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    Treasures of a Legend

    A sneak peek at precious Van Cliburn treasures coming up for auction

    Jennifer Chininis
    Feb 24, 2014 | 2:57 pm

    On March 4-5, Christie’s offers collectors the rare opportunity to procure treasures from the estate of renowned musician Van Cliburn, who died a year ago this week at his Fort Worth home. The New York auction, dubbed Two Distinguished American Collections, also features pieces from the estate of Noreen Drexel.

    But it’s the Van Cliburn collection that speaks most to Capera Ryan, senior vice president and managing director, Southwest region, for Christie’s, who selected some of her favorite pieces in the slideshow above. She recounts with fondness her time spent with “sweet Van,” a cherished family friend.

    “The objects he collected in a way tell the story of his life,” Ryan says. “As he played all over the world, he’d always buy himself something. He collected everything, and he went after it passionately. He didn’t have children; these objects were like his family.”

    “The objects he collected in a way tell the story of his life,” says Capera Ryan, a senior VP at Christie’s and friend of Van Cliburn’s.

    Silver was one of Van Cliburn’s great loves, a passion he inherited from his mother and aunt, who were also big silver collectors. “The oval tea tray [lot 445] to me is very reminiscent of his passion for English silver,” Ryan says. “He had it in his library. It just makes me think of him.”

    Russian pieces also figure prominently among the auction items, of course, as the pianist skyrocketed to fame in 1958, when, at the tender age of 23, he won the International Tchaikovsky Piano Competition in Moscow at the height of the Cold War. In addition to buying himself collectibles during his travels, he would often receive gifts from the Russians he encountered as he toured.

    “The Russian pieces say so much about his connection to the country,” says Ryan, who also remembers attending a Russian gala with Van Cliburn and watching young Russian women approach him as if he were a rock star. It was in that moment, she says, that she truly understood his celebrity status in that country.

    Naturally, the Christie’s auction also includes a C. Bechstein piano, dated 1869. It was a gift to Van Cliburn from his mother, who taught music. “He had seven pianos in his house. A piano of Van’s is such a collectible item,” Ryan says.

    Ryan really got to know Van Cliburn in 2012, when Christie’s held its first auction featuring items from his estate. (You can watch an interview from that time in the video below.) The pianist considered Ryan’s grandmother, Deborah Moncrief, a good luck charm, and he would often send her lavish bouquets of flowers after a performance. By 2012, Moncrief had passed, but Ryan says her grandmother is what bonded her to Van Cliburn.

    As they catalogued the pieces in that 2012 auction, the two shared fond memories of Ryan’s grandmother. Van Cliburn also had an incredible memory of his objects and shared elaborate stories about each, from the provenance and the artist to where he bought it and even how much he paid for it. Ryan says he saw beauty in everything and had impeccable taste, which is reflected in the assortment of items up for bid.

    Ryan also notes that Van Cliburn truly enjoyed his collections and, as an avid entertainer, put items like his silver to good use. They didn’t sit around collecting dust. They were very much a part of his household, and he took great pleasure in sharing them with those who visited his home.

    “He had everything out, in view,” Ryan says. “He enjoyed these things. He served food on his silver. It was as much about collecting as enjoying.”

    The upcoming auction is bittersweet, Ryan says, because the musician wasn’t there to relate the stories of how he acquired his beloved objects and the lives they had before coming into his possession. But she knows these treasures will live on, creating memories for their new owners, just as Van Cliburn himself lives on through his music.

    “I can see the similarity between Van the collector and the objects themselves,” Ryan says. “I think he believed in many lives.”

    ---

    The auction, Two Distinguished American Collections, takes place March 4-5 in New York. Bidders can register by telephone, bid online or in person. The pieces will be on view at Christie's New York — open to the public — for a week preceding the sale.

    Capera Ryan and Van Cliburn.

    Capera Ryan and Van Cliburn
      
    Photo courtesy of Capera Ryan
    Capera Ryan and Van Cliburn.
    unspecified
    news/arts

    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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