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The CultureMap Interview

Modern rockers Delta Spirit talk playing Dallas, songwriting and moving to theEast Coast

Dixon Milner
Nov 2, 2012 | 4:07 pm
  • Bassist Jon Jameson (second from right) and the rest of Delta Spirit play Houseof Blues Sunday, November 4.
  • Delta Spirit's songs have been featured in shows such as Sons of Anarchy andFriday Night Lights.
    Photo courtesy of Delta Spirit

Delta Spirit has been on the move lately. After releasing their eponymous third album in March, the band recently moved from Southern California to Brooklyn.

Formed in San Diego in 2006, Delta Spirit has been touring relentlessly and releasing critcally acclaimed albums in the roots rock and folk scenes. But they saw themselves as a modern rock band and set out to prove that on their latest album.

Their first hit — a word they are wary of using — off the album is “California.” It starts with a driving beat and an airy, almost haunting guitar lead. Synthesizers and effects help create a big, open sound on the track. The juxtaposition helps frame lyrics that are certain about the end of a relationship but uncertain about what the future might hold.

We sat down with bassist Jon Jameson in between shows to discuss their roots and what they’ve been up to. Catch Delta Spirit Sunday, November 4, at the House of Blues Dallas.

CultureMap: How has the beginning of the tour been going?

Jon Jameson: Yesterday was the first show. We played New Orleans on Halloween, which was crazy. Before that we had done some random one-off shows around Northern California. We also were scheduled to play a show in Honolulu, but it was canceled because it was on the night of the alleged tsunami. We were able to play a show there later, however.

CM: Are you excited to play Dallas again?

JJ: Yes, we had a great show here the last time. We are very psyched. Our singer, Matt Vasquez, climbed on top of a lighting truck the last time we were here. Hopefully he doesn’t do that again, but he may do something crazy. You never know with that guy.

CM: What can people who’ve never seen Delta Spirit live expect?

JJ: We take shows really seriously, but we still have fun. We take shows personally. The first thing we do after we got off stage each night is we criticize and think about what we could have done differently. We feel like we are a live band, and that’s where we really connect with people.

CM: Talk about your most recent album. It sounds a bit more pop or electronic than previous efforts. What inspired this? How did the recording process work?

JJ: We like to get away and make a record in a place where we can focus on just making an album. We made our second album at a ranch in a converted chicken coop that Tom Waits recorded in once. We made this album in an old Catholic church near Woodstock, New York. We spent three months writing in San Pedro, California, before that. It was like a job, five days a week. We were there for a lot of hours each day.

We had some direction going into it. We didn’t want to make a quiet acoustic record. We get bored pretty easily so our sound is always evolving, and we have diverse tastes so that keeps changing too. The best thing about our band is we have dedicated fans who love everything we’ve done. They have given us permission to try new things and do whatever we want, as long as it’s within the bounds of something we really love.

CM: That sounds like a pretty intentional writing process. Do you sit down and write or wait until the ideas come to you?

JJ: Both. The song “Vivian” came to Matt after his grandparents died. Other times we sit around in a room and jam until something sparks and connects. Other times we have to hash out a song for months. Writing is different every time.

CM: What’s one album or song you wish you could’ve written?

JJ: That’s a good question. There are so many great songs. I’ve been in to Van Morrison’s album Astral Weeks lately. I’ll say “Sweet Thing.” That whole album is a crazy thing. He went in and recorded the whole album in 16 hours with a bunch of musicians who hadn’t played together before.

CM: Talk about the song “California.” Y’all just moved from there to Brooklyn, right? Is this a song to someone you’ve met on the East Coast since then?

JJ: That song was written before any of us thought we were going to move to the East Coast. Kelly wrote that about a specific girl he dated, and things just didn’t work out. It was that give and take in his mind of how long distance would work out. It started as one beautiful line that turned into a song.

CM: What prompted the move?

JJ: We moved for lots of different personal reasons. My wife is from Philly, and our guitar player lived in New York, so it felt like the right time for a change. It was time to see a new area. It has been great so far. Our rehearsal space flooded during the hurricane, but thankfully most of our gear was out here on tour with us. Besides the hurricane, the East Coast has been great.

CM: What’s your music about in a few words or images?

JJ: Authenticity. We care about being a genuine band. We can all be pretty sarcastic and pessimistic, so to be genuine is a constant struggle, even among ourselves. We need to do it in a way that is worthy of people’s time. Our deepest gratification is when we come and play these songs and connect with people.

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RIP, Frank

Frank Beard, drummer of legendary Texas rock band ZZ Top, dies at 77

Associated Press
Aug 18, 2026 | 5:15 pm
Dickies 500
Photo by Jonathan Ferrey/Getty Images
He kept the tempo for the band’s biggest hits like 'Sharp Dressed Man,' 'Legs,' and 'Gimme All Your Lovin.'

NEW YORK (AP) — Frank Beard, the drummer for the Texas boogie-rock trio ZZ Top who kept the tempo for the band’s biggest hits like “Sharp Dressed Man,” “Legs,” and “Gimme All Your Lovin,’” has died. He was 77.

Beard was in hospice care when he died Tuesday, August 18 at his ranch in Richmond, Texas, near Houston, with family members at his side, according to publicist Bob Merlis. Band co-founder and guitarist Billy Gibbons, on tour with bassist Elwood Francis, hailed Beard in a statement.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas. His signature backbeat was key to keeping ZZ on top. The band of which he was part for six decades is going to keep on keeping on as he had wished,” Gibbons said.

ZZ Top sold more than 50 million records and had six singles that reached No. 1 on Billboard’s Mainstream Rock Airplay chart. Seven of their albums have been in the Billboard 200’s Top 10 and they earned three Grammy Award nominations.

“I’ve found the people I was meant to play with,” Beard says in the 2019 documentary ZZ Top: That Little Ol’ Band from Texas. “I never wanted to quit, and never wanted to get fired.”

Band's early days
Beard, from the East Texas town of Frankston, met Gibbons in a band called The Moving Sidewalks and later introduced bassist and vocalist Dusty Hill, a Dallas native, who had been in several bands with Beard.

The trio formed ZZ Top in 1969, naming themselves in part after blues singer Z.Z. Hill and influenced by the British power trio Cream and Jimmy Reed. They maintained their original lineup for more than five decades. Their signature look — long, bushy beards on Gibbons and Hill, and dark sunglasses for all — didn’t change much, either.

When Rolling Stones guitarist Keith Richards helped induct the trio into the Rock & Roll Hall of Fame in 2004, he joked: “These cats know their blues and they know how to dress it up. When I first saw them, I thought, ‘I hope these guys are not on the run, because that disguise is not going to work.’”

ZZ Top songs — with their sly and humorous lyrics — were popular in Hollywood, which used “Gimme All Your Lovin’” in “Happy Feet,” “Sharp Dressed Man” in “Evan Almighty,” “Legs” in “Air,” “Sleeping Bag” in “I, Tonya,” “Tush” in “Dazed and Confused,” “Mexican Blackbird” in “From Dusk Till Dawn” and “La Grange” in “Armageddon.”

“The best way to describe ZZ Top is we’re interpreters of a great American art form,” Gibbons told The Dallas Morning News.

Their debut release, “ZZ Top’s First Album,” came out in 1970. Their sound was described as a hybrid mixing elements of rock, blues and funk into a steaming-hot Houston stew. They called themselves a “Little Ol’ Band From Texas.”

Breaking through
Three years later, they broke through commercially with “La Grange,” a funky blues song on the album “Tres Hombres” that paid tribute to the Chicken Ranch, a brothel outside of the Texas town of La Grange that operated from 1905 until 1973 and was immortalized in the Broadway show and the film, “The Best Little Whorehouse in Texas.” Gibbons has ascribed the power of “La Grange" to its simplicity — just two chords and a Robert Johnson-inspired guitar solo.

The band went on to have such hits as “Tush” and “Cheap Sunglasses.” But their 1983 “Eliminator” — named after one of Gibbons’ custom cars — added more production elements, synthesizers and drum machines to their stripped-down sound and yielded the hits “Gimme All Your Lovin’,” “Legs” and “Sharp-Dressed Man.” The band toured with a Texas-shaped stage, live rattlesnakes and a longhorn steer.

Long beards weren’t always part of the band’s look. Gibbons said it happened by accident: In 1976, the trio took a long break and scattered. Beard went to Jamaica, Hill went to Mexico and Gibbons went to France.

“Although we were speaking by phone, this was pre-video phone. And Dusty and I did not know that we had gotten so lazy that we had decided to forget to shave,” Gibbons told The Tribune in San Luis Obispo in 2010. “So after three years we returned and showed up, and lo and behold here was this sort of wacky-looking image. And it just kind of stuck with us.”

A boost from MTV
The band’s rock-chic cool played well on the nascent MTV crowd and their videos, featuring models in short skirts emerging from one of Gibbons’ custom roadsters, became a mainstay.

They kept the beards, hats and cheap sunglasses in the video trilogy of “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” made with director Tim Newman.

“ZZ Top reveled in the humor and ridiculousness of it all, busting their synchronized dance moves and spinning their white-fur guitars. These guys always got the joke, at a time when other bands were still just nervously lip-syncing in front of brick walls,” Rolling Stone said in 2021.

In 2012, superstar producer Rick Rubin helped update the trio’s sound with the band’s comeback album, “La Futura.” The album landed at No. 6 on the Billboard chart, their highest position since 1990's “Recycler,” some 22 years previously.

Hill died in 2021.

In March 2025, the band announced via Instagram that Beard would temporarily step away from the band’s tour to tend to foot and ankle problems. Beard died weeks after ZZ Top called off its August 5 concert at the Hollywood Bowl due to his health issues.

Beard is survived by his wife, Debbie Meredith, and three children.

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