, she put music on hold to focus on her design career.

A career in design
“I’ve known since I was a kid that I wanted to own my own business,” she says. After obtaining her license, she heard about a design firm that piqued her interest: a woman who’d run her firm for 27 years out of her own house and focused on heavily creative, more internationally appealing projects.

“I’ve known since I was a kid that I wanted to own my own business,” LaVonne says.

“I called her 12 times before she called me back,” LaVonne says. “But when I finally met her, she hired me on the spot.”

Within a year and a half of working for her mentor, she opened her own business, Esther LaVonne Design. “People started calling in, asking, ‘Who did this room, who did this such-and-such?’ I was pulling in $80,000 projects.

“My boss looked at me one day and said, ‘It’s time for you to open your own business.’”

Esther LaVonne’s style is a fusion of Philippe Stark, glam rock and old Hollywood glamour. Her tagline, “Classic luxury with a modern twist,” defines her approach: mixing designer chic with one-of-a-kind vintage pieces. The end result is colorfully eclectic yet dazzlingly elegant spaces.

With the money she saved from years of bartending, she purchased her first home and opened her own business. Tragically, as everything seemed to be coming together, her father passed away from complications of Parkinson’s disease in 2004.

“My father’s passing was a very hard time for me. HGTV’s Design Star flew me to LA a month after to interview for their show, and I bombed the whole thing because I was so depressed,” she says. “My happy-go-lucky, creative self didn’t shine through. It was a pivotal learning experience.”

In the spotlight
LaVonne’s relationship with HGTV’s show Design Star is a long-standing one. The year after her first audition, she turned down HGTV due to the growing demand for her work. The third year they flew her to NYC, this time praising her audition.

HGTV signed her to episode 7 of the new miniseries White Room Challenge. She won the $10,000 cash prize — and shared it with a cast mate.

But the entertainment industry is notoriously fickle. “I still didn’t make it the third year. I think they wanted me to be this bitchy brunette because that’s my ‘look,’ but I’m actually very sweet and cooperative,” she says with a laugh.

This past year, HGTV called her again and said they had a new show they wanted her to try out for. “By the third time I auditioned, I had nothing to lose,” she says.

“I wasn’t scared whatsoever. I knew after they finished taping that it was a done deal. I knew I was meant to be there.”

HGTV signed her to episode 7 of the new miniseries White Room Challenge, in which five interior designers compete to create one-of-a-kind spaces from scratch. The catch? Materials can only be purchased from a store chosen by the producers, and contestants are given 15 hours to design their rooms.

LaVonne’s theme was “restaurant supply store.” Can you imagine trying to make living room furniture from plastic produce bins and soup ladles? That’s exactly what she did. Her room, with painted pop-art walls and makeshift Lucite loungers, was a hit. She was awarded the $10,000 cash prize.

Even more remarkable: She shared a portion of her winnings with one of her fellow cast mates.

“There was a guy on the show, Joey, whose dad was dying,” she says. “He auditioned for the show to help pay his medical bills. I bonded with him, having gone through the very same thing with my dad.”

After her win on White Room Challenge, LaVonne was offered a spot on a yet-to-be-named design show.

“I’m not going to stop doing what I love [music] just because I’m successful in another field,” LaVonne says.

“A larger network offered me a spot on a new show,” she says. “The compensation is better, and the concept is right up my alley. The projects are ones I’ve always dreamed of doing on my own.”

The future
After her reality show success, LaVonne has kept her roots firmly planted in Austin, while also establishing herself in Los Angeles, providing her design services and shopping around for record producers.

“I’m not going to stop doing what I love [music] just because I’m successful in another field,” she says. “My goal in the next five to 10 years is to have my design company run itself. I would love to be on tour, developing myself artistically and getting my sound out there.

“I’d also love to be married, have kids, establish my own design brand, have a show, have a few records under my belt and create a charity organization for neglected and abused girls.

“I feel like there are so many broken women in the world, and if that cycle is going to end, it has to start in childhood,” she says. “If I didn’t have my aunt was there to motivate and support me, I might not have been inspired to make something of myself. There’s a million ways to have a good life, but my purpose is to help people.”

It is most likely this instinct to give back that contributes to LaVonne’s success. While her goals may seem steep, they are hardly out of her reach.

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news/home-design
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Shopping trip

Round Top Antiques Show's new hall beckons Texas treasure hunters

Emily Cotton
Oct 26, 2026 | 3:50 pm
Find rare and oversized pieces from over 200 unique vendors.
Photo by Deb Turner
Find rare and oversized pieces from over 200 unique vendors.

It’s the best time of the year for antiques-loving Texans. As the 2026 Round Top Fall Antiques Show enters its second week, Texas Highway 237, aka “the Hill Country catwalk,” (about four hours south of Dallas) is kicking into high gear.

Keeping with tradition, the final Tuesday of the festival for which folks from everywhere flock to Round Top twice a year is opening day for Marburger Farm, considered the festival's crown jewel for close to 30 years.

Located on Main Street, between Tent 2 and "The Park," Marburger's new Gage Hall adds 7,500 square feet of temperature-controlled shopping space to the show. It includes 12 of the country's top designers and architects whose antiques and vintage pieces are sourced from around the world.

During the spring show last March, Marburger debuted phase one of an extensive restoration project that included updating and relocating 10 historic buildings, centralizing them around a newly-developed green space, and bricked walkways emulating a traditional town square. This fall, a new exhibition hall will be revealed, ending phase two of the ambitious 18-month-long project.

The new structure marks the latest evolution of the 43-acre property, signaling Marburger’s ambition to be something more than a twice-yearly antique show.

Notable vendors in the exhibition hall include Mallorca-based Jay Bearden of Patternmill, a “destination dealer” whose premium furniture is a continuous draw for seasoned designers, and Bradley Hester of B. Hester Antiques, known for distinctive antiques, art, and textiles from Europe, Africa, and the Middle East.

“It has taken about 18 months to complete both phases of the redevelopment, so it’s incredibly rewarding to finally share it all as one cohesive site: the 10 restored historic buildings, the town square-inspired layout, the new food and entertainment spaces, and now the new exhibition hall,” Marburger CEO John Sughrue says. “Our goal has always been to deliver the best antique show experience, and seeing it come together this fall, with our dealers, longtime guests, and new visitors, feels like a real milestone.”

While the new exhibition hall may have a somewhat modern feel, reclaimed wood and salvaged materials from around the farm were used to juxtapose the contemporary sky glass features. Traditional board-and-batten and heritage elements like the Texas metal roof coexist with modern details. Together, these features tell the story of the farm’s past, present, and future. It’s too soon to tell how Marburger purists will take to the changes, but Sughrue is optimistic.

“We were very intentional about redeveloping Marburger Farm. Marburger fans love the farm’s history, and so do we,” Sughrue explains. “Marburger Farm has always been a dynamic venue for discovery. The restoration of our historic buildings is a reflection of our deep appreciation and respect for our heritage, albeit we are not a museum, and the contemporary elements of the new building speak to our intention to continue dynamic programming in the future. Steeped in our heritage while focused on the future is core to our ethos at Marburger.”


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Founded on a dairy farm in 1997 by somewhat-accidental-antiques-dealer Ed Gage, Marburger Farm changed hands five years ago and now lives comfortably under the stewardship of Dallas-based Brook Partners.

The new exhibition hall — aptly named “Gage Hall” — and the plethora of newly restored 18th- and 19th-century buildings turn over a new leaf for the farm. Accessibility and new all-weather facilities open the door to Marburger growing into a thriving year-round destination. One thing’s for sure, Gage doesn’t seem to mind. Shoppers will find him selling his antique wares in Tent 1 this fall.

“Marburger Farm has always been anchored by our spring and fall shows, and our winter show will debut this January,” says Sughrue. “Those shows will always be our marquee moments. However, now we have a new exhibition hall, all 10 historic buildings are restored, and we have the incredible food pavilion overlooking the pond. We’re now available year-round as a venue for private rentals, and we may program the property with additional events that appeal to Round Top lovers. Our company also operates the Dallas Art Fair, the Aspen Art Fair, and the Fashion Industry Gallery. We have the cultural resources to do more. Marburger Farm is just getting started!”

The new entertainment pavilion overlooking the pond serves as a place to enjoy a full breakfast, lunch, and dinner as well as a full bar. Coffee and beverage pop-ups around the farm include W6 Coffee Co., Amanecer Co., Clementine Coffee, and Big Hat Mocktails. There are also full bars around the property.

Live music is also a big draw during the show. Rebecca Patek & Sophia Johnson (Austin country duo) will perform Tuesday, October 27, from 9-11 am, during the opening morning tailgate. Later in the afternoon, Monica Valli (blues/Americana guitarist) will perform from 3-5 pm (dinner served until 6 pm). The Reed Brothers (San Antonio band) will perform Friday, October 30, 4-6 pm (dinner served until 6 pm). On closing day (Saturday, Oct. 31), Ian Kocourek (singer-songwriter) will perform from 11 am-1 pm.

As closing day happens to fall on Halloween this season, Marburger will offer guests a trick-or-treat trail with dozens of dealers handing out candy. Live music and photo ops will also occur throughout the day. Be sure to scout soon-to-be-coveted T-shirts inspired by Gage Hall, ringer tees, embroidered totes, artistic totes, hats, and more from Marburger Farm.

The Marburger Farm Antique Show (2248 South Highway 237, Round Top) is open from 2 pm on Tuesday, October 27 through 5 pm on Saturday, October 31. Tickets ($15) include unlimited entry throughout the show. Early bird tickets ($40) include early shopping access in the promenade and Gage Hall (9 am entry on October 27), plus complimentary coffee and mimosas.

Find rare and oversized pieces from over 200 unique vendors.

Photo by Deb Turner

Find rare and oversized pieces from over 200 unique vendors.

marburger farm round top round top fall show 2026 shopping antiques openings
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