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    Observe Dallas

    Behind the vision for the largest street photography exhibit in Dallas

    Alex Bentley
    Apr 3, 2015 | 1:09 pm

    If you were walking around downtown Dallas in July and August 2014, you might have noticed museum-quality prints showing observers a picture of their exact location. Those photographs were part of an anonymous social experiment dubbed Observe Dallas, designed to get people to see the beauty of their hometown.

    Those photos were shot and displayed by Dallas photographer Richard Andrew Sharum, who's coming out of anonymity to do a second Observe Dallas starting on April 10 — this time with city approval. Said to be the largest street photography exhibit in Dallas history, Observe Dallas consists of eight photos displayed on the outside of five buildings, all depicting people you can encounter downtown.

    The photos, one of which is 40 feet by 60 feet, show a variety of people, including fathers with their children, the homeless and workers going about their day. Sharum says the project is designed to get people to understand the beauty that's around them every day — beauty they might not otherwise notice.

    "[The goal of this is] getting people to recognize that this is their downtown, and it can be seen in a beautiful light," Sharum says. "They probably walk by these same scenes every day, but they don't really observe their surroundings critically, and therefore use those critical observations to express themselves."

    "Whether they're homeless or a billionaire walking the streets of downtown Dallas, [people are] all on the same plane of having the opportunity to observe this themselves."

    Sharum selected the buildings on which to display the photos — located at 211 N. Ervay St., 800 Main St., 500 S. Ervay St., 325 N. Saint Paul St. and 601 Elm St. — with great care, to impact a diverse group.

    "I chose the buildings strategically based on parts of downtown Dallas that I think need more public work, and where I saw a lot of people walking every day and knew there would be a lot of traffic, a huge diversity of humans," Sharum says.

    "By displaying it in certain areas of downtown where all walks of life live and work, then it includes everyone and doesn't discriminate against anybody."

    The eight images will have staggered releases, with the first one, titled "One Main Place," going up at 211 N. Ervay St. on April 10. That one will stay up for a full year, while the other seven will have stays ranging from one week to almost two months. All eight photos are shown in the slideshow, along with the dates they will be displayed.

    The inclusion of pictures of two homeless people is especially important for Sharum, as he's hoping to lead social change and inspire people to help come up with solutions for the area's homeless.

    "I truly believe observation is the key to empathy and education, two ideals that are important to the progression of mankind," he said in a release. "I want these images to inspire people to pay attention to their surroundings, whether it's addressing the homeless issue, something I find people are afraid to talk about, or simply creating their own works of public art."

    For Sharum, the project is less about him and more about the people in the shots and the people who will encounter the photos. He wants people to post their own photos on social media outlets, using the hashtag #ObserveDallas2015, to share their experiences downtown.

    "I want people to be a part of it, whether they are photographers or not," Sharum says. "Everybody has a story to tell, and everybody sees wonderful, fantastic things every day downtown, but they have no outlet to express themselves, or they haven't even had the desire to express themselves.

    "So hopefully this serves as a catalyst for people to at least try to document their lives or document their surroundings in downtown Dallas."

    "Homeless Woman" will be displayed at 500 S. Ervay St., May 11-31.

    Homeless Woman from Observe Dallas
    Photo by Richard Andrew Sharum
    "Homeless Woman" will be displayed at 500 S. Ervay St., May 11-31.
    unspecified
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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