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    Movie Review

    Speed and brawn collide in fun but uninspired Sonic the Hedgehog 2

    Alex Bentley
    Apr 6, 2022 | 10:37 am
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.play icon
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
    Photo courtesy of Paramount Pictures

    There are some properties where a rabid fandom can be expected, including any Marvel or DC movie, Star Wars, and the like. But you wouldn’t necessarily expect the same level of enthusiasm for a character from a videogame franchise, even one that has existed across multiple consoles for almost the past 30 years.

    And yet the response from the crowd at this critic’s screening to Sonic and other characters from the game in Sonic the Hedgehog 2 prove that Sega Sammy Studios and Paramount Pictures were right to bring the franchise to the big screen in 2020. The first film wound up making over $350 million worldwide, and it might have been more if the pandemic hadn’t hit a month later.

    Sonic (voiced by Ben Schwartz) is back to his usual antics after banishing the evil Dr. Robotnik (Jim Carrey) to a mushroom planet at the end of the last movie. Still living with Tom (James Marsden) and Maddie (Tika Sumpter) in Montana, Sonic has taken to thwarting criminals in far-off places like Seattle, quickly returning home after a night’s work. His crime-fighting ways are put on pause, however, when Dr. Robotnik figures out a way to return to Earth with the help of an echidna named Knuckles (voiced by Idris Elba).

    They’re on the hunt for the Master Emerald, a legendary jewel that brings great power to whomever possesses it. Naturally, Sonic must try to stop them, and this time he has help from Tails (Colleen O’Shaughnessy), a fox from Sonic’s planet who can fly using her dual tail. Their adventures take them around the world, from Montana to Siberia to Hawaii, with a few surprises thrown in along the way.

    Made once again by director Jeff Fowler and writers Pat Casey, Josh Miller, and newcomer John Whittington, the film is a nice mix between stuff aimed at kids, parts that adults will appreciate, and elements to get the fans cheering. The inclusion of two more animated characters – and Carrey, who’s essentially an animated character – brings a lot more silliness into play, although they still keep the eye-rolling jokes to a minimum.

    Tom and Maddie travel to Hawaii – via one of Sonic’s rings, natch – for the wedding of Maddie’s sister, Rachel (Natasha Rothwell), and even though the subplot is in service to Sonic’s story, they still throw in a couple more mature aspects to keep things interesting for parents. But the film’s final act is really for the superfans who know all about the Master Emerald and what it can do; the residual excitement from certain moments is infectious, even if you’re not exactly sure why they’re so thrilled.

    The filmmakers don’t try to reinvent the wheel for the second film, something that both helps and hurts them. They utilize a couple more slo-mo scenes where Sonic is moving at regular speed while everything else essentially stands still. There are only two ways in which you can only depict how fast he is, so it’s hard to fault them for going back to the well with that joke. But the lack of any new innovation for this film is a bad sign for the continued success of the series.

    All of the actors returning from the first film repeat their fun performances, indicating that they were cast well. Elba is a nice choice for the brawny Knuckles, although it’s even better that they cast O’Shaughnessy as Tails, since she’s voiced the character in video games and on TV since 2014.

    It’s rare that a movie based on a video game gets more than one bite at the apple, and even rarer that they turn out as well as the Sonic films have. Here’s hoping that as the series continues – and the end credits confirm that it will – the filmmakers keep all factions of the audience in mind to keep things equally entertaining.

    ---

    Sonic the Hedgehog 2 opens in theaters on April 8.

    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.

    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2
    Photo courtesy of Paramount Pictures
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
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    Movie Review

    Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

    Alex Bentley
    May 14, 2026 | 12:30 pm
    Kara Young and Mallori Johnson in Is God Is
    Photo by Patti Perret
    Kara Young and Mallori Johnson in Is God Is.

    The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

    Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

    An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

    Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

    Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

    There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

    Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

    Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

    ---

    Is God Is opens in theaters on May 15.

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