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    Cubist news

    Dallas museum mounts pioneering Spanish artist's first U.S. solo exhibition in 35 years

    Stephanie Allmon Merry
    Jan 6, 2020 | 2:55 pm
    Juan Gris, Fantômas, 1915, National Gallery of Art, Washington, Chester Dale Fund
    Juan Gris, Fantômas, 1915, from the National Gallery of Art, Washington.
    Photo courtesy of Dallas Museum of Art

    The Dallas Museum of Art is giving an underappreciated Spanish artist known as a pioneer in the Cubist movement his first U.S. exhibition in more than 35 years. "Cubism in Color: The Still Lifes of Juan Gris" will premiere in Dallas from November 8, 2020 through February 14, 2021, and then travel to Baltimore, where it will show March 21 through July 11, 2021. The display is co-organized with The Baltimore Museum of Art.

    According to a release, the exhibition "highlights the artist’s pioneering and revolutionary contributions to the Cubist movement by focusing on his fascination with subjects drawn from everyday life." It will include more than 40 paintings and collages from all major periods of the artist’s life, which ended early at age 40.

    Born José Victoriano Carmelo Carlos González-Pérez in Madrid, Juan Gris (1887-1927) made major contributions to the development of Cubism in the early 20th century. Among his great fans was writer and art collector Gertrude Stein, who considered him “a perfect painter,” the release says. But his role within the Cubist movement has often been overshadowed by more-famous artists Pablo Picasso, Georges Braque, and Fernand Léger.

    His works are among the movement’s most distinctive and inventive, featuring still-life compositions with vibrant colors, bold patterns, and a constantly shifting approach. "By bringing together more than 40 of Gris’s most distinctive still lifes from major European and American collections, 'Cubism in Color' will reveal the virtuosic range of the artist’s short yet prolific career, illuminating his boundary-pushing contributions to Cubism and his assumption of the role of the movement’s leader in the aftermath of World War I," the museum says.

    "Cubism in Color: The Still Lifes of Juan Gris" is co-curated by Nicole R. Myers, The Barbara Thomas Lemmon Senior Curator of European Art at the DMA, and Katy Rothkopf, the BMA’s Senior Curator and Department Head of European Painting and Sculpture. The exhibition will include loans from international collections including the Museum of Modern Art, New York; the Philadelphia Museum of Art; the National Gallery of Art, Washington, D.C.; and the Telefónica Cubist Collection and Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain, among others.

    “It is extraordinarily rare to see so many works by Juan Gris together, particularly in the United States," says Agustín Arteaga, the DMA’s Eugene McDermott Director," in the release. "We are pleased to bring them together for this exhibition to offer a rich and nuanced re-examination of the artist’s important role in a defining art-historical movement. As the DMA aims to explore new or underrepresented narratives in art history through its exhibitions and programs, we’re excited to introduce our audiences to the life and legacy of this principal figure within Cubism.”

    Adds Rothkopf, “This exhibition gives us the wonderful opportunity to highlight major works by Gris in both the DMA’s and BMA’s collections, putting them into a new context for the first time in decades.

    "Seeing how Gris took the same motifs of musical instruments, playing cards, newspapers, bottles, glasses, and table tops and used them in his still-life compositions in different and innovative ways throughout his brief but productive career is extraordinary.”

    For more information about the artist and the exhibition, visit the DMA's website.

    museums
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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