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    Season Announcement

    Hamilton, Wicked, and more big Broadway shows are Dallas-bound in 2021

    Lindsey Wilson
    Jan 22, 2021 | 2:36 pm

    UPDATE 6-28-2021: Single tickets for Hamilton will go on sale at 10 am Friday, July 2 at DallasSummerMusicals.org or Ticketmaster.com, according to a release.

    Prices will range from $49 to $189 with a select number premium seats from $299, and there will be a maximum purchase limit of eight tickets per household for the engagement. A lottery for 40 $10-seats will take place for all performances; more details will be announced closer to the engagement.

    For presale access before tickets become available to the general public, sign up for DSM eNotes here or sign up to receive mobile alerts here by midnight on June 29.

    ---

    Only a day after a comprehensive COVID-19 plan was outlined by the newly sworn-in President Biden, Dallas Summer Musicals felt optimistic enough to announce a 2021 line-up, with live, in-person touring musicals ostensibly coming to Dallas in August of this year.

    It's an ambitious announcement, as Actors' Equity Association is still mandating that "there must be a sustained decrease in new COVID-19 cases for a minimum of 14 days with a local community rate less than 5 per 100,000 population and a positive test rate of new tests done for COVID-19 less than 5 percent for at least one week prior to the start of the work session."

    And those regulations were first written and released in May 2020. Granted, sometimes touring operators like DSM and AT&T Performing Arts Center present non-equity tours, which are not beholden to the same restrictions. But Hamilton, which is on DSM's list for a triumphant return engagement, is definitely equity.

    But we'll push all skepticism aside for now. Thought DSM does not indicate a contingency plan if these shows are not able to go on as scheduled (something that happened frequently last year), president Ken Novice does say this:

    "Broadway is coming back to Dallas in a big way. This is a massive season spanning an entire calendar year, and we can't wait! Our announcement today is made with great optimism related to in-progress wide-spread COVID-19 vaccinations and the soon-to-come reopening of our in-person cultural economy. As the months progress, we will be closely monitoring the on-going health crisis while developing, adapting, and sharing safety protocols to ensure everyone's safe return to live theater."

    Assuming that DSM is able to safely present it, here is its proposed lineup:

    Wicked flies back into Dallas' Music Hall at Fair Park August 4-September 5, 2021, to open the season as an optional add-on (this was its originally scheduled date). The tale of what happened before Dorothy dropped in follows the green-skinned Elphaba and her bubbly best friend Glinda as they navigate growing up and challenging authority.

    Jersey Boys, the hit jukebox musical about pop group Frankie Valli and The Four Seasons, is next (another season add-on). They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard, and the radio just couldn't get enough of. But while their harmonies were perfect onstage, off stage it was a very different story. It runs at the Music Hall at Fair Park October 19-31, 2021, (rescheduled from November 10-22, 2020).

    The mega-smash Hamilton returns to Fair Park November 16-December 5, 2021. It was last here in April 2019, bringing rap battles and hip-hop to America history and the story of one of America's Founding Fathers. Currently, the only way to guarantee a ticket to Hamilton is to purchase a season ticket to the six-show Germania Insurance Broadway Series which launches with Jersey Boys above.

    Hadestown, the big winner at the 2019 Tony Awards, will be at the Winspear Opera House January 18-30, 2022, (it was originally scheduled for May 18-30, 2021) as part of an ongoing collaboration with AT&T Performing Arts Center. Intertwining two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — the musical invites you on a hell-raising journey to the underworld and back.

    There's one more season option: Jonathan Larson's genre-changing musical Rent, playing at the Music Hall February 18-20, 2022. A retelling of Puccini's La Boheme set in 1990s New York, it covers true love, artistic disillusionment, and the AIDS crisis.

    There are also a few reschedulings from the 2019-2020 season:

    • Come From Away, March 8-20, 2022, at Music Hall at Fair Park (remember, this closed prematurely when the pandemic started)
    • Jesus Christ Superstar, April 5-17, 2022, at Music Hall at Fair Park
    • Mean Girls, May 3-15, 2022, at Music Hall at Fair Park
    • Oklahoma!, May 31-June 12, 2022, at Winspear Opera House
    • Disney's Frozen, July 20-August 7, 2022, at Music Hall at Fair Park

    Tootsie, previously rescheduled to play in 2021, has been canceled and will no longer be included in the season.

    Season tickets for the revised line-up are available now, with single tickets on sale at a later date. For more information, patrons can visit DallasSummerMusicals.org or call 1-866-276-4884.

    Come From Away comes back after closing at the start of the pandemic.

    Come from Away national tour
    Photo by Matthew Murphy
    Come From Away comes back after closing at the start of the pandemic.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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