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Award Winning Films

Dallas International Film Festival spreads love with array of audience and jury awards

Alex Bentley
Apr 14, 2014 | 12:10 pm

The 2014 Dallas International Film Festival has come and gone, but in its wake are the films that left big impressions on both the audiences and jury that saw them. DIFF presented its Audience and Jury Awards this weekend, and although the two groups didn't see eye to eye on the winners, that just allowed for more films to get a little love.

The Audience Awards went to Noble for Best Narrative Feature, Queens & Cowboys: A Straight Year on the Gay Rodeo for Best Documentary Feature and Verbatim for Best Short Film.

The DIFF jury awarded Grand Prizes to Hellion for Best Narrative Feature and Flutter for Best Texas Feature.

The DIFF jury awarded Grand Prizes to Hellion for Best Narrative Feature, The Special Need for Best Documentary Feature, Flutter for Best Texas Feature, Afronauts for Best Short Film, The Missing Scarf for Best Animated Short Film and A Grand Canal for Best Student Short Film.

The jury also gave out special prizes to Brazilian Western for Narrative Feature Directing, 1982 for Narrative Feature Ensemble Performance, Evolution of a Criminal for Documentary Feature Directorial Vision, Tomato Republic for Texas Feature, Easy for Short Film and Ni-ni for Student Short Film.

The Silver Heart Award, given to the film that best exemplifies the dedication to fighting injustices and/or creating social change for the improvement of humanity, was given to Private Violence, with a special jury prize going to Above All Else.

The jury Grand Prize winners all received encore screenings on Saturday, while the audience winners were shown again on Sunday. In all, the filmmakers responsible for the award-winning films received more than $50,000 in prizes and grants.

If you happened to miss any of these films, you'll soon have an opportunity to see at least a couple of them again. Ni-ni will also be playing as part of the Student Shorts program at the upcoming USA Film Festival, while Hellion, which stars Aaron Paul and Juliette Lewis, will be released later in 2014 after being picked up by Sundance Selects.

The Special Need won the jury award for Best Documentary Feature.

The Special Need
Photo courtesy of DetailFilm
The Special Need won the jury award for Best Documentary Feature.
unspecified
news/entertainment

Movie Review

Reminders of Him blends trauma and romance in slight but effective story

Alex Bentley
Mar 12, 2026 | 11:30 am
Maika Monroe and Tyriq Withers in Reminders of HIm
Photo by Michelle Faye / Universal Pictures
Maika Monroe and Tyriq Withers in Reminders of HIm.

Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s, with the new film Reminders of Him marking the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far - most notably It Ends With Us - are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

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Reminders of Him opens in theaters on March 13.

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