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    Movie Review

    Benedict Cumberbatch excels as everyday spy in The Courier

    Alex Bentley
    Mar 18, 2021 | 11:51 am
    Benedict Cumberbatch excels as everyday spy in The Courier
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    Modern-day spy movies often have more in common with action thrillers than studious dramas. Audiences have become accustomed to seeing spy characters engage in all sorts of fights and dangerous stunts instead of being quiet and clandestine.

    What makes the story told in The Courier stand out is that it’s a real-life tale that earns its thrills because of how ordinary its central figure was. Greville Wynne (Benedict Cumberbatch) was an English businessman who often traveled to Eastern Europe. Living as he was during the Cold War in the early 1960s, Wynne’s travels were an ideal cover for contacts with the CIA (Rachel Brosnahan) and MI6 (Angus Wright) to use him to smuggle secrets out of the USSR.

    Wynne’s task was relatively simple: Travel to Moscow, take business meetings as normal, and a prized Russian asset, Oleg Penkovsky (Merab Ninidze) would hand off materials to him, the contents of which Wynne would have no knowledge. The arrangement couldn’t have been more opportune, as tensions between the U.S. and USSR were nearing an all-time high, and the information Penkovsky was delivering was capable of stopping a nuclear war.

    Directed by Dominic Cooke and written by Tom O’Connor, the film immerses the audience in the tumult and paranoia of the day. Major Cold War moments like the walling off of East Berlin and the Cuban Missile Crisis loom in the background of the main story. Those and other smaller moments give even greater import to the actions of Wynne, and underscore the risk he’s taking every time he travels to the USSR.

    To up the emotional ante, the filmmakers bring in scenes with the families of both Wynne and Penkovsky, and while the sequences only affect the plot to a small degree overall, they’re crucial at establishing the states of mind of both men. Both naturally and because of their missions, neither betrays their emotions very often, and making these connections with the wives and children gives a personal touch to what’s at stake.

    This is exactly the type of role at which Cumberbatch excels, someone with steely demeanor but also capable of showing softness when needed. Ninidze is mostly an unknown quantity for American audiences, but he plays his part effectively. While Brosnahan does well in her role, the film doesn’t establish her character as well as others. At least she has more to do than Jessie Buckley, who never escapes the house as Wynne’s wife.

    The Courier does a great job at illuminating a piece of history that most people likely know little about. Stories about this era can sometimes be stuffy and underwhelming, but the filmmakers keep things lively by knowing what buttons to push and how to let their stars shine.

    ---

    The Courier will open in theaters on March 19.

    Merab Ninidze and Benedict Cumberbatch in The Courier.

    Merab Ninidze and Benedict Cumberbatch in The Courier
    Photo by Liam Daniel / courtesy of Lionsgate and Roadside Attractions
    Merab Ninidze and Benedict Cumberbatch in The Courier.
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    news/entertainment

    Movie Review

    Pixar bounces back to form with funny and heartfelt animal adventure Hoppers

    Alex Bentley
    Mar 5, 2026 | 12:11 pm
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers
    Photo courtesy of Disney/Pixar
    Mabel (Piper Kurda) and King George (Bobby Moynihan) in Hoppers.

    For the first 15 years of their history, animation studio Pixar delivered one classic film after another, an astonishing streak that included their first 11 movies. Things got bumpy starting with Cars 2 in 2011, and even though the majority of their output has been good-to-great ever since, their releases are no longer considered slam dunks like they once were.

    They’re back with an original film, Hoppers, trying to return to form by going back to the animal world. The film centers on Mabel (Piper Kurda), a 19-year-old environmentalist who’s trying to stop a new highway being built by Mayor Jerry (Jon Hamm) in the fictional city of Beaverton. Her activism has as much to do with helping displaced local animals as it does with being nostalgic for her youth, in which she spent years observing nature with her Grandma Tanaka (Karen Huie).

    She finds an unlikely possible solution when she discovers that her college professors have created a system that allows them to transfer - or hop - their consciousness into animal-like robots. Hijacking a beaver robot, Mabel joins up with the local wildlife, including beaver King George (Bobby Moynihan) to try to convince them to help her execute her plan. But with the highway almost complete and Mayor Jerry willing to do anything to make it happen, Mabel might be too late.

    Directed by Daniel Chong and written by Jesse Andrews from a story by Chong, the film cycles through a variety of genres in its 105-minute running time, including comedy, drama, thriller, and even a touch of Pixar-style horror. When Pixar has been at its best, it seamlessly goes back and forth between genres, trusting that audiences will go along with them for the ride, and Hoppers feels like a return to form in that respect.

    Humor rules the day as Mabel adjusts to being part of the animal world while her professors desperately try to get her and their robot back. Mabel encounters not only wildly confusing things like “pond rules” (if a predator catches you, you don’t fight it), but also the existence of a hierarchy within the world that involves kings or queens from various animal classes like reptiles, birds, amphibians, fish, and insects. Her one-track mind and the way of the world she is invading clash in a variety of funny ways.

    As the film goes along, Chong, Andrews, and the rest of the filmmaking team also find a way to burrow into the audience’s heart. There are many elements that threaten to tip into eye-rolling territory, but the filmmakers consistently pull back before that happens. The number of fun characters on both the human and animal side helps in that regard, as does the simple yet profound message they’re trying to convey.

    Pixar has assembled one of the best voice casts in recent memory for this film, including such big names as Meryl Streep, Dave Franco, Melissa Villaseñor, Vanessa Bayer, and the late Isiah Whitlock, Jr. However, due to the sheer number of characters, only Kurda, Moynihan, and Hamm truly stand out. Still, they all fit together well and give the always-stellar animation even more life.

    Since the pandemic, Pixar has only released one truly great film (Inside Out 2), but with Hoppers and the seemingly bulletproof Toy Story 5 coming within a few months of each other, they might go back-to-back on that front. Like the classic films from the studio, it has goofy, heartfelt, and exciting parts, mixing together for an enthralling time at the theater.

    ---

    Hoppers opens in theaters on March 6.

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