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    Theater Review

    Take a magical journey to hell and back with Hadestown at the Winspear

    Lindsey Wilson
    Jan 20, 2022 | 2:56 pm
    Kevyn Morrow, Nicholas Barasch, and Kimberly Marable.
    Kevyn Morrow, Nicholas Barasch, and Kimberly Marable.
    Photo by T Charles Erickson

    There are several moments in the Tony Award-winning musical Hadestown that feel oddly prescient, from thinly veiled mentions of climate change to a leader building a wall to "protect his people's freedom."

    But creator Anaïs Mitchell first began working on Hadestown in 2006, debuting it as a concept album in 2010 before its New York Theater Workshop premiere in 2016. It finally landed on Broadway in 2019.

    So any Donald Trump parallels or of-the-moment social commentaries are simply a coincidence — though you could argue that domineering leaders and the organic vs. industrial struggle are, in a way, timeless.

    Based loosely around the Greek myths of Orpheus and Eurydice and Hades and Persephone, Hadestown weaves together New Orleans jazz, modern dance, supernatural elements, and the tragic nature of love, all overseen by a fleet-footed narrator whose traditional role is as a messenger who guides souls to the underworld.

    Director Rachel Chavkin, who gained notoriety for her immersive staging of The Great Comet, helps make these abstract figures relatable.

    The young lovers are torn apart by the very real dangers of hunger, poverty, and inattention, while the quarreling gods wrestle with control, personal vices, and jealousy. And surrounding them all is a very talents onstage band (led by music director Cody Owen Stine) and a quintet of workers that symbolize, well, all of us.

    In the national tour that's currently playing the Winspear Opera House, presented by Dallas Summer Musicals, some of these elements are more effective than others.

    Kimberly Marable is effervescent as Persephone, the goddess of fruit, flowers, and abundance. Even when she descends into an alcohol-soaked depression brought on by Hades' sudden obsession with power (and not her), she's scarily chipper.

    Kevyn Morrow, likewise, is smooth as silk in his portrayal of the devilish lord of the underworld. These two have the most complicated relationship onstage, and each strikes just the right balance of entertaining and truthful.

    Morgan Siobhan Green and Nicholas Barasch don't have quite the same electric connection as Eurydice and Orpheus, even though their love is supposedly strong enough to escape death (at least for a little while).

    And commenting on it all as Hermes is Lei Kreis, who previously won a Tony Award for his role as Jerry Lee Lewis in Million Dollar Quartet. There's more than a little Jerry Lee to his performance here, and the overall effect is more enthralled bystander than wise guide.

    The three Fates, however, bring a welcome touch of ethereal bitchiness to the two-and-a-half-hour saga, with Belén Moyano, Bex Odorisio, and Shea Renne baring their teeth in predatory grins and relishing the chaos they cause with the mere flick of a finger or whoosh of breath.

    But still, to go on this magical journey to hell and back after two years of the pandemic (which is its own kind of hell) makes it, at least for a few hours and in Mitchell's own words, "easy to see how the world could be, in spite of the way that it is."

    ---

    The national tour ofHadestown, presented by Dallas Summer Musicals, plays at the Winspear Opera House through January 30.

    The three Fates: Shea Renne, Bex Odorisio, and Belén Moyano.

    Hadestown national tour
      
    Photo by T Charles Erickson
    The three Fates: Shea Renne, Bex Odorisio, and Belén Moyano.
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    The Jimmy Awards

    Dallas talent secures back-to-back big wins at national theater awards

    Lindsey Wilson
    Jun 26, 2025 | 1:09 pm
    Fabiola Caraballo Quijada and Chris Hayes
    Photo by Rebecca J Michelson
    2025 winners Fabiola Caraballo Quijada and Chris Hayes.

    For the second year in a row, a Dallas high school student has taken home the top honor at the National High School Musical Theatre Awards, aka the Jimmy Awards.

    Tyler Legacy High School's Fabiola Caraballo Quijada, who last year placed in the top four, won Best Performance by an Actress with an already viral solo performance of "Astonishing" from the musical Little Women. This was Quijada’s third straight year performing and competing at the Jimmy Awards.

    Last year, Damson Chola Jr. of Cleburne High School received the 2024 Jimmy Award for Best Performance by an Actor. This year, that honor went to Chris Hayes of Las Vegas Academy of the Arts. Braedon Carlton, from Cleburne High School, joined Quijada in competing for this year's Jimmy Awards.

    Quijada will receive a $25,000 scholarship and plans on attending Texas State University in San Marcos this fall.

    “It feels amazing to have been able to achieve a dream of mine three years in the making,” says Quijada. “I am so grateful for all the people who believed in me and helped me get this far, including those at Broadway Dallas who have taught me to challenge and believe in myself. I am blessed to have been given the opportunity to speak up for what means to me on the podium, and I hope I can continue to inspire stories of strength in artists like me on and offstage.”

    Hosted by Josh Groban and presented by The Broadway League Foundation, the Jimmy Awards took place June 23 at the Minskoff Theatre on Broadway. Quijada and Carlton were among over 100 selected participants from 55 regional awards programs across the country who spent 10 days in New York City in rehearsals and private coaching sessions at The Juilliard School in preparation for their performance on Broadway.

    To get to the Jimmy Awards, both Quijada and Carlton first competed in the 14th annual Broadway Dallas High School Musical Theatre Awards, which took place on May 17 at the Music Hall at Fair Park.

    “Our nonprofit arts organization’s programs continue to grow in terms of the number of students and community members served as well as the individual impact we have on each of their lives,” says Allison Bret, director of education and community partnerships at Broadway Dallas. “Fabiola and Braedon’s success is a national recognition that Broadway Dallas’ commitment to increased access and inclusion for more students and schools at a local level is a worthwhile investment in the future of the art here and wherever these talented young students’ careers take them.”

    Fabiola Caraballo Quijada and Chris Hayes Jimmy Awards2025 winners Fabiola Caraballo Quijada and Chris Hayes.Photo by Rebecca J Michelson

    Over its 16 years, the Jimmy Awards have turned out a long roster of successful alumni. A few of the big names include pop star and actress Renee Rapp (winner, 2018); movie star Andrew Barth Feldman (winner, 2018); two-time Tony nominee Eva Noblezada (finalist, 2013); and a pair of 2025 Tony Award nominees for Best Actress in a musical, Jasmine Amy Rogers (finalist, 2017) and Julia Knitel (nominee, 2009).

    Registration for the next year's Broadway Dallas High School Musical Theatre Awards is not open yet, but typically begins in August.

    awardsbroadway dallasfabiola caraballohigh school musical theatre awardsjimmy awardjimmy awardsmusical theatretheater
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