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    A Glittering Celebration

    Christine Baranski brings Hollywood sparkle to Dallas luncheon

    Lindsey Wilson
    Nov 25, 2025 | 12:09 pm

    The Omni Dallas Hotel shimmered in ruby tones on November 14 as more than 950 supporters gathered to celebrate a milestone four decades in the making: the Texas Women’s Foundation’s Ruby Anniversary Luncheon.

    The afternoon blended Hollywood sparkle — courtesy of award-winning actress Christine Baranski — with heartfelt tributes to the visionary women who sparked a movement in Texas 40 years ago.

    The annual luncheon, one of the region’s most significant events advancing women and girls, raised an impressive $840,000. More than $112,000 of that came in during the program itself, underscoring the energy in the room and the urgency of the mission.

    TXWF used the occasion to announce a landmark figure: a cumulative $115 million in impact since its founding in 1985. That number includes nearly $90 million in grants to organizations serving women and girls, as well as more than $25 million invested in research, advocacy, and leadership initiatives designed to shape long-term change.

    Board chair Cris Zertuche Wong opened the program by welcoming seven of the Foundation’s 11 living founders, who also served as the event's honorary co-chairs: Susan Shamburger Bagwell, the Honorable Harryette Ehrhardt, Catalina E. Garcia, Frances Griffin-Brown, Helen LaKelly Hunt, the Honorable Kay Bailey Hutchison, Madeline Mandell, Patricia Meadows, Gwendolyn Oliver, CoYoTe PhoeNix, and Rebecca Russell Sykes.

    Their presence cast a powerful through line from 1985 to 2025, reminding guests how a collective of 19 bold women stepped across differences in background, beliefs, and political leanings to create an organization with the singular purpose of supporting Texas women and their families.

    Wong also recognized former Foundation leaders and Ruby Anniversary co-chairs from across the decades: Gail Griswold and Brenda Jackson representing the 1980s; Laura Estrada, the 1990s; Helen Frank, the 2000s; and Shonn Brown, the 2020s.

    TXWF president and CEO Karen Hughes White spoke to the road ahead, noting that while the founders’ vision remains timeless, the challenges facing Texas women have grown more complex. “It will take all of us to create meaningful, lasting, systemic change that levels the playing field for women and, in turn, creates a strong and vibrant Texas for all,” she said.

    Throughout the luncheon, guests were treated to archival video clips of the founders recalling how they built TXWF from scratch: the meetings held around kitchen tables, the spirited debates, the shared belief that change was not only possible but necessary.

    Brown then honored each of the 11 living founders, as well as those who have passed, noting that their collective voice will be further amplified in a forthcoming 40-story collection documenting TXWF's history.

    The afternoon’s featured guest, introduced by Target executive and event sponsor Sabrina Thomas, was the incomparable Christine Baranski, the Emmy and Tony-winning actress of The Good Wife, Cybil, and The Gilded Age.

    In an onstage conversation moderated by former board chair Caren Lock, Baranski charmed the audience with stories from her upbringing in Buffalo, New York, where she grew up in a working-class Polish American family. She spoke of perseverance, discipline, and dreaming big, qualities that carried her to Juilliard and ultimately into a celebrated four-decade career spanning television, film, and theater.

    As the luncheon drew to a close, the mood was equal parts celebratory and forward-looking. Forty years in, the Texas Women’s Foundation continues to push for equity with the same passion that fueled its founding.

    2025 Texas Women's Foundation luncheon

    Photo by Kim Leeson

    Karen Hughes White, Caren Lock, Christine Baranski, Shonn Brown.

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    Mosaic of millinery

    Mad Hatter's 2026 brings beautiful tableau of chapeaux to Dallas Arboretum

    Stephanie Allmon Merry
    Apr 30, 2026 | 12:49 pm
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    It is tradition that each chair of the Dallas Mad Hatter's Luncheon should choose a new theme for each new year - to start with a blank canvas, so to speak. But if a future chair were to repeat the 2026 theme "The Art of the Garden," it's hard to fathom anyone would complain.

    This year's most-anticipated spring luncheon wove the setting itself - the Dallas Arborteum and Botanical Garden - into an event mosaic of marvelous millinery, modeling of fine fashion, and mingling with friends over food and drink.

    The artsy theme was chosen by chairs Reagan Pace, Sheridan Reeder, and honorary chair Anne Stodghill as a way to honor the Dallas arts community, including the city's museums, artists, the Dallas Art Fair, and the burgeoning gallery scene. It also happened to coincide - "as if we had commissioned it ourselves," they write in the program - with sculpture artist Hunt Slonem's large-scale exhibition, "Bunnies, Birds & Butterflies," which had just opened on the grounds of the Arboretum days before the April 25 luncheon.

    Like any masterpiece, Mad Hatter's 2026 also took some risks, rearranged some focal points, and elicited emotion from those in attendance - from awe to "aw dang, it's warm out here."

    Now in its 38th year, Mad Hatter's remains the beloved fundraising event sponsored by the Women’s Council of the Dallas Arboretum and Botanical Garden. It's also one of the most coveted tickets in town.

    Mad Hatter's 2026 This group went all in on a Monet "Water Lilies" theme. Photo by Ashley Gongora

    A few hundred VIPs mingled on the Ginsburg Plaza, clad in their finest floral frocks and with bubbly in hand, for a first look at each other's hats and the first chance to bid on silent auction items. Guests went all out in their execution of the "art" theme - from fascinators featuring Monet's "Water Lilies" to big hats with paint brushes and palettes.

    It was also the first time folks got to view the new set-up for the event's fashion show. Instead of the traditional catwalk inside Rosine Hall, the runway would be the al fresco pathway through the garden between Rosine and A Tasteful Place (a risk, considering it had been a cloudy, windy morning). Pretty paper parasols had been placed on each seat, which would prove useful not only as sun protection, but as seat place holders.

    At 11 am, clouds parted, the sun came out, and the crowd of about 500 took their seats (and opened their parasols) for the fashion show featuring the designs of acclaimed Dallas designer Esé Azenabor. The unmistakable intro to Abba's "Dancing Queen" came over the speakers, and to the audience's surprise and delight, a group of little girls - not grown-up fashion models - appeared on the stage. Walking two by two on the runway, they modeled Azenabor's darling new children's collection.

    Then, legendary fashion show producer Jan Strimple began sending models out to showcase more than 50 stunning looks by Azenabor, including breathtaking ballgowns and wedding gowns with intricate ornamentation and draping. The audience was so close to the runway that the rhythmic "swishing" of silk and "clinking" of beading could be heard as the models walked by. "I felt like I was Anna Wintour at the front row of Fashion Week," one attendee could be overheard saying. The program provided descriptions and prices for all the designs - from slightly less than $1,000 to $28,000 - adding to the fairy tale of it all.

    Mad Hatter's 2026 One of the stunning couture gowns in the Ese Azenabor fashion show. Photo by Ashley Gongora

    Instead of the luncheon following the fashion show this year, an outdoor reception took place around the plaza. Here, the hat judges got up-close looks at the most impressive creations of the day, and guests posed for each other's photos and videos. DJ Lucy Wrubel - wearing a party-ready hat topped with a champage bottle - kept the beats lively.

    With temperatures pushing toward 85 degrees, some patrons headed inside to the air-conditioned relief of Rosine Hall and A Tasteful Place, and began enjoying the cold water set at their place for lunch.

    The big moment came when hat awards were announced in seven art-themed categories. Winners and judges were:

    • The Inaugural Carole Ann Brown Best in Show: Prashe Shah (judged by honorary chair Anne Stodghill)
    • Italian Masters: Debbie Murray ("classical creations," judged by Capera Ryan)
    • Impressionists: D&M Leasing group ("best group category," judged by Nicole Myers)
    • Surrealism: Elizabeth Smith ("over the top creations," judged by Sharon Lee Clarke)
    • Rococo: Sarah Ring ("best use of live botanicals," judged by Eliot Whitall)
    • Cubism: Allison Brodnax’s group ("monochromatic geometry," judged by Hannah Fagadau)
    • Pop Art: Erin Jett ("brightly colored tribute to pop culture," judged by John Sughrue)

    Mad Hatter's 2026 "Surrealism" category winner Elizabeth Smith, whose hat twirled around like a carousel. Photo by Ashley Gongora

    At tables adorned with gorgeous spring floral centerpieces by Gro Designs and The T Shop, guests dined on a spring salad of mixed greens, feta, candied pecans, pickled onions, and champagne vinaigrette; a plate of finger sandwiches (chicken salad and pimento cheese), Greek pasta salad, and mini mandarin orange souffle; and a decadent individual carrot cake for dessert. Wine stewards kept glasses filled.

    Attendees adjusted their hats for some final photos at the valet line, and picked up their swag bags filled with goodies from Eataly.

    Money raised through Mad Hatter's assists with the development, growth and maintenance of A Woman’s Garden, a major garden at the Arboretum.

    Scroll through the photos, above, to see who was there and glimpse all the highlights of the hats, fashion show, and more.

    Mad Hatter's 2026

    Photo by Ashley Gongora

    The winning group of the "Impressionists" category in the hat contest.

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