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    Sex on Heels

    Super-hot European performers Kazaky prove real men wear stilettos

    Rachael Abrams
    Mar 27, 2013 | 5:14 pm

    We never thought that a group of ripped androgynous male performers would make such an impression on us until we met Kazaky. The four-man group sexed up the runway at the spectacular House of DIFFA — on an evening when competition for sexy was fierce.

    The group comprises four super-fit Ukrainian dancers — Stas, Oleg, Kryll and Artyr — who have been friends since childhood. With their rock-hard abs, derriere-hugging pants and mile-high heels, it's impossible not to be captivated by them.

    Even though their slim silhouettes lean toward the feminine (chiseled abs notwithstanding), Kazaky represents masculinity in the most liberal sense. "Our dancing is an expression of freedom," Oleg says.

    Oleg is the brain behind the choreography — reminiscent of Madonna, Lady Gaga and burlesque — but the guys work together to perfect all routines. Right now, however, they are focusing more on their vocals.

    "[Singing] is something we always knew we wanted to explore," Artyr says. Kazaky's first single, "In the Middle," has very few words, but the group continues to develop their vocal chords to incorporate more singing into their acts.

    Outside of nightclubs and special performances — including the DSquared fashion show at Mercedes-Benz Fashion Week and in Madonna's "Girl Gone Wild" video — the guys spend their days practicing, both song and dance. Free time is nonexistent in Kazaky's world, but Oleg says, "It doesn't feel like work." Even as they dance in in those sky-high stilettos.

    "There's some pain involved, but after two days of wearing the [6- to 7-inch] heels, we get used to it," Stas says. "It's all about perseverance."

    Although audience members often speculate about their sexuality, the Kazaky boys play it close to the vest. Alex Hawgood with the New York Times reported that their personal lives stay private. "The reason we never answer this question is because we try to keep a kind of mysterious charm," Oleg told Hawgood.

    More important, these guys take their jobs seriously, as evidenced by their simultaneous movements, high kicks and strong physiques.

    Before their House of DIFFA performance, Oleg told us he hoped they wouldn't disappoint. Based on the cheers in the Chantilly Ballroom that night, we'd say these hotties nailed it.

    "There's some pain involved, but after two days of wearing the [6- to 7-inch] heels, we get used to it," Stas says.

    Kazaky
    Photo by Jerry McClure
    "There's some pain involved, but after two days of wearing the [6- to 7-inch] heels, we get used to it," Stas says.
    unspecified
    news/entertainment

    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilm
    news/entertainment

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