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    HIP-HOP, HOORAY

    Broadway smash Hamilton returns to Dallas-Fort Worth at exciting new venue

    Lindsey Wilson
    Feb 7, 2019 | 9:38 am

    The revolutionary musical Hamilton will take over Fort Worth's Bass Hall in June of 2020. Lin-Manuel Miranda's game-changer of a show will anchor Performing Arts Fort Worth's 2019-20 Broadway at the Bass season, the organization revealed February 6.

    It's not the only big-name musical in the lineup, however. The Tony-nominated musical Come From Away, about the planes and people who landed on the tiny Canadian island of Newfoundland during the 9/11 attacks — and the new tour of Jesus Christ Superstar — are also on the docket.

    "Our 2019-2020 season is a real blockbuster," says Dione Kennedy, president and CEO of Performing Arts Fort Worth. "These are some of the biggest and best titles Broadway has to offer. Many of them are still on Broadway and many will be making their Fort Worth debuts. It's a very, very exciting lineup."

    The biggest buzz, no doubt, will surround Hamilton, which will get a healthy run at Bass Hall from June 9-28, 2020. The show is still selling out Broadway and has spawned sit-down productions in London, Chicago, and Puerto Rico, along with the national tour. (There was a frenzy in North Texas recently when tickets went on sale to a Dallas tour run, April 2-May 5, 2019.) Based on Ron Chernow's biography of Founding Father Alexander Hamilton, the musical blends hip-hop, jazz, blues, rap, R&B, and traditional Broadway style to tell the story of an immigrant from the West Indies who helped build America.

    The PAFW season begins with a Fort Worth favorite, Broadway stalwart The Phantom of the Opera. Matthew Bourne and Cameron Mackintosh's new North American tour of Andrew Lloyd Webber's musical has a new scenic design, new choreography, and new staging, along with lots of special effects (yes, the famous chandelier is still there). The cast and orchestra total 52 people, making the show one of the largest productions now on tour. It plays September 24-October 5, 2019.

    A snazzy Broadway version of a children's classic, composed by Marc Shaiman and Scott Wittman, is next. Roald Dahl's Charlie and the Chocolate Factory combines new songs with ones from the beloved original film version, as Charlie Bucket and other Golden Ticket-holders venture inside the mysterious candy man's factory. Expect Oompa-Loompas, incredible inventions, the great glass elevator, and much more when this confection hits Fort Worth October 29-November 3, 2019.

    Following is the new Broadway revival of Miss Saigon, playing December 3-8, 2019. The epic story of a young Vietnamese woman who connects with an American G.I. during the Vietnam War features stunning spectacle, a cast of 42, and a hit-packed score from the creators of Les Misérables.

    Fort Worth's own Betty Buckley kicked off the national tour of Hello, Dolly!, though there's no official word yet if she'll still be starring when the show hits Fort Worth. But from January 14-19, 2020, you can expect to see why this revival recently won multiple Tony Awards in the hands of director Jerry Zaks and choreographer Warren Carlyle. The bold and enchanting Dolly Gallagher Levi is a widow, matchmaker, and professional meddler, who decides that the next match she needs to make is for herself.

    On 9/11, the world stopped. On 9/12, their stories moved us all. Come From Away takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships. It runs July 7-12, 2020.

    From August 11-16, 2020, get away from it all with Jimmy Buffet's Escape to Margaritaville. Some of the most unforgettable songs from one of music's greatest storytellers form the basis for this hilarious and heartwarming musical.

    The new production of Jesus Christ Superstar originated in London and won the 2017 Olivier Award for Best Musical Revival. If the show sounds familiar, perhaps it's because you tuned into the wildly popular live TV version starring John Legend and Sara Bareilles? See it live (though minus the pop stars) August 25-30, 2020.

    There's also already one title locked down for the 2020-21 season: Disney's The Lion King. More than 95 million people around the world have experienced the phenomenon of this incredible show, and now you can, too, when Fort Worth's best-loved musical returns to Bass Hall after nearly 20 years. The dates are still TBA, but 2019-2020 season ticket holders will have first access to these tickets when they renew their seats for the 2020-21 season.

    Three add-on specials are also included in the upcoming season, beginning with Blue Man Group November 26-27, 2019. These euphoric celebrations of human connection through art, music, comedy, and non-verbal communication have reached more than 35 million people worldwide since debuting in 1991.

    The 2016 Tony Award winner for Best Musical Revival, The Color Purple, goes up for one day only on January 5, 2020. A joyous American classic about a young woman's journey to love and triumph in the American South conquered Broadway with an all-new ravishingly re-conceived production.

    Beautiful — The Carole King Musical finishes it all out March 20-22, 2020. The inspiring true story traces King's remarkable rise to stardom, from being part of a hit songwriting team with her husband, Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history.

    "With all the anticipated excitement and demand, I want to remind the public that only season tickets are available at this time through our official ticketing outlets," Kennedy says. "Those outlets are: online at basshall.com; over the phone at 817-212-4450; and in person at the Bass Hall box office."

    Current season ticket holders began renewing their seats on February 4, while new season tickets go on sale at 10 am on February 6. Season ticket holders who renew or purchase a new package will have first access to tickets for the season add-ons Blue Man Group, The Color Purple, and Beautiful — The Carole King Musical.

    Tickets to individual shows in the 2019-20 lineup will go on sale at a later, unannounced date.

    An all-new production of The Phantom of the Opera runs September 24-October 5, 2019.

    Phantom of the Opera national tour, Performing Arts Fort Worth
    Photo by Matthew Murphy
    An all-new production of The Phantom of the Opera runs September 24-October 5, 2019.
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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
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    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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