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Dirk's New Running Buddy

Mavs' acquisition of Chandler Parsons puts salve on Vince Carter wound

Matthew Postins
Jul 14, 2014 | 2:54 pm

The Houston Rockets blinked Sunday night when they chose not to match the Dallas Mavericks’ offer sheet to forward Chandler Parsons. It was a surprising turn of events, but the Mavs aren’t complaining.

In one of the stranger NBA free agency periods in recent memory, everyone waited for LeBron James to make his decision. Sure, both the Mavs and Rockets made a play for James — and for the Knicks’ Carmelo Anthony, for that matter — but in all likelihood, neither was coming to the Lone Star State. James’ decision, however, would influence which players did end up in Dallas and Houston

The Mavs had a plan — or, in this case, a plan A, plan B and plan C. Plan A was getting lucky on either James or Anthony. Plan B was a tier of players that could help them immediately, including Parsons. So when the Mavs offered the restricted free agent a three-year, $46 million contract Thursday night — followed by Parsons and Mavs owner Mark Cuban hitting the club — that ended plan A.

Dallas needed a third legit scoring option to go with Dirk Nowitzki and Monta Ellis. Parsons is certainly that, as he blossomed in Houston.

Plan B was no given. The Rockets, per NBA rules, were given 72 hours to match Dallas’ offer once the Mavs returned the offer sheet to the Rockets. The Rockets were playing a waiting game of their own. They were courting Heat forward Chris Bosh, and the rumor was that if the Rockets could sign Bosh to a maximum contract, they would still have enough money to match the Parsons offer.

But for Bosh to move, James had to make a decision, and on Friday morning he did: the Cleveland Cavaliers. As James made all sorts of noise about going home, the belief by some was that Bosh would now go somewhere else, as it appeared the Heat were about to go ice cold. The Rockets had the stars aligned perfectly — until the Heat offered Bosh a max deal, and he chose to stay in Miami.

Although that stung the Rockets, most fans would consider Parsons a nice consolation prize. Apparently the Rockets disagreed. Instead of matching the Mavs’ offer for Parsons, they chose to sign free-agent forward Trevor Ariza.

The big reason? Money, of course. The Rockets signed Ariza for four years and $32 million. That’s cheap in the NBA world.

But did the Mavericks make out better? Dallas needed a third legit scoring option to go with Dirk Nowitzki and Monta Ellis. Parsons is certainly that, as he blossomed in Houston.

Last season Parsons averaged 16.6 points, 5.5 rebounds and 4.0 assists. He’s also a career 37 percent shooter from 3-point range, so he automatically becomes the Mavs’ second-best 3-point shooter.

Chandler is just 25 years old, and the Mavs have struggled to find quality young players. He’s not a build-a-team-around-him superstar, but he’s a fine offensive piece that has more room to grow.

The Mavs will also like Parsons’ ability to dribble to the rim and his ability to protect the ball (he averages 1.7 turnovers per game). About the only thing he doesn’t upgrade is the Mavs’ defense, but what else is new?

The Mavs did overpay for Parsons; let’s be clear about that. But they had the money to overpay, Parsons is only tied to the Mavs for three years, and Nowitzki’s new contract — believed to be about $10 million per year — gave the Mavs great flexibility this year and beyond.

Parsons’ contract puts a salve on the loss of Vince Carter, who signed with Memphis while this drama unfolded. Plus, the Mavs signed veteran shooter Richard Jefferson away from Utah, a low-wattage deal that could pay off like Carter’s deal did.

Meanwhile, Shawn Marion, the team’s best defender and most versatile player, twists in the wind waiting to see where he lands. But his days in Dallas are likely done. Parsons’ contract — and the curious game of NBA telephone that helped him land in Dallas — has taken care of that.

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Texas Touchdown

This new interactive exhibit captures a century of Texas football history

Kimberly Reeves
Aug 12, 2026 | 3:46 pm
DeMarco Murray of the Dallas Cowboys
Photo courtesy of Dallas Cowboys
Football season is just weeks away, and a new online exhibit from the Texas Archive of the Moving Image explores more than a century of the sport's history in Texas.

Football season is just weeks away, and before Friday night lights return and college stadiums roar back to life, Texans can get an early kickoff with Game Film: Texas Football Culture in Motion, a new interactive online exhibit. The project from the Texas Archive of the Moving Image celebrates more than a century of the state's high school, college, and professional football history.

The free digital exhibit uses archival game film, home movies, television broadcasts, and local news coverage to explore how football is woven into the fabric of Texas life. Rather than presenting a collection of videos, the archive has curated an interactive experience that lets visitors discover the people, traditions, innovations, and defining moments behind the state's football culture.

Game Film encourages exploration through interactive features. Visitors can follow a timeline of football milestones spanning high school, college, and professional football, click through an interactive state map highlighting archival footage available from schools and programs across the state, or browse themed collections devoted to Friday night culture and fan traditions.

This project, unveiled July 31, was curated by Katharine Austin, a longtime curator at the Texas Archive, as part of the Texas Film Commission's Texas Moving Image Archive Program.

The interactive timeline traces the sport from its earliest days through the modern era, spotlighting milestones including:

  • 1894: the beginning of the Texas-Texas A&M rivalry
  • 1900: the first Red River Rivalry
  • 1914: the formation of the Southwest Conference
  • 1921: the UIL's first state football championship
  • 1938: TCU quarterback Davey O'Brien becoming the first player from a Texas college to win the Heisman Trophy
  • 1959: the founding of the Houston Oilers
  • 1960: the Dallas Cowboys joining the NFL
  • 1987: SMU's NCAA "death penalty"
  • 1996: Drew Brees leading Westlake High School to its first state football championship
  • 1999: Houston being awarded the NFL expansion franchise that became the Texans

Many later entries include original television reports and archival footage from the events themselves.

An interactive state map offers another way to explore the collection, highlighting schools, colleges, and professional teams represented in the archive.

One click reveals a silent film of Austin High School's 20-7 victory over Sunset High in the 1942 UIL state championship, while another captures Timpson High School's homecoming celebration in East Texas, complete with parade floats, marching bands, and community festivities. Other sections spotlight Friday night traditions, Darrell Royal's wishbone offense, Bill Yeoman's Veer defense, behind-the-scenes stories from the Houston Oilers, and the invention of the quarterback flak jacket.

Game Film is the latest in a series of interactive exhibits from the Texas Archive of the Moving Image, joining projects including Women on the Move, Journey to the Moon Through Texas, Meet Me in San Antonio, La Frontera Fluid, and Breaking News: Rescuing the First Draft of History.

The archive's broader collection and the nonprofit both accept public donations of historic films, videotapes, photographs, and other moving-image materials, helping preserve Texas stories for future generations.

archives college football dallas cowboys film football history
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