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    Theater Critic Picks

    These are the 12 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 1, 2019 | 10:53 am

    For some, April is only about one show: Hamilton. But there are 11 other offerings opening this month, plenty of them regional premieres and even two world premieres. If you've already paid your respects to A. Ham, there's plenty else to check out.

    Here are the 12 shows to see, in order by start date:

    Hamilton
    Dallas Summer Musicals, April 2-May 5
    It's finally here. The blockbuster musical by Lin-Manuel Miranda that tells the story of founding father Alexander Hamilton through rap, pop, and other musical styles comes to the Music Hall at Fair Park, and people are more than a little excited about it. Come early to check out the rare documents that will be on display in the lobby.

    The Father
    Stage West, April 4-27
    David Coffee plays 80-year-old André, a retired tap dancer living with his daughter and her husband, and…or, no, wait, is he a retired engineer whose daughter is visiting from London? And who are those people who keep turning up in his flat, and where does his furniture keep disappearing to, and why is he still in his pajamas?

    Lela & Co.
    Second Thought Theatre, April 4-27
    Set against the backdrop of a refugee crisis in an unnamed foreign country, this regional premiere by Cordelia Lynn charts Lela's eventful journey from girlhood to womanhood. Separated from her childhood by the soldiers at the border of her country and the soldiers in the bedroom of her new home, Lela gains strength and wisdom that are hard-won and far beyond her years.

    On Your Feet!
    Broadway at the Bass, April 10-14
    Based on the life story of seven-time Grammy-winning international superstar Gloria Estefan and her husband, 19-time Grammy-winning producer-musician-entrepreneur Emilio Estefan, this musical is a catalog of their chart-topping hits. If you feel like doing the conga to "Rhythm Is Gonna Get You," "1-2-3," "Get On Your Feet," "Mi Tierra," "Don't Want To Lose You Now," and, yes, "Conga," there will be no judgment here.

    so go the ghosts of méxico, part three
    Undermain Theatre, April 11-May 5
    The centerpiece production of the Whither Goest Thou America Festival is this final installment in the three-play cycle exploring the U.S.-Mexico drug wars. A young Mexican couple gets caught up in the web of the drug trade between the two countries, changing their lives forever — but is their ordeal what it seems, or a mirage of disinformation created by unseen forces? The festival also includes staged readings of Red Chariot, Vox Humana, so go the ghosts of méxico parts 1 and 2, and He Brought Her Heart Back in a Box.

    Wolf at the Door
    Kitchen Dog Theater, April 11-May 5
    Marisela Treviño Orta's dark fairy tale follows Isadora, who finds the strength to stand up to her abusive husband, Septimo, when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own.

    Teatro en Fuga
    Cara Mía Theatre Co., April 12-28
    This festival features new works-in-progress by members of Cara Mía's resident ensemble, with the goal of developing for world premiere productions in future seasons.

    Office Hour
    Circle Theatre, April 18-May 11
    A troubled student hides behind dark glasses and writes disturbing and provoking literature. Is he venting or really troubled? His professor is the only one willing to get close enough to understand. Will the day end in tragedy, hope ... or somewhere in between?

    Everything Is Wonderful
    WaterTower Theatre, April 19-May 12
    Following a tragic car accident that killed her two brothers, Miri, the excommunicated daughter of an Amish family, returns home to find that her parents have taken in the wayward driver of the car. Quickly learning that time has not healed old wounds, Miri struggles with the contradictions of the culture she left behind, while being forced to confront Abram, the young Amish man whose actions drove her away.

    Pastry King
    Elevator Project April 23-May 5
    A husband and wife open a pastry shop in the North End, making the best cannoli in Boston. But upon meeting their neighbor, the Pastry King, one of the city's most established restaurateurs, odd and terrible things start to happen. It's a play about blame, the strength of relationships, and the perfect ricotta recipe.

    Raptured: A Sex Farce at the End of the World
    Theatre Three, April 25-May 19
    The congregants of the Third Baptist Church of Uncertain, Texas are only certain about two things; the rapture is definitely happening sometime in the next two hours (the Bible Math checks out), and two hours is not enough time to squeeze every single drop of life from this wicked, wonderful world. But some of them will try. Matt Lyle's fresh farce is full of love triangles, mistaken identities, a puckish youth pastor, a Preacher on a dubious mission, lots of doors, and, of course, deeply irrevocable existential longing.

    Real Women Have Curves
    Dallas Theater Center, April 26-May 19
    Ana just graduated from high school, and though she dreams of going to college and becoming a writer, for now she is stuck working in her sister's garment factory in East L.A. The hours are long, and the pay is low, but Ana grows to appreciate the strength, passion, and dedication of the women she works beside.

    Hamilton finally comes to Dallas.

    2018 touring cast of Hamilton
    Photo by Joan Marcus
    Hamilton finally comes to Dallas.
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    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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