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    Alamo Drafthouse Sneak Peek

    New Alamo Drafthouse downtown hints at what’s to come for Dallas moviegoers

    Alex Bentley
    Feb 8, 2016 | 3:29 pm

    The debut of the new Alamo Drafthouse Dallas, which has a soft opening on February 12 before officially opening on March 9, is a harbinger of great things to come for the acclaimed theater chain in the Dallas-Fort Worth area.

    Fans can initially expect much the same experience in Dallas that they get at the Richardson location, which has been rated No. 1 in customer service among all Alamo Drafthouses. February's programming essentially is Alamo's greatest hits, which complements first-run releases with retrospective screenings and special events like quote- and sing-alongs.

    The theater itself will seem both familiar and different for fans of the Richardson location. Decor like classic movie posters and film reel lights abound, but the biggest difference is the seating. Most rows contain reclining seats for extra comfort, and tables now consist of individual ones for each seat rather than the long tables in Richardson.

    The table change was done to make it easier for moviegoers to get up and leave their rows; previously they had to climb over other people. But it stands to have an adverse effect on food service, as servers will now have nowhere to hide when taking orders or delivering food. Officials claim the impact on the viewing experience will be minimal, but color us skeptical.

    The Dallas location currently has seven auditoriums, seating just over 700 people total, with an option to add an eighth auditorium should the need arise. And with 400 dedicated parking spaces and proximity to both the Convention Center and Cedars DART stations, getting to the new location should be a breeze.

    Once it officially opens in March, you'll likely start to see the theater develop its own flavor. One of the things Alamo plans on doing to fit into the neighborhood is show a series of movies made in Dallas, like Bottle Rocket and Bonnie and Clyde.

    They'll also start to get involved even more in the local film industry, exploring partnerships with existing film festivals and even looking to start their own film festival in the next two to three years. And just as they've worked with the Eisemann Center for the Performing Arts in Richardson to bring in celebrities who've had events there, you can expect the occasional crossover with events happening in the Dallas Arts District and elsewhere.

    Attendees of local film-related conventions like Dallas Comic Con and Texas Frightmare Weekend can expect an increase in tie-in events, especially because Alamo Dallas is a short distance from the Kay Bailey Hutchison Convention Center, site of the main Dallas Comic Con. Creative manager and programmer James Wallace says that they've already lined up at least three events for the upcoming Texas Frightmare Weekend, taking place April 29-May 1.

    Now that Alamo Drafthouse DFW has two locations open and two in the works — Little Elm will open in early 2017, and Las Colinas will open mid-2017 — don't expect them to slow down anytime soon. COO Bill DiGaetano says that in addition to those four, they're looking to do as many as six more locations in the Dallas-Fort Worth area, as long as they can find workable locations and people who share their passion for film.

    Among those locations will be somewhere near, though not actually in, Fort Worth. A number of issues have prevented them from moving quicker into the area, including their desire to be at least three miles from another movie theater. They are currently scouting locations along the new Chisholm Trail Parkway and other suburban areas.

    You can likely count out Lakewood in Dallas for possible expansion, though. There has been clamor for Alamo to take over the old Lakewood Theater, but DiGaetano says that parking will always be an issue there, as well as what he feels is unreasonable rent.

    For now, you can expect a variety of different events in and around Dallas, including a series of roadshow events in March and April. More of Alamo Drafthouse can only mean good things for movie lovers in Dallas-Fort Worth.

    Alamo Drafthouse Dallas soft opens on February 12, with a grand opening on March 9.

    Alamo Drafthouse Dallas
    Photo by Stephen Duffy/Selig Polyscope Company
    Alamo Drafthouse Dallas soft opens on February 12, with a grand opening on March 9.
    openingsmovies
    news/entertainment

    Movie Review

    Iranian film It Was Just an Accident is a thriller with deep meaning

    Alex Bentley
    Oct 31, 2025 | 2:02 pm
    Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident
    Photo courtesy of Neon
    Mohamad Ali Elyasmehr, Majid Panahi, and Hadis Pakbaten in It Was Just an Accident.

    American filmmakers, for the most part, enjoy luxury and freedoms when making movies in the United States that filmmakers in other countries could only dream of. Not only does Iranian writer/director Jafar Panahi not have millions of dollars with which to make his films, he also has to deal with a government that has previously arrested him for being critical of their policies.

    And yet he persists, returning to the screen with the taut It Was Just An Accident. The film begins with a kind of misdirect, showing Eghbal (Ebrahim Azizi) and his family driving home at night, during which they strike and kill a dog. That accident sends Eghbal into the orbit of Vahid (Vahid Mobasseri), who works at a business that helps repair Eghbal’s car.

    Recognizing the distinctive sound of Eghbal’s prosthetic leg, Vahid believes him to be the same man who kidnapped and tortured him and others in a recent government arrest spree. Desperate to confirm his suspicions, Vahid kidnaps Eghbal and takes him to a series of people who were also imprisoned under the man they named “Peg Leg,” including Shiva (Mariam Afshari), a wedding photographer; Golrokh (Hadis Pakbaten), the bride being photographed; and more.

    Most filmmakers have the ability to use sets and take as much time as they need - within reason - to get the shot they need. Panahi employs a type of guerrilla filmmaking rarely seen these days, stealing shots in broad daylight while trying not to gain the notice of Iranian authorities. The daring nature of the making of the movie infuses the story with an extra tension that elevates what is otherwise a relatively simple story.

    The film puts the audience directly in the shoes of the various characters as each of them wrestles with the complicated feelings arising from their actions. As they were all blindfolded while imprisoned, they can’t be 100 percent sure they have the right man, and debates/arguments between the characters keep viewers guessing as to who he is and what they will do with him. Even if he is who they think he is, will enacting some kind of revenge on him soothe their consciences?

    Through it all, the idea that a former political prisoner is making a film about former political prisoners who are engaging in conduct that could get them arrested again - just as Panahi is doing with his film - makes this meta filmmaking on another level. The simplicity of the story belies the complexity underscoring the entire film, and it delivers one of the most impactful endings of any recent movie.

    While a few of the actors have acted before, including in previous Panahi films, most of them are making their first appearance in a movie. Despite this lack of experience, each of them does well, especially Mobasseri and Afshari, who share a number of heated scenes that bring out the best in both of them.

    It Was Just an Accident is the type of film that constantly keeps the audience on their collective toes, never knowing where it will head next. And that’s even if you didn’t know the details of how and why it was made; once that is discovered, it becomes something much deeper and more important than most other movies that will be released in 2025.

    ---

    It Was Just an Accident is now playing in select theaters.

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    news/entertainment

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