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    Cubist news

    Dallas museum mounts pioneering Spanish artist's first U.S. solo exhibition in 35 years

    Stephanie Allmon Merry
    Jan 6, 2020 | 2:55 pm
    Juan Gris, Fantômas, 1915, National Gallery of Art, Washington, Chester Dale Fund
    Juan Gris, Fantômas, 1915, from the National Gallery of Art, Washington.
    Photo courtesy of Dallas Museum of Art

    The Dallas Museum of Art is giving an underappreciated Spanish artist known as a pioneer in the Cubist movement his first U.S. exhibition in more than 35 years. "Cubism in Color: The Still Lifes of Juan Gris" will premiere in Dallas from November 8, 2020 through February 14, 2021, and then travel to Baltimore, where it will show March 21 through July 11, 2021. The display is co-organized with The Baltimore Museum of Art.

    According to a release, the exhibition "highlights the artist’s pioneering and revolutionary contributions to the Cubist movement by focusing on his fascination with subjects drawn from everyday life." It will include more than 40 paintings and collages from all major periods of the artist’s life, which ended early at age 40.

    Born José Victoriano Carmelo Carlos González-Pérez in Madrid, Juan Gris (1887-1927) made major contributions to the development of Cubism in the early 20th century. Among his great fans was writer and art collector Gertrude Stein, who considered him “a perfect painter,” the release says. But his role within the Cubist movement has often been overshadowed by more-famous artists Pablo Picasso, Georges Braque, and Fernand Léger.

    His works are among the movement’s most distinctive and inventive, featuring still-life compositions with vibrant colors, bold patterns, and a constantly shifting approach. "By bringing together more than 40 of Gris’s most distinctive still lifes from major European and American collections, 'Cubism in Color' will reveal the virtuosic range of the artist’s short yet prolific career, illuminating his boundary-pushing contributions to Cubism and his assumption of the role of the movement’s leader in the aftermath of World War I," the museum says.

    "Cubism in Color: The Still Lifes of Juan Gris" is co-curated by Nicole R. Myers, The Barbara Thomas Lemmon Senior Curator of European Art at the DMA, and Katy Rothkopf, the BMA’s Senior Curator and Department Head of European Painting and Sculpture. The exhibition will include loans from international collections including the Museum of Modern Art, New York; the Philadelphia Museum of Art; the National Gallery of Art, Washington, D.C.; and the Telefónica Cubist Collection and Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, among others.

    “It is extraordinarily rare to see so many works by Juan Gris together, particularly in the United States," says Agustín Arteaga, the DMA’s Eugene McDermott Director," in the release. "We are pleased to bring them together for this exhibition to offer a rich and nuanced re-examination of the artist’s important role in a defining art-historical movement. As the DMA aims to explore new or underrepresented narratives in art history through its exhibitions and programs, we’re excited to introduce our audiences to the life and legacy of this principal figure within Cubism.”

    Adds Rothkopf, “This exhibition gives us the wonderful opportunity to highlight major works by Gris in both the DMA’s and BMA’s collections, putting them into a new context for the first time in decades.

    "Seeing how Gris took the same motifs of musical instruments, playing cards, newspapers, bottles, glasses, and table tops and used them in his still-life compositions in different and innovative ways throughout his brief but productive career is extraordinary.”

    For more information about the artist and the exhibition, visit the DMA's website.

    museums
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts
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