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    Theater Review

    Hamilton blows Dallas away with magnificent national tour

    Lindsey Wilson
    Apr 4, 2019 | 12:02 pm

    It took four years for Hamilton to get from Broadway to Dallas, but the city doesn't seem to mind having had to wait for it — it's still blowing us all away. The Philip cast, as this company is known, has stormed into the Music Hall at Fair Park like it's the Battle of Yorktown, and audiences seem more than happy to surrender to the phenomenon. Yes, the show really is that good.

    Led by an extraordinary Joseph Morales, who manages to suggest creator and original star Lin-Manuel Miranda's playfully raspy tone (but supported by much stronger vocal technique), the national tour brought in by Dallas Summer Musicals is the force that everyone was expecting.

    On David Korins' brick-and-wood set and drenched in warm amber tones by lighting designer Howell Binkley (those sitting higher up will also get to marvel at the patterns he casts on the stage, as well as Andy Blankenbuehler's kaleidoscopic choreography), the diverse and versatile cast spins the story of the Founding Father who created our nation's financial system, fought for the Constitution, and died young in a duel.

    That's not a spoiler for many reasons, least of all due to the famous opening number sung by the gun-wielder himself. Just a few days after the original and Tony-winning Aaron Burr, Leslie Odom Jr., sang a concert set with the Dallas Symphony Orchestra, the towering Nik Walker delivers a roguish, powerful performance that makes A. Burr his own.

    In fact, many in the cast are working against pre-conceived notions born from the Grammy-winning cast album (which, if you aren't familiar with before seeing the Thomas Kail-directed show, give it a listen — there's a lot in Miranda's tongue-twisting score you might otherwise miss).

    Ta'Rea Campbell is one, giving the fierce Angelica Schuyler that Renee Elise Goldsberry won a Tony Award for a far sassier twist to go with a knockout voice. At the performance reviewed, standby Emily Jenda provoked sniffles (and more than a few audible sobs) with her heart-wrenching turn as middle Schuyler sister Eliza, whose marriage to Alexander Hamilton endures plenty of trials.

    And Peggy: Nyla Sostre amuses as the youngest sister and later sizzles as the sultry Maria Reynolds, a woman who spurs Hamilton to write a damning pamphlet that effectively ends his political career.

    Build in time to browse both a copy of The Reynolds Pamphlet and an extant love letter from Alex to Eliza that are on display in the Music Hall lobby, along with an original copy of the Declaration of Independence, proclamations from George Washington, an early edition of Common Sense, and other fascinating historic documents.

    Another thing for newbies to familiarize themselves with before settling into their Music Hall seats is that several of the leading actors play multiple roles. In the first act, Elijah Malcomb is the idealistic abolitionist John Laurens and in the second, he's the Hamiltons' precocious first-born. Likewise, Kyle Scatliffe starts out as the flamboyant Marquis de Lafayette and later is, well, the flamboyant Thomas Jefferson, channeling Little Richard's charisma for an exuberant performance.

    Conroe Brookes is solid and staid as George Washington, while Fergie L. Philippe, as brawny spy Hercules Mulligan, was suddenly replaced at intermission by standby Desmond Sean Ellington, who gave James Madison a gloriously catty attitude. Equally cheeky is Jon Patrick Walker as a flouncing King George, whose time onstage is short, but the impact is high.

    And for what everyone is truly wondering: the notoriously unreliable sound at the Music Hall was crystal clear (at least at this particular performance). If you happen to disagree, try your luck at the daily $10 lottery and see if the show's even better the second time around.

    ---

    The national tour of Hamilton is playing at the Music Hall at Fair Park through May 5.

    Shoba Narayan, Ta'Rea Campbell, and Nyla Sostre as the Schuyler sisters.

    Hamilton national tour
    Photo by Joan Marcus
    Shoba Narayan, Ta'Rea Campbell, and Nyla Sostre as the Schuyler sisters.
    theatermusicreviews
    news/arts

    On The Move

    Pegasus Theatre brings Living Black & White shows to new home in Addison

    Lindsey Wilson
    Aug 11, 2025 | 2:56 pm
    Living Black & White at Pegasus Theatre
    Photo courtesy of Pegasus Theatre
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    Beginning October 2025, Pegasus Theatre will have a new home. The Dallas company known for its trademarked Living Black & White shows is taking up residence for its 40th season at The Addison Performing Arts Centre.

    "The Addison Performing Arts Centre and Pegasus Theatre have reached a co-production agreement which will allow Pegasus to produce in all three venues at The Addison: the Terry Martin Main Stage, Studio Theatre, and Stone Cottage," writes Pegasus' production manager Leslie Patrick. "We can’t wait for our audience to feel the benefits of the stability of this arrangement for a feeling we have not really been able to recreate since we closed our original space on Main Street in Deep Ellum in 2002."

    Pegasus Theatre was founded in 1985 by Kurt Kleinmann, who also writes the majority of the nonprofit company's original plays and serves as artistic director. His wife, Barbara Weinberger, joined the company in 1986 and is currently its executive director.

    Many of these 1930s and '40s-set comedic mysteries follow the bumbling detective/wannabe actor Harry Hunsacker, his "good friend and paid-by-the-hour assistant Nigel Grouse," and the dogged Lt. Foster. Kleinmann portrayed Hunsacker until 2016, when understudy Scott Nixon took over the role full-time. Ben Bryant and Chad Cline regularly appear as Nigel and Lt. Foster.

    The productions' trade-secret makeup, special lighting, meticulous costuming, and detailed set creation, combined with stylized acting, creates the illusion that audiences are watching a black-and-white movie brought to life. The signature Lady in Red appears during curtain call to further illustrate the jaw-dropping illusion.

    "We are excited to bring our Living Black & White shows with Harry Hunsacker to the Main Stage, including, in time, the return of our New Year’s Eve Celebration show," continues Patrick. "The goal is to bring upwards of 75 performance days a year across all The Addison Performing Arts Centre’s venues, including our RadioVizion shows, a return of our new play festival, and a mix of comedic works."

    Until recently, Pegasus Theatre performed at the Eisemann Center in Richardson and the Bath House Cultural Center near White Rock Lake.

    In 2024, the Town of Addison unveiled a plan to reorganize the programming at The Addison Performing Arts Center, formerly known as the Addison Conference and Theatre Centre.

    This plan included reducing space occupied by longtime tenant WaterTower Theatre and encouraging more "lit nights" from a variety of organizations. Manager Nichole Belford was hired earlier this year to steer the changes.

    Pegasus Theatre also hints at a kick-off event to be held October 4 at The Addison, with details to be announced.

    pegasus theatreaddisonaddison performing arts centreliving black and whiteradiovizionharry hunsackertheater
    news/arts
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