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    Big sale in the Big Apple

    DFW philanthropist Anne H. Bass’ art collection hauls in $363.1 million at Christie's auction

    John Egan
    May 19, 2022 | 9:30 am
    CLAUDE MONET (1840-1926), Le Parlement, soleil couchant
    Monet’s Le Parlement now ranks as the fifth most expensive Monet painting ever auctioned.
    Photo courtesy of Christie's

    A dozen pieces of art from the collection of the late Fort Worth philanthropist Anne Hendricks Bass fetched a whopping $363.1 million at a recent auction in New York City.

    Christie’s auction house initially had forecast the collection would rake in at least $250 million — about $113 million below the actual take. The $363.1 million total works out to an average of almost $30.3 million per piece.

    Le Parlement, soleil couchant (The Houses of Parliament, at Sunset), an early 20th century oil painting by Claude Monet, hauled in the most money — nearly $76 million — among the 12 artworks sold May 12. The Christie’s auction house had figured the painting would garner anywhere from $40 million to $60 million.

    Monet’s Le Parlement now ranks as the fifth most expensive Monet painting ever auctioned, according to the Artnet Price Database.

    Two other Monet paintings, Nymphéas (Water Lilies) and Peupliers au bord de l’Epte, automne (Poplars on the Banks of the Epte, Autumn), sold for $56.5 million and $36.5 million, respectively. Those sale prices exceeded the low end of Christie’s estimates.

    Meanwhile, two Mark Rothko oil paintings went for $66.8 million (Shades of Red) and $49.6 million (No. 1). Those sale prices were above the lowest estimates calculated by Christie’s.

    At a sale price of $41.6 million, Edgar Degas’ Petite danseuse de quatorze ans (Little Dancer Aged 14) set a record for a Degas work. Christie’s highest sale estimate for the bronze sculpture was $30 million.

    Christie’s called the Bass collection “the most significant American collection to come to market this season.” None of the buyers of the 12 artworks were identified.

    “The Anne H. Bass collection represented the pinnacle of the artists it contained, the pinnacle of taste, the pinnacle of modern collecting. We were beyond honored to work on the estate’s behalf and gratified that these works and her example inspired collectors around the world just as they have inspired us,” Max Carter, head of impressionist and modern art at Christie’s, says in a news release.

    Christie’s announced in March that it been hired by Bass’ estate to auction off the 12-piece collection. The collection came from her Fifth Avenue apartment in New York City.

    Christie’s has described the collection as an assembly of “masterpieces that was profoundly rigorous yet deeply personal, shaped by her remarkably informed eye and female perspective in a world dominated by male collectors.”

    Bass was the ex-wife of Sid Bass, the Fort Worth investor and oil heir whose net worth is estimated at $3.6 billion. She reportedly received a $200 million to $500 million settlement as part of their high-profile divorce in the 1980s.

    Anne Bass died of ovarian cancer in April 2020 at the age of 78. A longtime resident of the Fort Worth area, she was an avid supporter of the city’s nonprofits and arts organizations, including The Cliburn, Jewel Charity Ball, Junior League, Texas Ballet Theater, Fort Worth Symphony Orchestra, and Modern Art Museum.

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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