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    Observe Dallas

    Behind the vision for the largest street photography exhibit in Dallas

    Alex Bentley
    Apr 3, 2015 | 1:09 pm

    If you were walking around downtown Dallas in July and August 2014, you might have noticed museum-quality prints showing observers a picture of their exact location. Those photographs were part of an anonymous social experiment dubbed Observe Dallas, designed to get people to see the beauty of their hometown.

    Those photos were shot and displayed by Dallas photographer Richard Andrew Sharum, who's coming out of anonymity to do a second Observe Dallas starting on April 10 — this time with city approval. Said to be the largest street photography exhibit in Dallas history, Observe Dallas consists of eight photos displayed on the outside of five buildings, all depicting people you can encounter downtown.

    The photos, one of which is 40 feet by 60 feet, show a variety of people, including fathers with their children, the homeless and workers going about their day. Sharum says the project is designed to get people to understand the beauty that's around them every day — beauty they might not otherwise notice.

    "[The goal of this is] getting people to recognize that this is their downtown, and it can be seen in a beautiful light," Sharum says. "They probably walk by these same scenes every day, but they don't really observe their surroundings critically, and therefore use those critical observations to express themselves."

    "Whether they're homeless or a billionaire walking the streets of downtown Dallas, [people are] all on the same plane of having the opportunity to observe this themselves."

    Sharum selected the buildings on which to display the photos — located at 211 N. Ervay St., 800 Main St., 500 S. Ervay St., 325 N. Saint Paul St. and 601 Elm St. — with great care, to impact a diverse group.

    "I chose the buildings strategically based on parts of downtown Dallas that I think need more public work, and where I saw a lot of people walking every day and knew there would be a lot of traffic, a huge diversity of humans," Sharum says.

    "By displaying it in certain areas of downtown where all walks of life live and work, then it includes everyone and doesn't discriminate against anybody."

    The eight images will have staggered releases, with the first one, titled "One Main Place," going up at 211 N. Ervay St. on April 10. That one will stay up for a full year, while the other seven will have stays ranging from one week to almost two months. All eight photos are shown in the slideshow, along with the dates they will be displayed.

    The inclusion of pictures of two homeless people is especially important for Sharum, as he's hoping to lead social change and inspire people to help come up with solutions for the area's homeless.

    "I truly believe observation is the key to empathy and education, two ideals that are important to the progression of mankind," he said in a release. "I want these images to inspire people to pay attention to their surroundings, whether it's addressing the homeless issue, something I find people are afraid to talk about, or simply creating their own works of public art."

    For Sharum, the project is less about him and more about the people in the shots and the people who will encounter the photos. He wants people to post their own photos on social media outlets, using the hashtag #ObserveDallas2015, to share their experiences downtown.

    "I want people to be a part of it, whether they are photographers or not," Sharum says. "Everybody has a story to tell, and everybody sees wonderful, fantastic things every day downtown, but they have no outlet to express themselves, or they haven't even had the desire to express themselves.

    "So hopefully this serves as a catalyst for people to at least try to document their lives or document their surroundings in downtown Dallas."

    "Father and Daughter" will be displayed at 325 N. Saint Paul St., April 27-May 18.

    Father and Daughter from Observe Dallas
    Photo by Richard Andrew Sharum
    "Father and Daughter" will be displayed at 325 N. Saint Paul St., April 27-May 18.
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    news/arts

    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
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    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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