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    Trust me, I'm a journalist

    Make easy money on Oscar bets with our foolproof guide to the Academy Awards

    Duncan Carson
    Feb 23, 2013 | 8:30 am

    There is an entire Internet subculture devoted to predicting the Oscars. Like sporting events, it has its own Vegas odds-makers, and several blogs are devoted to handicapping the ceremony. Hard and fast rules don't work, and even renowned statistician Nate Silver wasn't as good at predicting who got little gold men as he was at predicting how the 2012 election would unfold.

    No matter. If you followed my advice last year, you went with a tried-and-true regimen of pre-Oscar indicators, gut instinct and a resolution to not take it so seriously. You also got 18 out of 24 categories correct, which is more than enough to win most office Oscar pools.
    This year should be no different if you follow my foolproof guide to the Oscars. These are the winners wrought by the awards season narrative, and I'll be absolutely sure of each one — until a few of them are wrong on Sunday.
    Argo has made a late-season push to the front of the pack for Best Picture. Hollywood loves itself, so a movie about making movies (sort of) could swoop in and prevent the solid but straightforward Lincoln from Mitt-Romney-ing its way to victory.
    Argo should pick up Editing and Adapted Screenplay awards as well, while Lincoln consoles itself with wins for performances by Daniel Day-Lewis and Tommy Lee Jones and Steven Spielberg's direction. In the other major categories, Jennifer Lawrence wins Best Actress by a nose for Silver Linings Playbook, while Anne Hathaway wins Best Supporting Actress in a landslide (pretty much just for singing the Susan Boyle song from Les Mis, which will also win Sound Mixing for its innovative live-singing production). In a wide-open race, Django Unchained stands poised to take Original Screenplay.
    Life of Pi should take a bunch of technical awards for looking pretty. Skyfall will become only the third Bond movie to win an Oscar, taking home both Sound Effects Editing and Best Original Song for Adele's titular ballad. Anna Karennina easily wins Best Costumes, and The Hobbit wins makeup for dusting off the hobbit feet.
    That leaves Wreck-It Ralph winning Best Animated Feature, Amour (a Best Picture nominee) easily winning Best Foreign Language Film, Searching For Sugar Man taking Best Documentary and, finally, the unpredictable short films. Getting one short film right is a good day: at least Paperman (a partially hand-drawn industry favorite) is a lock for Animated Short. I have gone with Curfew in Live Action Short (it has a cute little kid), and Mondays at Racine (it's about cancer) in Documentary Short.
    Without further ado, here's my comprehensive guide to the Academy Awards. Best of luck! And if I'm way off, I promise all of your money back.

    Picture: Argo
    Director: Steven Spielberg, Lincoln
    Actor: Daniel Day-Lewis, Lincoln
    Actress: Jennifer Lawrence, Silver Linings Playbook
    Supporting Actor: Tommy Lee Jones, Lincoln
    Supporting Actress: Anne Hathaway, Les Miserables
    Original Screenplay: Django Unchained
    Adapted Screenplay: Argo
    Editing: Argo
    Cinematography: Life of Pi
    Score: Life of Pi
    Song: "Skyfall" by Adele from Skyfall
    Art Direction: Life of Pi
    Costumes: Anna Karennina
    Sound Mixing: Les Miserables
    Sound Effects Editing: Skyfall
    Makeup: The Hobbit
    Visual Effects: Life of Pi
    Foreign: Amour
    Animated Feature: Wreck-It Ralph
    Doc Feature: Searching for Sugar Man
    Doc Short: Mondays at Racine
    Animated Short: Paperman
    Live Short: Curfew

    Django Unchained is poised to take Original Screenplay.

    Django Unchained movie
    Photo courtesy of The Weinstein Company
    Django Unchained is poised to take Original Screenplay.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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