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Cowboys Cut Their Losses

Jerry Jones has to stop writing contracts like Miles Austin's

Matthew Postins
Mar 13, 2014 | 8:19 am

Miles Austin’s contract is another recent example of the kind that Dallas Cowboys owner and general manager Jerry Jones needs to stop writing.

The Cowboys cut the wide receiver on March 12, designating him as a June 1 release. That means the Cowboys can spread his cap hit out over two seasons, as opposed to one. So in 2014, Austin will count $5.5 million against the salary cap; in 2015 he’ll count $5.1 million against it.

It helps get the Cowboys out of a contract that, frankly, shouldn’t have been written in the first place.

Austin was making the type of money NFL teams pay No. 1 receivers. Since the 2009 season, he never approached those numbers.

Jones rewarded Austin’s meteoric rise after the 2009 season with a six-year, $54 million contract. Entering 2009, Austin had a combined 18 catches in his first two NFL seasons and was no factor in the offense. In 2009, Austin caught 81 passes for 1,320 yards and 11 touchdowns. Seems worth the money, right?

Not when you consider that Austin, to that point, was a one-year wonder with no real track record in the NFL. Say what you want about the amount of money Jones paid DeMarcus Ware, but he was worth the price tag up until last season. Ware had a track record when Jones rewarded him with a second contract.

Austin’s contract was tinged with a bit of desperation. He emerged because the Cowboys parted ways with Terrell Owens after the 2008 season and because Roy Williams was out with an injury. Williams had one more year left on his deal, and he wasn’t producing at the level of a first-round pick. Aside from Jason Witten, there wasn’t much for Jones to look forward to at the position.

So Jones rolled the dice and handed Austin a ton of money. That contract included an exorbitant base salary in 2010 of $17 million, which came during the NFL’s uncapped year. The NFL punished the Cowboys with $10 million in cap penalties, due in part to Austin’s deal.

But the bigger issue is that Austin was making the type of money NFL teams pay No. 1 receivers. Since that 2009 season, he never approached those numbers.

Two seasons came close. In 2010 and 2012, he caught at least 66 passes and at least six touchdowns. In fact he reached the Pro Bowl in 2010. But he also fought injuries, most notably a pesky hamstring that seemed to crop up repeatedly. He missed six games in 2012 due to an injury and only caught 43 passes. He still managed to catch a half-dozen touchdowns.

But last season Austin bottomed out. His hamstring robbed him of five games. Rookie Terrance Williams took care of the rest. Austin ended up with just 24 catches and no touchdowns. Even when Austin got right, Williams had taken Austin’s place in the lineup.

The downturn in production, the upturn in Austin’s injuries and the emergence of Williams collided with the remaining years of Austin’s contract and forced Jones’ hand. The Cowboys combined Austin’s poorly written deal with a restructure in 2013 that deferred more of the cap hit to the end of the contract. So heading into 2014, the Cowboys faced a cap hit of nearly $40 million on the remaining four years of Austin’s deal, mostly due to huge base salaries.

Jones didn’t have much choice. The longer he kept Austin, the worse the cap hit became. Plus, Austin is about to turn 30, so his hamstrings aren’t getting any younger.

Jones was right to let Austin go. He was wrong to sign Austin to that kind of a deal in the first place. Wednesday’s decision was a tacit acknowledgement of that mistake. Had Jones been a little more prudent a few years ago, Austin might still be a Cowboy.

unspecified
news/sports

Texas Touchdown

This new interactive exhibit captures a century of Texas football history

Kimberly Reeves
Aug 12, 2026 | 3:46 pm
DeMarco Murray of the Dallas Cowboys
Photo courtesy of Dallas Cowboys
Football season is just weeks away, and a new online exhibit from the Texas Archive of the Moving Image explores more than a century of the sport's history in Texas.

Football season is just weeks away, and before Friday night lights return and college stadiums roar back to life, Texans can get an early kickoff with Game Film: Texas Football Culture in Motion, a new interactive online exhibit. The project from the Texas Archive of the Moving Image celebrates more than a century of the state's high school, college, and professional football history.

The free digital exhibit uses archival game film, home movies, television broadcasts, and local news coverage to explore how football is woven into the fabric of Texas life. Rather than presenting a collection of videos, the archive has curated an interactive experience that lets visitors discover the people, traditions, innovations, and defining moments behind the state's football culture.

Game Film encourages exploration through interactive features. Visitors can follow a timeline of football milestones spanning high school, college, and professional football, click through an interactive state map highlighting archival footage available from schools and programs across the state, or browse themed collections devoted to Friday night culture and fan traditions.

This project, unveiled July 31, was curated by Katharine Austin, a longtime curator at the Texas Archive, as part of the Texas Film Commission's Texas Moving Image Archive Program.

The interactive timeline traces the sport from its earliest days through the modern era, spotlighting milestones including:

  • 1894: the beginning of the Texas-Texas A&M rivalry
  • 1900: the first Red River Rivalry
  • 1914: the formation of the Southwest Conference
  • 1921: the UIL's first state football championship
  • 1938: TCU quarterback Davey O'Brien becoming the first player from a Texas college to win the Heisman Trophy
  • 1959: the founding of the Houston Oilers
  • 1960: the Dallas Cowboys joining the NFL
  • 1987: SMU's NCAA "death penalty"
  • 1996: Drew Brees leading Westlake High School to its first state football championship
  • 1999: Houston being awarded the NFL expansion franchise that became the Texans

Many later entries include original television reports and archival footage from the events themselves.

An interactive state map offers another way to explore the collection, highlighting schools, colleges, and professional teams represented in the archive.

One click reveals a silent film of Austin High School's 20-7 victory over Sunset High in the 1942 UIL state championship, while another captures Timpson High School's homecoming celebration in East Texas, complete with parade floats, marching bands, and community festivities. Other sections spotlight Friday night traditions, Darrell Royal's wishbone offense, Bill Yeoman's Veer defense, behind-the-scenes stories from the Houston Oilers, and the invention of the quarterback flak jacket.

Game Film is the latest in a series of interactive exhibits from the Texas Archive of the Moving Image, joining projects including Women on the Move, Journey to the Moon Through Texas, Meet Me in San Antonio, La Frontera Fluid, and Breaking News: Rescuing the First Draft of History.

The archive's broader collection and the nonprofit both accept public donations of historic films, videotapes, photographs, and other moving-image materials, helping preserve Texas stories for future generations.

archives college football dallas cowboys film football history
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