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All About The Benjamins

Dallas Mavericks wheel and deal on NBA draft night to land Shane Larkin

Matthew Postins
Jun 28, 2013 | 1:40 pm

When is your draft pick not actually your draft pick? In the NBA Draft. History will show that the Dallas Mavericks selected Gonzaga center Kelly Olynyk in the first round (No. 13 overall) on Thursday night. But they did so in name only.

Such is the insane, unpredictable, convoluted framework of the NBA Draft.

Let’s start with Olynyk. The Mavericks needed a center. He’s a 7-footer, so the selection was logical. But Olynyk wasn’t long for Dallas. No, less than an hour later the Mavs were packaging him to Boston for another 7-footer, Lucas Nogueira, from Brazil. The Mavs received a pair of 2014 draft picks in the deal.

All of the Mavericks’ draft-night shenanigans were designed to save money.

Why on earth wouldn’t Dallas just take Nogueira? Well, I guess Boston wanted him so badly they were willing to part with a pair of second-round picks to get him. In truth, that’s good value for Dallas. Had the Mavs kept Nogueira, we’d be trumpeting that value.

But the Mavs didn’t keep him. In fact, shortly after that Nogueira was on his way to Atlanta. That’s because the Mavs sent him and last year’s first-round pick, Jared Cunningham, to the Hawks for University of Miami guard Shane Larkin, a player the Hawks selected at No. 18, presumably at Dallas’ behest.

The Mavs needed a point guard, and Larkin was one of the best in college basketball last season. Larkin might start immediately. If Dallas wanted Larkin so badly, why didn’t it just take him at No. 13 in the first place?

Money, of course.

The Mavericks reportedly need about $21 million in first-year salary money to offer Lakers center Dwight Howard the maximum contract, should he hit the free agent market in July. The Mavericks don’t quite have that yet.

All of the Mavericks’ draft-night shenanigans were designed to save money. There is a rookie wage scale in the NBA and all selections have a pre-determined salary. The Mavs wanted Larkin, but didn’t want to pay the extra money.

The Hawks obviously wanted Nogueira all along. The Celtics wanted Olynyk but couldn’t get him on their own. So the Mavs found two willing partners to execute trades that made everyone happy.

The Mavs get Larkin for about $375,000 less than they would have spent had they picked him at No. 13, according to published reports. Dealing Cunningham saved more than $700,000.

It’s still not enough to sign Howard today, but it’s a signal to Howard’s agent that the Mavs are making moves to put themselves in the best possible position to pursue the All-Star center come July.

The Mavericks also selected Mike Muscala in the second round and then dealt him to Milwaukee for Ricky Ledo. Did the Mavericks get better in this draft? It looks like they did. But that mattered little in the grand scheme. The Mavericks’ goal isn’t to get better for the future. It’s to get better now.

And that’s why the Mavericks worked so hard on draft night to do something that, in any other year, would have simply required a more direct approach.

Surprise! Shane Larkin is the newest Dallas Maverick.

unspecified
news/sports

Texas Touchdown

This new interactive exhibit captures a century of Texas football history

Kimberly Reeves
Aug 12, 2026 | 3:46 pm
DeMarco Murray of the Dallas Cowboys
Photo courtesy of Dallas Cowboys
Football season is just weeks away, and a new online exhibit from the Texas Archive of the Moving Image explores more than a century of the sport's history in Texas.

Football season is just weeks away, and before Friday night lights return and college stadiums roar back to life, Texans can get an early kickoff with Game Film: Texas Football Culture in Motion, a new interactive online exhibit. The project from the Texas Archive of the Moving Image celebrates more than a century of the state's high school, college, and professional football history.

The free digital exhibit uses archival game film, home movies, television broadcasts, and local news coverage to explore how football is woven into the fabric of Texas life. Rather than presenting a collection of videos, the archive has curated an interactive experience that lets visitors discover the people, traditions, innovations, and defining moments behind the state's football culture.

Game Film encourages exploration through interactive features. Visitors can follow a timeline of football milestones spanning high school, college, and professional football, click through an interactive state map highlighting archival footage available from schools and programs across the state, or browse themed collections devoted to Friday night culture and fan traditions.

This project, unveiled July 31, was curated by Katharine Austin, a longtime curator at the Texas Archive, as part of the Texas Film Commission's Texas Moving Image Archive Program.

The interactive timeline traces the sport from its earliest days through the modern era, spotlighting milestones including:

  • 1894: the beginning of the Texas-Texas A&M rivalry
  • 1900: the first Red River Rivalry
  • 1914: the formation of the Southwest Conference
  • 1921: the UIL's first state football championship
  • 1938: TCU quarterback Davey O'Brien becoming the first player from a Texas college to win the Heisman Trophy
  • 1959: the founding of the Houston Oilers
  • 1960: the Dallas Cowboys joining the NFL
  • 1987: SMU's NCAA "death penalty"
  • 1996: Drew Brees leading Westlake High School to its first state football championship
  • 1999: Houston being awarded the NFL expansion franchise that became the Texans

Many later entries include original television reports and archival footage from the events themselves.

An interactive state map offers another way to explore the collection, highlighting schools, colleges, and professional teams represented in the archive.

One click reveals a silent film of Austin High School's 20-7 victory over Sunset High in the 1942 UIL state championship, while another captures Timpson High School's homecoming celebration in East Texas, complete with parade floats, marching bands, and community festivities. Other sections spotlight Friday night traditions, Darrell Royal's wishbone offense, Bill Yeoman's Veer defense, behind-the-scenes stories from the Houston Oilers, and the invention of the quarterback flak jacket.

Game Film is the latest in a series of interactive exhibits from the Texas Archive of the Moving Image, joining projects including Women on the Move, Journey to the Moon Through Texas, Meet Me in San Antonio, La Frontera Fluid, and Breaking News: Rescuing the First Draft of History.

The archive's broader collection and the nonprofit both accept public donations of historic films, videotapes, photographs, and other moving-image materials, helping preserve Texas stories for future generations.

archives college football dallas cowboys film football history
news/sports
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