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    Texas in New York

    Tony and Drama Desk award nominations put Texas in the spotlight

    Lindsey Wilson
    Apr 30, 2013 | 4:00 pm

    Theater award season fever has struck New York, but we are feeling the effects all the way down in Texas. The nominations for the Drama Desk Awards came out yesterday, and this morning theater-turned-TV stars Sutton Foster (Bunheads) and Jesse Tyler Ferguson (Modern Family) announced who would soon be vying for a Tony Award. Shows with Texas ties showed up on both lists.

    Productions from Broadway, Off-Broadway and Off-Off-Broadway are eligible for the Drama Desk Awards, which are voted on by theater critics, journalists, editors and publishers covering theater “without any vested interest in the results.” The ceremony will be held May 19 at The Town Hall (a nonprofit culture organization and performance venue) in Manhattan.

    The Antoinette Perry “Tony” Awards are a joint venture by the Broadway League and the American Theatre Wing and salute “excellence in Broadway theater.” The three-hour show will be broadcast live by CBS on June 9.

    Below, a quick rundown of who’s in the hunt and how it relates to Texas:

    Giant
    Dallas Theater Center and New York’s The Public Theater co-produced the reworked musical version of Edna Ferber’s sprawling, Texas-set 1952 novel last January, and it made the jump to Off-Broadway in October. Now it leads the pack of Drama Desk contenders with nine nominations, including Outstanding Musical, Outstanding Music and Outstanding Lyrics for Michael John LaChiusa, and Outstanding Book of a Musical for Sybille Pearson.

    Kate Baldwin and John Dossett, who played Leslie Benedict and Uncle Bawley, respectively, during both the Dallas and New York runs, are up for Outstanding Actress in a Musical and Outstanding Featured Actor in a Musical.

    Ann
    Holland Taylor is getting recognized by both groups for her turn as the late Ann Richards. The one-woman show about the charismatic former Texas governor — which she also wrote — has been playing on Broadway since March, following productions mounted in Galveston, San Antonio and Austin, as well as Chicago and Washington, D.C. Taylor is up for a Tony for Best Performance by an Actress in a Leading Role in a Play; she is a nominee for Outstanding Solo Performance at the Drama Desk Awards.

    Bring It On: The Musical
    Okay, so there are no Texans behind this show per se, but it did make a surprisingly well-received stop at Dallas Summer Musicals before hitting Broadway for a limited engagement in August. Dallas critics were pleasantly taken in by the show’s infectious music (by Lin-Manuel Miranda, Amanda Green and Tom Kitt) and high-flying choreography (by Andy Blankenbuehler).

    The Tonys are recognizing both with nominations for Best Musical and Best Choreography. The Drama Desk Awards are doling out the love with noms for Outstanding Director of a Musical and Outstanding Choreography (both Blankenbuehler), Outstanding Lyrics for Green and Miranda, Outstanding Sound Design for Brian Ronan, and Outstanding Book of a Musical for Jeff Whitty.

    Hands on a Hardbody
    Even though it shuttered on the Great White Way earlier in April, the documentary-based musical about a yearly competition in Longview, Texas, where contestants see who can keep their hands on a pickup truck the longest, scored quite a few nominations. Besides one for Outstanding Musical, the Drama Desk bestowed eight others on the show, tying it with Giant for most nominations.

    The rest are Outstanding Featured Actress in a Musical (Keala Settle) and Outstanding Featured Actor in a Musical (Keith Carradine), Outstanding Choreography for Sergio Trujillo, Outstanding Book of a Musical for Dallas native Doug Wright, Outstanding Sound Design in a Musical for Steve Canyon Kennedy, Outstanding Music for Trey Anastasio and Amanda Green, Outstanding Orchestrations for Anastasio and Don Hart, and Outstanding Lyrics for Green (who’s having a killer awards season so far).

    As for Tony nominations, Hands on a Hardbody weighed in with three: Best Original Score and Best Featured Actor/Actress in a Musical for Carradine and Settle.

    Dallas Theater Center's co-production of Giant leads the nominations of Drama Desk Awards.

    Giant was co-produced by Dallas Theater Center
    Photo by Karen Almond
    Dallas Theater Center's co-production of Giant leads the nominations of Drama Desk Awards.
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    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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