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    Best & Worst Oscar Moments

    Oscars 2014: Best and worst moments, including Matthew McConaughey's victory dance

    Joe Leydon
    Mar 3, 2014 | 7:40 am

    After devoting most of the last six months handicapping the Oscar race, movie bloggers likely will spend most of the next 36 hours trashing Sunday’s evening’s Academy Awards telecast. Why? Perhaps they can’t help themselves.

    As writer-historian Mark Harris suggested in an insightful Tweet, dissing the Oscarcast is “the Silkwood shower we take to scrub off the self-hatred.”

    But here’s the thing: As Oscarcasts go, the one that aired Sunday was a modestly amusing and generally well-paced affair. Capably if not excitingly hosted by a game and ingratiating Ellen DeGeneres, the program proved to be relatively painless as made-for-TV spectacle and largely satisfying as a doling out of just desserts to the truly deserving.

    Co-star Jared Leto gave an eloquent enough speech while accepting his Oscar. But Matthew McConaughey was the one firing on all cylinders.

    And if that sounds like I’m damning with faint praise — I am. But if anyone tries to tell you this is the worst Oscarcast he or she has ever seen, you need to ask just how many Oscarcasts this complainer has ever watched.

    Speaking as a cineaste, I was pleased when the brutally gripping 12 Years a Slave was named Best Picture — even though, deep in my heart, I was hoping for an upset by Nebraska — and when co-star Lupita Nyong’o grabbed the gold as Best Supporting Actress. But, then again, I was just as happy that the relentlessly thrilling Gravity took home seven Oscars overall, including Best Director for Alfonso Cuarón.

    No, I was not surprised that Cate Blancett got the Best Actress award for Blue Jasmine and that her path to victory wasn’t blocked by any sort of backlash against writer-director Woody Allen. (Blanchett had this sucker nailed down as early as last summer.) Yes, I was delighted the Aussie took time during her acceptance speech to take a spirited swipe at Hollywood studio chiefs who continue to believe “films with women at the center are niche experiences.”

    And I freely confess: I whooped and hollered with unabashed glee when Texas boy Matthew McConaughey got the Oscar as Best Actor for his richly detailed and deeply moving portrayal of hustler-turned-AIDS activist Ron Woodruff in Dallas Buyers Club.

    Co-star Jared Leto gave an eloquent enough speech while accepting his Oscar as Best Supporting Actor. But McConaughey was the one firing on all cylinders, thanking everyone from God Almighty to director Jean-Marc Vallée to a dad swilling Miller Lite somewhere in heaven while clutching the gold, beaming brightly and, briefly, dancing an expression of happy gratitude. Awright, awright, awright!

    Some other random observations about the Oscarcast:

    Best Remark From a Winner to a Fawning Audience
    Cate Blanchett: “Sit down, you’re too old to be standing!”

    Same Time, Next Year ... Maybe
    Jim Carrey made but a fleeting appearance, to intro a film-clip montage, but he scored big laughs — yes, even with his borderline-lame LSD joke — and his uncannily accurate imitation of Bruce Dern was downright hilarious. (So hilarious, it had Dern himself roaring with laughter.) Why not give him a chance to liven up the whole freakin’ show?

    Just Wondering
    Am I the only one who expected Ellen to wind up asking Meryl Streep to just get up and take that group photo?

    Go Ahead, Admit It
    Sure, Lupita Nyong'o won the Best Supporting Actress award for her excruciatingly powerful performance in 12 Years a Slave. And, God bless her, she richly deserved it. But c’mon: Julie Squibb of Nebraska had the best film clip in this category.

    Come to think of it, she had the best film clip of anybody nominated in any category all evening, right?

    Best Presenter-to-Presenter Banter
    Bill Murray to Amy Adams: “Baby, you look like $146 million domestic.” (Props also to Murray’s evidently impromptu shout-out to the late Harold Ramis “for Caddyshack, Ghostbusters and Groundhog Day.”)

    Fallen Stars
    The people who put together the annual “In Memoriam” tribute usually catch heat for neglecting to include this aged celebrity or that industry insider, and the segment as a whole often is mocked as, well, take your pick: too lachrymose, too ponderous, too, well, sad.

    But this year’s tribute to film folks no longer with us struck me as much classier and more subdued than usual this year. For one thing, everyone from gone-too-soon Paul Walker to veteran producer A.C. Lyles to master animator Ray Harryhausen got pretty much the same time on screen. (A personal observation: Very, very glad to see my friend Roger Ebert made the, ahem, final cut.)

    The decision to use Roger Williams’ ineffably haunting theme from Somewhere in Time to underscore the presentation was a masterstroke. And yes, Bette Midler brought it all home with an effective and affecting rendition of her signature tune, “Wind Beneath My Wings.”

    It’s a shame that they couldn’t, or wouldn’t, include Sarah Jones in the lineup, despite the much-publicized campaign to honor the young camera assistant who was killed February 20 during the location filming of Midnight Rider. But, yes, that was her name you saw flashing on the screen before the commercial break, on a plug for the longer “In Memoriam” tribute that appears on Oscar.com.

    Unmentionable, Unforgettable
    It would be needlessly unkind to remark about the appearance of two female presenters who likely have grounds to sue their plastic surgeons. Both reminded me, alas, of the old joke about the woman who had her face lifted — and then dropped.

    And I just can’t bring myself to say anything about — well, no, that’s a lie. I can bring myself to say I have the utmost respect and admiration for Sidney Poitier. It’s just that I felt very melancholy while seeing him looking so frail — even while coming off so effortlessly elegant and dignified — while serving as a Best Director presenter.

    I’m even more grateful than I might normally be that Poitier also appeared during one of the evening’s “Celebrating Heroes” montages (or whatever the hell they were called), looking fine and in his prime in Norman Jewison’s In the Heat of the Night. Yes, even after all these years, it’s always a terrific rush to hear: “They call me Mister Tibbs!”

    Good Sport of the Evening
    Brad Pitt, hands down. Not only was he a nifty presenter and a supportive partner — note the way he proudly applauded Angelina Jolie’s win of an honorary Oscar — but he was also one of the first celebs to get out of his seat and join the fun when Ellen called for folks to join her in that group shot.

    And when Ellen started handing out pizza — well, I’ll be damned if he wasn’t the dude first dude to start handing out paper plates and napkins before he chowed down. Don’t know about you, but I want him to drop by for my next party.

    And Speaking of Pizza
    Gee, do you think this place will enjoy an uptick in business after tonight?

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    Concert News

    10 most festive holiday concerts to see in Dallas in December 2025

    Luz Guerrero
    Dec 9, 2025 | 5:30 pm
    AT&T
    AT&T
    AT&T

    Luz Guerrero is a Dallas-based storyteller, freelance writer, and cultural connector exploring identity and music through personal and collective narratives. Here's her list of 10 standout holiday concerts in DFW.

    Much like the weather whiplash we endure in North Texas, tastes in holiday music vary wildly. Maybe you’ve outgrown “Rudolph the Red-Nosed Reindeer” but still appreciate a grown-up remix. Maybe it’s a sad-girl holiday and hearing one more classic carol might push you into texting your ex. Luckily, Dallas has December programming to meet all of your emotional and mental health needs—no matter where you land on the festive spectrum.

    And even though we just flirted with 80-degree temps in late November, the city’s holiday concerts prove that December is when the warmth shows up the loudest.

    In chronological order, here are the shows bringing the season to life across Dallas–Fort Worth.

    Lady A — This Winter’s Night Tour
    Lady A launches their first-ever Christmas tour this year, with Grand Prairie being one of only a dozen stops on the run. The trio arrives with On This Winter’s Night (Volume 2), the long-awaited follow-up to their 2012 holiday album. The set will be holiday classics alongside new originals that build on the sound and spirit of both albums. They’re also riding fresh momentum with a nomination for Vocal Group of the Year at the upcoming 59th Annual CMA Awards. It’s sure to be a holiday show that pairs seasonal charm with the modern-country finesse Lady A delivers.
    December 10, Texas Trust CU Theatre, 1001 Performance Place, Grand Prairie. Tickets: $49–$129 ($72–$166 with fees and taxes)

    Michael Martin Murphey – Cowboy Christmas at Arlington Music Hall
    Michael Martin Murphey returns to Arlington with Cowboy Christmas, continuing a holiday tradition more than three decades strong. The Oak Cliff–born Country Music Hall of Famer built the show from his 1992 Cowboy Christmas album, a hit that led to five more installments. This year’s production features his Rio Grande Band, the Rocky Mountain Vintage Dancers, and vivid Western imagery. Expect a mix of country ballads, cowboy takes on holiday classics, and the storytelling Murphey is known for. It’s an all-ages event for families, country fans, and anyone looking for traditional holiday cheer spread by a hometown legend.
    December 11-12, Arlington Music Hall, 224 N Center St. Tickets: $39-$113

    Merry Mayhem 2025
    Following its inaugural year, Merry Mayhem brings back its metal holiday toy-drive showcase with a lineup including Waiting 4 April, With Hope Intact, Never Rest, Oresteia, and Chernobyl The Secret!. It’s also an opportunity to check out Puzzles Deep Ellum, the neighborhood’s new live music venue that opened over the summer. Proceeds benefit The Archway (formerly Safe Haven of Tarrant County), supporting women and children with toys and essential items during the holidays. It’s metal with a mission.
    December 12, Puzzles Deep Ellum, 2824 Main St. Tickets: $10 presale, $15 at the door

    Pentatonix Christmas Pentatonix Christmas Photo courtesy of RCA Records

    Christmas at the Winspear: A Pop-Rock Holiday Spectacular
    The Winspear hosts a holiday program that blends orchestral polish with pop-rock energy. Dallas String Quartet—celebrating their first Grammy nomination—leads the evening alongside Q The Band, with guest appearances from America’s Got Talent finalists Sons of Serendip and The Voice winner Anja Nissen. Ballet dancers and the Preston Center Dance Choir widen the scope for a nicely-tuned, family-friendly holiday sampler.
    December 17, Winspear Opera House, 2403 Flora St. Tickets: $38–$117 ($49–$147 with fees and taxes)

    2nd Annual Illuminating Nights — Emo Holiday Edition
    Illuminating Nights returns this year—and for this one, waterproof eyeliner is suggested. Expect emotional catharsis through acoustic emo covers of My Chemical Romance, The Used, Brand New, and more, performed by Ryker & Friends with cellist Bri Sargent. The candlelit performance benefits Amplified Minds, a nonprofit providing free mental health services for Texans ages 18+, with a particular focus on creatives. It’s an all-ages, standing-room-only night that leans fully into the feelings December tends to stir up.
    December 19, The Studio at The Bomb Factory, 2727 Canton St. Tickets: $20

    A Soulful Christmas with KEM (feat. Britney Holmes)
    Multi-Grammy-nominated R&B singer/songwriter icon KEM delivers a velvety, soulful holiday set with Dallas’ own Britney Holmes opening. This marks her first performance with her husband, musician Lio Saen—a sweet detail she recently shared on her socials. KEM has long been celebrated for folding pieces of his personal journey of resilience into his performances, promising a night of reflection and gratitude. It’s well-timed too—just days before Christmas, when many listeners are looking for exactly that.
    December 19, Winspear Opera House, 2403 Flora St. Tickets: $49–$199 ($63–$250 with fees and taxes)

    The Polyphonic Spree’s 22nd Annual Holiday Extravaganza
    Each year, Dallas-born collective The Polyphonic Spree transforms the Majestic into a technicolor holiday universe. With 20+ members and an opening variety act, the evening spans classic and contemporary holiday music alongside fan-favorite originals. Guests are encouraged to dress festively and bring a canned good and a new, unwrapped toy for local families. Expect costumes, characters, a hint of indoor “snow,” and the feeling of walking into a confetti-filled snow globe—complete with cookies and milk at the end.
    December 20, Majestic Theatre, 1925 Elm St. Tickets: $45–$95

    Pentatonix: Christmas in the City Tour
    The three-time Grammy-winning a cappella group returns with Christmas in the City, supporting their new release Holidays Around the World, Vol. 2. Pentatonix is practically synonymous with the season, and this two-night Fort Worth run closes out the tour. Each ticket sold in Fort Worth and Houston donates $1 to Direct Relief to support Texans affected by recent flooding. Across two nights, their signature harmonies will meet the energy of a hometown crowd, an exchange that tends to elevate both.
    December 21 & 22, Dickies Arena, 1911 Montgomery St, Fort Worth. Tickets: $61–$131 ($80–$166 with fees and taxes)

    Dallas Ambient Music Nights: DAMN 50
    Dallas Ambient Music Nights (or simply DAMN because it’s fun to say) celebrates a major milestone this year with its 10-year anniversary and 50th showcase. Founded by Cody McPhail, the series has become a destination for listeners drawn to exploratory, immersive soundscapes. This year’s show features eight musical performances accompanied by eight video artists projecting live visuals across the historic Texas Theatre. The result is a meditative environment ideal for anyone seeking a thoughtful post-Christmas reset.
    December 27, Texas Theatre, 231 W. Jefferson Blvd. Tickets: $25 presale, $30 at the door

    Epic Unplugged Presents: An Epic Christmas
    For those looking for some post-Christmas fun, Epic Unplugged brings reimagined rock hits and holiday classics backed by a string section. Expect unplugged versions of Queen, Pink Floyd, The Killers, Muse, and Nirvana beneath the open sky—plan accordingly. With more than 20 food and drink options in Legacy Hall, it’s easy to turn this into a full evening with family and friends. The show is all ages, with a 21+ after-party on the second floor. Ticket options range from general admission to reserved tables and VIP seating.
    December 27, Lexus Box Garden at Legacy Hall, 7800 Windrose Ave, Plano. Tickets: $5–$250 ($9–$299 with fees and taxes)

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