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    Filmmaker Spotlight

    Filmmaking is a family affair for Dallas actress and director Augustine Frizzell

    Jessica Tomberlin
    Mar 4, 2014 | 10:40 am

    Augustine Frizzell started working in Texas independent film as an actress over a decade ago, appearing in films like Ain’t Them Bodies Saints and Hellion. But over the years she’s had her hand in a number of roles both on screen and behind the camera. Now she can add writer/director to that list.

    Frizzell’s short film, I Was a Teenage Girl, is included in the 2014 SXSW Texas Shorts competition, which kicks off this Friday, March 7.

    “This is my fifth year to go [to South by Southwest], and it’s my absolute favorite festival,” she says.

    Her husband is David Lowery, whose films have helped propel the Dallas film scene into the spotlight. Her daughter, Atheena, is also a writer and actress.

    This year is extra special for Frizzell, not only because she’ll be premiering her own short, but it also marks the first time she’ll be attending with a film in which she’s cast in a prominent role. Frizzell stars in Dallas-based filmmaker Toby Halbrooks’ short film Dig, also included in the Texas shorts lineup.

    Before directing her own films, Frizzell worked in costume design and art direction. Though these various roles, she acquainted herself with the filmmaking process and the local film community.

    “You know they say everyone should wait tables at least once in their life, and I feel like it’s kind of the same with filmmaking,” she says. “I think it’s important to get a feel for everyone’s job. Like with costuming — I have been the actor where I didn't want to wear a certain outfit, so I completely understand where the actor is coming from and how to make adjustments.

    “I love movies, and if I can get a job in a movie I will take it. I don’t care what it is. I just love being on set and being around the people.”

    It helps that her family feels the same way about making movies. Her husband is David Lowery, whose films — most notably Ain't Them Bodies Saints — have helped propel the Dallas film scene into the spotlight. Her daughter, Atheena — a lead character in I Was a Teenage Girl — is also a writer and actress, so Frizzell has a built-in support system at home that she says extends into the local film community.

    “It’s a great community,” she says. “The people really keep me here.”

    Frizzell is no stranger to being surrounded by talented friends and family. Having come from a long line of singers on her dad’s side — she is the granddaughter of country music singer-songwriter Lefty Frizzell — she grew up dreaming about following in her family’s footsteps. But first she had to overcome a big obstacle: stage fright.

    After high school, Frizzell decided to take an acting class in hopes of finding a cure. Not only did the class help with her stage fright, but she also landed her first acting gig.

    “The guy who taught the class ran a murder mystery theater, and he ended up asking me to audition,” she says. “I got the role, and I ended up doing that for many years. It was really good practice for me, and it was fun. But it was very challenging, because it was really out of my comfort zone.”

    Accepting this challenge eventually helped Frizzell discover her passion for acting.

    “When you’re acting in a situation like [the murder mystery theater], you’re very much a part of the group, having to talk with people and be social,” she says. “With film or other theater acting, you’re completely removed. You’ll do a scene, and if it goes well afterward, there’s no memory of it. It’s so strange. It’s like entering into this other dimension, and that’s a really fantastic part of the process.”

    Despite the fact that she loves working as an actress, I Was a Teenage Girl is just the beginning of Frizzell’s directorial pursuits.

    “I have a feature that I really want to make, but I wanted to do a short film first for practice, because you don’t really want to just jump into a feature,” she says. “Hopefully this will be exactly what I need to get my next film made, and now I have a bit of credibility.”

    Local director David Lowery, a.k.a. Augustine Frizzell's husband.

    Photo courtesy of IFC Films
    Local director David Lowery, a.k.a. Augustine Frizzell's husband.
    unspecified
    news/entertainment

    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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