Denim & rhinestones

Dallas Cattle Baron's Ball 2024 wrangles record $7.1 million

Cattle Baron's Ball 2024 chairs Marjon Henderson and Lora Farris had chosen the theme "New Horizons" for their Carrie Underwood-headlined event. By the end of the night, they'd changed their anthem to her hit "Blown Away."

"We just broke every record!" Henderson enthused as she passed out hugs during the live auction.

The big record they were going for was $100 million - a grand total raised in all 51 years of Cattle Baron's Ball. Entering the night, they only had a couple million to go. No sweat for this event. And, they made it.

Henderson and Farris revealed on November 6 that the grand total raised at the 2024 ball was (drumroll, please) $7,122,663.

Cattle Baron's Ball is the largest single-night fundraiser in the nation for cancer research through the American Cancer Society.

It's also Dallas' biggest party of the year.

Dallas Cattle Baron's Ball 2024 Cattle Baron's Ball chairs Lora Farris and Marjon Henderson with some special four-legged guests at the entrance.Photo by Haynsworth Photography

On Saturday, September 28, more than 3,000 party-goers, cowgirl'd and cowboy'd up in their Western-glammy best, descended from party buses and rideshare SUVs to the grounds of Southfork Ranch in Parker. Henderson and Farris, along with their volunteer committee 100 women strong, greeted guests on the famous grounds of the TV show Dallas, site of the first Cattle Baron’s Ball in 1974.

An exclusive VIP party, presented by Anne Davidson inside the Southfork Ranch Event and Conference Center, got the evening off to a festive start. Mistress of ceremonies, NBC 5's Deborah Ferguson, gave a hearty welcome and introduced '90s country tribute band Straight Tequila Night to the stage.

Early arrivals got the first chance to sip the night's signature “Cowboy Casanova” and "Take the Wheel" cocktails, featuring Grey Goose Vodka and Patron Cristalino Tequila, respectively. Longtime CBB-ers know to pace themselves when it comes to food; the entire night is a frenzy of glorious gluttony (keep reading). VIPs nibbled on lobster quesadillas, mini grilled cheese, bacon-wrapped jalapeno popper bites, Dublin Dr Pepper short ribs, Frito pie, and more.

Photo by Haynsworth Photography

Catherine Woodall and guest

At 7 pm, the masses arrived and the party really got started. It was a picture-perfect fall evening to take a Ferris wheel ride at sunset or pose for souvenir photos at one of the many interactive photo booths around the grounds.

Each room inside the Conference Center was buzzing with activity. The main event, as always, was the enormous silent auction. Bidders browsed and bid via smartphones for hundreds items from local retailers, restaurants, exquisite jewelry and fashion, trips, home decor, sports and music memorabilia, and more. The showpiece of the room was a stunning blue gown by Dallas designer Ese Azenabor, up for auction and bought for thousands.

For the first time ever, Neiman Marcus sponsored a "Glam Room," where guests could get get makeup touch-ups, enjoy a trendy Hugo Spritz cocktail, and enjoy Neiman Marcus' famous chocolate chip cookies. Next door, folks could shop for boots, cowboy hats, and jewelry at the event's first-ever Marketplace. (Considering everyone was wearing some combination of boots, jewelry, or hats, the room stayed impressively full of people trying on and buying.)

The Casino stayed busy, and so did a Mizzen + Main Sports Lounge next door. Note to next year's organizers: Stock up on the White Rhino espresso martinis. Fans remembered the hand-shaken delights from last year, the line stayed long, and supplies ran out early.

Time for more food. Vestals Catering served up an outdoor buffet as big as Texas: smoked bistro filet; smoked and jalapeno sausages; spicy peach-glazed chicken thighs; butternut squash, kale, and mushroom enchiladas; Texas caviar, cobbler with Blue Bell ice cream, and more.

Dallas Cattle Baron's Ball 2024 A getaway to Mexico was one of several fabulous trips auctioned off for thousands.Photo by Haynsworth Photography

At 8:15 pm, Cowgirl bell-ringing baronesses signaled it was time for the live auction to begin. Led by lively auctioneer Letitia Frye (herself a cancer survivor, she announced), this year's jaw-dropping prize packages and fantasy trips included a Napa wine weekend (sold for $55,000); best seats in the house for the forthcoming Carrie Underwood concert (sold for $75,000) and an "Ultimate Tailgate" with Troy Aikman (sold three times for $75,000).

Each year, one of the most coveted auction items is a wine dinner prepared by some of Dallas' finest chefs — including Kent Rathbun and Dean Fearing. Two dinners were sold for $200,000 each, bringing in a record-breaking total of $400,000.

A “paddle raise” initiative around the room raised an additional $1 million to name a grant in honor of Kace Phillips, a Dallas resident and CBB supporter who died of glioblastoma last January. His wife, Claire, and their young children appeared on stage to remember him and encourage the fundraising.

Finally, it was time to head into a sprawling tent for headliner Carrie Underwood. Making their way across the grounds, patrons picked up portable “concert snacks” including dill pickle popcorn, rosemary potato chips, and ginger molasses cookies.

Dressed in black sequin shorts and denim-rhinestone jacket, Underwood played a high-wattage show for more than an hour. The crowd crooned along to her biggest hits, from "Church Bells" to "Cowboy Casanova" to "Before He Cheats," and threw their hands into the air, church revival-style, for "Jesus Take the Wheel." Her cover of Guns 'N Roses "Paradise City," for which she shed her denim jacket and head-banged her long blond hair, got the audience rocking along, too.

Dallas Cattle Baron's Ball 2024 The crowd gathers inside the concert tent for the Carrie Underwood show.Photo by Haynsworth Photography

Those who wanted to catch early Ubers home ended the night there, while those who wanted to make a late night of it gathered back inside on the dance floor beneath the Live Auction stage, where Manhattan Orchestra band revved up the after-party until 2 am.

And, oh yes, there was more food for late-night revelers: breakfast tacos; a deep-fried station of tater tots, fried pickles, and onion rings; burgers, and sliders. And for good measure, a Raising Cane's food truck showed up with chicken fingers, too.

Going into the 2024 event, Cattle Baron’s Ball had raised more than $98 million since its inception in 1974. The November 6 check presentation for more than $7 million no doubt had the beneficiaries singing "Blown Away."

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The story originally was published on October 2, 2024. It was updated with the total amount raised on November 7, 2024.

american cancer society carrie underwood cattle baron's ball celebrities fundraisers galas neiman marcus

Centerstage spotlight

Showstopping Dallas Theater Center gala raises the curtain on a new era

Photo by Tamytha Cameron

Zeke Williams, Grace Cook, Jeff Netzer, Lynn McBee, Kristina Kirkenaer-Hart

On a picture-perfect Saturday night, more than 250 of Dallas’ most devoted arts patrons gathered at the Dee and Charles Wyly Theatre for CENTERSTAGE 42, the annual gala benefiting Dallas Theater Center. The elegant evening on May 2 proved to be both a celebration of Dallas theater’s past and a curtain-raising for its future.

As the sun began to set across the Diane and Hal Brierley Esplanade in the Dallas Arts District, guests descended the outdoor staircase for an al fresco cocktail reception. One popular stop was just inside the doors of the lobby: A "Ziya" digital photo booth from local company Make Life Sweeter that turned patrons' posed photos into stylized watercolor portraits.

Throughout the venue, installations highlighting Dallas Theater Center’s Public Works initiative reminded attendees that the organization’s impact stretches from the stage to the neighborhoods of North Texas.

A multicourse dinner was served on the stage inside the Potter Rose Performance Hall, making attendees feel like the stars of the show in the intimate, theatrical atmosphere.

One of the night’s most meaningful moments came with the presentation of the prestigious Linda and Bill Custard Award to Larry Angelilli, recognized for more than three decades of leadership and advocacy that helped shape Dallas’ cultural landscape. The gala also paused to honor the memories of two beloved arts patrons, Linda Custard and Sarah Warnecke, both longtime champions of Dallas Theater Center and the broader arts community.

Inspired by their example, guests bid high for fabulous live auction items, including trips to Palm Springs and Hawaii and a private dinner with actor Michael Urie at a home on White Rock Lake. A paddle raise followed, with patrons giving generously all around the room.

Every $100 counted - from upstage, downstage, and closer to the wings - as the sold-out fundraiser's earnings totaled an impressive $545,000 in support of the Tony Award-winning theater company and its education and community engagement programs, including Project Discovery, Summer Stage, Saturday Sessions, and Community Workshops.

It wouldn't have been a theater benefit without a showstopping performer. When scheduled headliner Michael Urie was called away for filming commitments tied to Shrinking, Dallas Theater Center called on homegrown talent — and the result brought the crowd to its feet. Broadway performer Tiffany Mann, a DFW native with credits including Be More Chill and Waitress, delivered a powerhouse performance - and a few sparkly outfit changes.

The entire program was emceed by Bri Woods and Akron Watson, both fresh off Dallas Theater Center’s acclaimed production of Ragtime. Woods, an SMU Meadows graduate and Linda and Bill Custard Meadows Actor in the Diane and Hal Brierley Resident Acting Company, represented the next generation of Dallas theater talent, while Tony-, Grammy-, and Emmy-winning Watson brought Broadway pedigree and star power to the gala stage.

This year’s gala leadership reflected the milestone spirit of the evening. Rather than appointing a single chair, Dallas Theater Center reunited gala chairs from the past decade to lead CENTERSTAGE 42 collectively. Leadership included Jennifer and Peter Altabef, Mickie and Jeff Bragalone, Stephanie Byrd, Scott Davis, Melinda Johnson, Brett Levy, Michelle Lockhart, Ann Mahowald, Deborah McMurray, Scott Moore, Scott Orr, Andy Smith, Paul Von Wupperfeld, Hamilton Sneed, and Krista Farber Weinstein.

The evening also marked an exciting turning point for Dallas Theater Center as it prepares to enter a new era under incoming Enloe/Rose Artistic Director Jaime Castañeda, a TCU grad who is making his return to DFW. The affable leader introduced himself to the audience with a few fun personal anecdotes (including one involving an Easter bunny suit) and expressed his enthusiasm for the vision and direction of DTC.

Cheers went up as Castañeda made a surprise announcement: That The Lehman Trilogy would be the final show in DTC's 2026-27 season.

Upon retrieving their cars from valet, guests departed with an ingenious gift on their front seat: A thank-you note and invitation for two tickets to the DTC's next production, the world premiere of Jonathan Norton's play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem -on stage now through June 7. "We look forward to welcoming you back to the theater!" read the note.

Spotted in the crowd, enjoying the evening, were DTC patrons and supporters including Zeke Williams, Grace Cook, Jeff Netzer, Lynn McBee, Kristina Kirkenaer-Hart, Ann Mahowald, Michelle Lockhart, Hamilton A Sneed, Krista Farber Weinstein, Caroline Hamilton, Brandi Willis, Paul von Wupperfeld, Andy Smith, Mickie Bragalone, Jeff Bragalone, Deborah McMurray, Glen Davison, Cynthia Smoot, Jeff Netzer, Jeremy Lock, D'Andra Simmons Lock, Lynn Richardson, Elvenn Richardson, Michelle Lockhart, Krista Weinstein, Paul von Wupperfeld, Sarah Jackson, Andy Smith, and many more. (Scroll through the photos, above, to see highlights of the night.)

Photo by Tamytha Cameron

Zeke Williams, Grace Cook, Jeff Netzer, Lynn McBee, Kristina Kirkenaer-Hart

dallas theater center theater galas