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    Meet Joe

    Joe sets new benchmark for Texas filmmaker David Gordon Green

    Ryan Lakich
    Apr 3, 2014 | 10:57 am
    Joe sets new benchmark for Texas filmmaker David Gordon Green
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    Despite the fact that David Gordon Green is now a member of the Texas Film Hall of Fame, has directed a hit comedy with Seth Rogen and James Franco and has worked on the hit HBO comedy Eastbound & Down, his latest film, Joe, feels like you’re discovering a new artist.

    It’s not like Joe, which screens at the Dallas International Film Festival on April 4, is a major departure from Green’s previous work. It displays some of his favorite tricks, such as filming in a rural setting, portraying the growth of unlikely friendships and characters striving to overcome a troubled past. But a mix of opposing tones and a unique blend of actors result in an exciting new creation.

    Joe displays some of Green’s favorite tricks. But a mix of opposing tones and a unique blend of actors result in an exciting new creation.

    The film follows Joe Ransom (Nicolas Cage), an ex-con with hidden rage that he struggles to keep in check. When a teenager named Gary (Tye Sheridan) moves into town with his family of drifters, Joe finds himself making an unlikely friend, while also trying to protect Gary from the danger of his abusive, alcoholic father.

    It’s easy to see the film as a dark and foreboding drama, but the Southern Gothic tone plays together with some legitimately funny moments that break the tension. Joining the amazing duo of Cage and Sheridan on screen is an extensive cast that creates a believable rural Texas environment. If you can count the number of traffic lights in your hometown, you’ll feel right at home in Joe.

    You may laugh at the way Joe’s team of workers shoot the bull or his special fatherly bonding time with Gary, but suspense and darkness quickly surface to switch emotional gears on the viewer. While the darkness functions as an example of how sleepy small towns belie the horror that lurks below the surface, it also serves as a reflection of Joe’s inner struggle. He’s a man who wants to work hard and enjoy a simple life, but when pushed around enough, his rage boils over and wreaks major havoc in its wake.

    And Cage is the perfect fit for his character. He has a cult following among film buffs for his notorious talent with explosive and insane outbursts on screen. Yes, people will applaud Cage for being more subdued in Joe, but don’t think that his special brand of crazy won’t find a way to shine through.

    But Cage isn’t the only actor shining on screen. Sheridan, a Texas native who has worked with Matthew McConaughey and Terrence Malick in his young career, can be seen as a foil for the gruff Joe with his more youthful and exuberant personality. But he’s also similar to Joe, in that he is struggling to repress his frustrations with the world and his family.

    Joe isn’t a revolutionary film for the director and his actors, but there’s still a sense that it’s an important stepping stone for everyone involved. Both troubling and humorous, Joe signals that Green still has plenty of tricks up his sleeve.

    Nicolas Cage on the red carpet at SXSW.

    SXSW Joe Premiere Nicolas Cage
    Photo by Shelley Neuman
    Nicolas Cage on the red carpet at SXSW.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
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    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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