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    Theater Critic Picks

    These are the 12 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 1, 2019 | 10:53 am

    For some, April is only about one show: Hamilton. But there are 11 other offerings opening this month, plenty of them regional premieres and even two world premieres. If you've already paid your respects to A. Ham, there's plenty else to check out.

    Here are the 12 shows to see, in order by start date:

    Hamilton
    Dallas Summer Musicals, April 2-May 5
    It's finally here. The blockbuster musical by Lin-Manuel Miranda that tells the story of founding father Alexander Hamilton through rap, pop, and other musical styles comes to the Music Hall at Fair Park, and people are more than a little excited about it. Come early to check out the rare documents that will be on display in the lobby.

    The Father
    Stage West, April 4-27
    David Coffee plays 80-year-old André, a retired tap dancer living with his daughter and her husband, and…or, no, wait, is he a retired engineer whose daughter is visiting from London? And who are those people who keep turning up in his flat, and where does his furniture keep disappearing to, and why is he still in his pajamas?

    Lela & Co.
    Second Thought Theatre, April 4-27
    Set against the backdrop of a refugee crisis in an unnamed foreign country, this regional premiere by Cordelia Lynn charts Lela's eventful journey from girlhood to womanhood. Separated from her childhood by the soldiers at the border of her country and the soldiers in the bedroom of her new home, Lela gains strength and wisdom that are hard-won and far beyond her years.

    On Your Feet!
    Broadway at the Bass, April 10-14
    Based on the life story of seven-time Grammy-winning international superstar Gloria Estefan and her husband, 19-time Grammy-winning producer-musician-entrepreneur Emilio Estefan, this musical is a catalog of their chart-topping hits. If you feel like doing the conga to "Rhythm Is Gonna Get You," "1-2-3," "Get On Your Feet," "Mi Tierra," "Don't Want To Lose You Now," and, yes, "Conga," there will be no judgment here.

    so go the ghosts of méxico, part three
    Undermain Theatre, April 11-May 5
    The centerpiece production of the Whither Goest Thou America Festival is this final installment in the three-play cycle exploring the U.S.-Mexico drug wars. A young Mexican couple gets caught up in the web of the drug trade between the two countries, changing their lives forever — but is their ordeal what it seems, or a mirage of disinformation created by unseen forces? The festival also includes staged readings of Red Chariot, Vox Humana, so go the ghosts of méxico parts 1 and 2, and He Brought Her Heart Back in a Box.

    Wolf at the Door
    Kitchen Dog Theater, April 11-May 5
    Marisela Treviño Orta's dark fairy tale follows Isadora, who finds the strength to stand up to her abusive husband, Septimo, when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own.

    Teatro en Fuga
    Cara Mía Theatre Co., April 12-28
    This festival features new works-in-progress by members of Cara Mía's resident ensemble, with the goal of developing for world premiere productions in future seasons.

    Office Hour
    Circle Theatre, April 18-May 11
    A troubled student hides behind dark glasses and writes disturbing and provoking literature. Is he venting or really troubled? His professor is the only one willing to get close enough to understand. Will the day end in tragedy, hope ... or somewhere in between?

    Everything Is Wonderful
    WaterTower Theatre, April 19-May 12
    Following a tragic car accident that killed her two brothers, Miri, the excommunicated daughter of an Amish family, returns home to find that her parents have taken in the wayward driver of the car. Quickly learning that time has not healed old wounds, Miri struggles with the contradictions of the culture she left behind, while being forced to confront Abram, the young Amish man whose actions drove her away.

    Pastry King
    Elevator Project April 23-May 5
    A husband and wife open a pastry shop in the North End, making the best cannoli in Boston. But upon meeting their neighbor, the Pastry King, one of the city's most established restaurateurs, odd and terrible things start to happen. It's a play about blame, the strength of relationships, and the perfect ricotta recipe.

    Raptured: A Sex Farce at the End of the World
    Theatre Three, April 25-May 19
    The congregants of the Third Baptist Church of Uncertain, Texas are only certain about two things; the rapture is definitely happening sometime in the next two hours (the Bible Math checks out), and two hours is not enough time to squeeze every single drop of life from this wicked, wonderful world. But some of them will try. Matt Lyle's fresh farce is full of love triangles, mistaken identities, a puckish youth pastor, a Preacher on a dubious mission, lots of doors, and, of course, deeply irrevocable existential longing.

    Real Women Have Curves
    Dallas Theater Center, April 26-May 19
    Ana just graduated from high school, and though she dreams of going to college and becoming a writer, for now she is stuck working in her sister's garment factory in East L.A. The hours are long, and the pay is low, but Ana grows to appreciate the strength, passion, and dedication of the women she works beside.

    Hamilton finally comes to Dallas.

    2018 touring cast of Hamilton
      
    Photo by Joan Marcus
    Hamilton finally comes to Dallas.
    theateropenings
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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