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    Texas in New York

    Tony and Drama Desk award nominations put Texas in the spotlight

    Lindsey Wilson
    Apr 30, 2013 | 4:00 pm

    Theater award season fever has struck New York, but we are feeling the effects all the way down in Texas. The nominations for the Drama Desk Awards came out yesterday, and this morning theater-turned-TV stars Sutton Foster (Bunheads) and Jesse Tyler Ferguson (Modern Family) announced who would soon be vying for a Tony Award. Shows with Texas ties showed up on both lists.

    Productions from Broadway, Off-Broadway and Off-Off-Broadway are eligible for the Drama Desk Awards, which are voted on by theater critics, journalists, editors and publishers covering theater “without any vested interest in the results.” The ceremony will be held May 19 at The Town Hall (a nonprofit culture organization and performance venue) in Manhattan.

    The Antoinette Perry “Tony” Awards are a joint venture by the Broadway League and the American Theatre Wing and salute “excellence in Broadway theater.” The three-hour show will be broadcast live by CBS on June 9.

    Below, a quick rundown of who’s in the hunt and how it relates to Texas:

    Giant
    Dallas Theater Center and New York’s The Public Theater co-produced the reworked musical version of Edna Ferber’s sprawling, Texas-set 1952 novel last January, and it made the jump to Off-Broadway in October. Now it leads the pack of Drama Desk contenders with nine nominations, including Outstanding Musical, Outstanding Music and Outstanding Lyrics for Michael John LaChiusa, and Outstanding Book of a Musical for Sybille Pearson.

    Kate Baldwin and John Dossett, who played Leslie Benedict and Uncle Bawley, respectively, during both the Dallas and New York runs, are up for Outstanding Actress in a Musical and Outstanding Featured Actor in a Musical.

    Ann
    Holland Taylor is getting recognized by both groups for her turn as the late Ann Richards. The one-woman show about the charismatic former Texas governor — which she also wrote — has been playing on Broadway since March, following productions mounted in Galveston, San Antonio and Austin, as well as Chicago and Washington, D.C. Taylor is up for a Tony for Best Performance by an Actress in a Leading Role in a Play; she is a nominee for Outstanding Solo Performance at the Drama Desk Awards.

    Bring It On: The Musical
    Okay, so there are no Texans behind this show per se, but it did make a surprisingly well-received stop at Dallas Summer Musicals before hitting Broadway for a limited engagement in August. Dallas critics were pleasantly taken in by the show’s infectious music (by Lin-Manuel Miranda, Amanda Green and Tom Kitt) and high-flying choreography (by Andy Blankenbuehler).

    The Tonys are recognizing both with nominations for Best Musical and Best Choreography. The Drama Desk Awards are doling out the love with noms for Outstanding Director of a Musical and Outstanding Choreography (both Blankenbuehler), Outstanding Lyrics for Green and Miranda, Outstanding Sound Design for Brian Ronan, and Outstanding Book of a Musical for Jeff Whitty.

    Hands on a Hardbody
    Even though it shuttered on the Great White Way earlier in April, the documentary-based musical about a yearly competition in Longview, Texas, where contestants see who can keep their hands on a pickup truck the longest, scored quite a few nominations. Besides one for Outstanding Musical, the Drama Desk bestowed eight others on the show, tying it with Giant for most nominations.

    The rest are Outstanding Featured Actress in a Musical (Keala Settle) and Outstanding Featured Actor in a Musical (Keith Carradine), Outstanding Choreography for Sergio Trujillo, Outstanding Book of a Musical for Dallas native Doug Wright, Outstanding Sound Design in a Musical for Steve Canyon Kennedy, Outstanding Music for Trey Anastasio and Amanda Green, Outstanding Orchestrations for Anastasio and Don Hart, and Outstanding Lyrics for Green (who’s having a killer awards season so far).

    As for Tony nominations, Hands on a Hardbody weighed in with three: Best Original Score and Best Featured Actor/Actress in a Musical for Carradine and Settle.

    Dallas Theater Center's co-production of Giant leads the nominations of Drama Desk Awards.

    Giant was co-produced by Dallas Theater Center
    Photo by Karen Almond
    Dallas Theater Center's co-production of Giant leads the nominations of Drama Desk Awards.
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    Final bow

    Dallas Opera CEO steps down and departs for Canada — again

    Stephanie Allmon Merry
    Feb 10, 2026 | 2:50 pm
    Joyce Goss, Ian Derrer, Lynn McBee
    Photo by WJNPHOTO
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    For the second time in a decade, a Dallas Opera CEO is leaving Dallas and heading to Canada: Ian Derrer, who has been the TDO Kern Wildenthal General Director and CEO since 2018, will not renew his contract when it concludes at the end of this fiscal year, TDO announced in a release on February 10.

    Derrer has been named General Director of the Canadian Opera Company (COC) in Toronto and will assume the role on July 1, the release says.

    “This is a bittersweet moment for The Dallas Opera,” said Board Chair Quincy Roberts in a statement. “While we are thrilled for Ian and his new adventure, we’re sorry to lose such a creative and collaborative leader. His tenure with the company has been marked by great successes, including the recent fundraising campaign which has strengthened our fiscal position. We are grateful for his dedication to advancing opera in North Texas, and we wish him well.”

    Derrer, a graduate of the SMU's Meadows School of the Arts, became the eighth general director in TDO's history. It marked a return to Dallas for Derrer (then the general director of Kentucky Opera), who served as artistic administrator of the Meadows School from 2014-16.

    Derrer was named head of TDO in 2018, less than four months after then-CEO and general director Keith Cerny announced his resignation and headed for a post in Canada: as general director and CEO of Calgary Opera.

    Cerny was lured back to North Texas the next year to become CEO of the Fort Worth Symphony Orchestra, a position he still holds.

    Dallas Opera administrators praised Derrer's tenure with the company, including his steady navigating of the pandemic; creating innovative ways to reach worldwide audiences; raising $54.5 million in six months and doubling its endowment; and commissioning and mounting multiple world premieres, the most recent of which garnered worldwide attention and rave reviews: Joby Talbot and Gene Scheer’s The Diving Bell and the Butterfly.

    “I am truly proud of the work that we’ve accomplished here in Dallas, and I know that I leave this great company in a solid position for its future,” said Derrer in a statement. “I am so very fortunate to have been able to work with a board, staff, and community that deeply loves opera, especially our music director, Emmanuel Villaume. While I look forward to this new opportunity with COC, I offer my sincerest gratitude and admiration to everyone at TDO and to the generous arts community in North Texas.”

    TDO has not announced plans for a search for Derrer's replacement.

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