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    Theater Review

    Hamilton blows Dallas away with magnificent national tour

    Lindsey Wilson
    Apr 4, 2019 | 12:02 pm

    It took four years for Hamilton to get from Broadway to Dallas, but the city doesn't seem to mind having had to wait for it — it's still blowing us all away. The Philip cast, as this company is known, has stormed into the Music Hall at Fair Park like it's the Battle of Yorktown, and audiences seem more than happy to surrender to the phenomenon. Yes, the show really is that good.

    Led by an extraordinary Joseph Morales, who manages to suggest creator and original star Lin-Manuel Miranda's playfully raspy tone (but supported by much stronger vocal technique), the national tour brought in by Dallas Summer Musicals is the force that everyone was expecting.

    On David Korins' brick-and-wood set and drenched in warm amber tones by lighting designer Howell Binkley (those sitting higher up will also get to marvel at the patterns he casts on the stage, as well as Andy Blankenbuehler's kaleidoscopic choreography), the diverse and versatile cast spins the story of the Founding Father who created our nation's financial system, fought for the Constitution, and died young in a duel.

    That's not a spoiler for many reasons, least of all due to the famous opening number sung by the gun-wielder himself. Just a few days after the original and Tony-winning Aaron Burr, Leslie Odom Jr., sang a concert set with the Dallas Symphony Orchestra, the towering Nik Walker delivers a roguish, powerful performance that makes A. Burr his own.

    In fact, many in the cast are working against pre-conceived notions born from the Grammy-winning cast album (which, if you aren't familiar with before seeing the Thomas Kail-directed show, give it a listen — there's a lot in Miranda's tongue-twisting score you might otherwise miss).

    Ta'Rea Campbell is one, giving the fierce Angelica Schuyler that Renee Elise Goldsberry won a Tony Award for a far sassier twist to go with a knockout voice. At the performance reviewed, standby Emily Jenda provoked sniffles (and more than a few audible sobs) with her heart-wrenching turn as middle Schuyler sister Eliza, whose marriage to Alexander Hamilton endures plenty of trials.

    And Peggy: Nyla Sostre amuses as the youngest sister and later sizzles as the sultry Maria Reynolds, a woman who spurs Hamilton to write a damning pamphlet that effectively ends his political career.

    Build in time to browse both a copy of The Reynolds Pamphlet and an extant love letter from Alex to Eliza that are on display in the Music Hall lobby, along with an original copy of the Declaration of Independence, proclamations from George Washington, an early edition of Common Sense, and other fascinating historic documents.

    Another thing for newbies to familiarize themselves with before settling into their Music Hall seats is that several of the leading actors play multiple roles. In the first act, Elijah Malcomb is the idealistic abolitionist John Laurens and in the second, he's the Hamiltons' precocious first-born. Likewise, Kyle Scatliffe starts out as the flamboyant Marquis de Lafayette and later is, well, the flamboyant Thomas Jefferson, channeling Little Richard's charisma for an exuberant performance.

    Conroe Brookes is solid and staid as George Washington, while Fergie L. Philippe, as brawny spy Hercules Mulligan, was suddenly replaced at intermission by standby Desmond Sean Ellington, who gave James Madison a gloriously catty attitude. Equally cheeky is Jon Patrick Walker as a flouncing King George, whose time onstage is short, but the impact is high.

    And for what everyone is truly wondering: the notoriously unreliable sound at the Music Hall was crystal clear (at least at this particular performance). If you happen to disagree, try your luck at the daily $10 lottery and see if the show's even better the second time around.

    ---

    The national tour of Hamilton is playing at the Music Hall at Fair Park through May 5.

    Shoba Narayan, Ta'Rea Campbell, and Nyla Sostre as the Schuyler sisters.

    Hamilton national tour
    Photo by Joan Marcus
    Shoba Narayan, Ta'Rea Campbell, and Nyla Sostre as the Schuyler sisters.
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    Theater Critic Picks

    Spooky thrills and clever comedy take over Dallas stages in October

    Lindsey Wilson
    Oct 2, 2025 | 4:53 pm
    Lyric Stage presents The Rocky Horror Show
    Photo courtesy of Lyric Stage
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    October is here and it's spooky season onstage, with productions that include the cult classic Rocky Horror Show, The Addams Family, a piece inspired by Alfred Hitchcock, and a play about the trading of Luka Doncic away from the Mavericks — that's the scariest of all!

    Here are 12 shows appearing in Dallas-Fort Worth theaters in September, listed in order of start date:

    Latinidades Festival
    Cara Mia Theatre, October 2-12
    Dallas’s largest international Latino theatre festival is back for its sixth year with six mainstage productions and various second-stage performances spanning theater, dance, music, and poetry to highlight diverse Latin American voices. Also returning is the Arts Symposium: "How Our Arts Will Thrive in Times of Change." For a full schedule of events, go to the festival website.

    cleaVage
    MusicalWriters.com Productions & Lakeside Community Theatre, October 3-18
    It's the world premiere of this a laugh-out-loud new musical comedy about the rise, fall, and rebound of silicone gel breast implants. Conceived by Dallas plastic surgeon Dr. Ron Friedman and co-written with Laura Goodenow, cleaVage has been described as “Hamilton with breasts” by Texas Monthly.

    Noises Off
    Dallas Theater Company, October 3-26
    Michael Frayn’s uproarious classic British comedy is a play-within-a-play that plunges the audience into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors.

    King Hedley II
    Soul Rep Theatre Company & Bishop Arts Theatre Center, October 9-26
    Set in 1985 Pittsburgh, August Wilson's King Hedley II follows an ex-convict's fight to rebuild his life and reclaim his future amid hardship, hope, and the weight of the past.

    Mac Beth
    Circle Theatre, October 9-November 1
    After school‭, ‬seven teenage girls convene in an abandoned lot‭. ‬They drop their backpacks‭, ‬transform their uniforms‭, ‬and dive into a DIY retelling of Macbeth‭. As the girls conjure‭ ‬kings‭, ‬warriors‭, ‬and witches‭, ‬Shakespeare’s bloody tale seeps into their reality‭.

    The Trade: A Tragedy in Four Quarters
    Theatre Three, October 9-November 2
    In this fast-paced, highly unauthorized, foam middle-fingered satire, the Dallas Mavericks are on the brink of greatness — so naturally, Nico slams the self-destruct button. With a Greek chorus narrating the tragic downfall, a Kiss Cam, “Luka Doncic,” “Mark Cuban,” and a cameo from “Anthony Davis’ Hernia,” The Trade skewers the madness behind the moves, the myth that millionaires and billionaires must know what they’re doing, and the heartbreak of loving something that doesn’t love you back. In Dallas, tragedy wears Nikes.

    The Rocky Horror Show
    Lyric Stage, October 10-26
    In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” Complete with sass from the audience, cascading toilet paper, and an array of other audience participation props, this deliberately kitschy rock ’n’ roll sci-fi gothic musical is more fun than ever.

    Incarnate
    Second Thought Theatre, October 15-November 1
    Incarnate, by STT’s own Parker Davis Gray, is a horror/thriller that follows two artists over the course of a year in their seemingly pointless pursuit of creation while suffering under great grief. Trapped in her cell, Rosamund is hellbent on escaping her fate while the Man who kidnapped her struggles with the consequences of what grief can do, and how far he will go to escape it. Can they live with themselves? Or, more importantly, who else is living with them?

    Ride the Cyclone
    Stage West, October 16-November 2
    In this critically acclaimed cult musical, a freak roller coaster accident derails the lives of the entire St. Cassian High School chamber choir. Now dead, trapped in carnival limbo, they’re greeted by a mechanical fortune teller who proposes a talent show. The prize? One lucky winner will return to life.

    The Birds
    Amphibian Stage, October 17-November 9
    Based on Daphne du Maurier’s story (the inspiration for Hitchcock’s famous film), The Birds brings a chilling and suspenseful look at human nature in the face of societal collapse. When killer birds start attacking, three strangers seek shelter in an isolated house. But as paranoia creeps in, they realize the biggest threat might not be coming from outside.

    The Addams Family
    Broadway at the Bass, October 24-26
    Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before: keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s “normal” boyfriend and his parents.

    A Beautiful Noise: The Neil Diamond Musical
    Broadway at the Bass, October 28-November 2
    This is the untold true story of a Brooklyn kid who became a chart-busting, show-stopping, award-winning American icon, created in collaboration with Neil Diamond himself.

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