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    Odd football horror film Him is a serious fumble

    Alex Bentley
    Sep 19, 2025 | 1:27 pm
    Marlon Wayans and Tyriq Withers in Him

    Marlon Wayans and Tyriq Withers in Him.

    Photo courtesy of Universal Pictures

    One of the wildest opening scenes in a movie ever happened in the 1991 film The Last Boy Scout, in which a star running back shoots multiple opposing players in the midst of a touchdown run. That film co-starred Damon Wayans, and now over 30 years later his brother Marlon is starring in an even more insane football-themed movie, Him.

    The film centers on Cameron Cade (Tyriq Withers), a rising star quarterback looking to make it in professional football. His idol is Isaiah White (Marlon Wayans), who’s won a string of championships with San Antonio Saviors in the film’s fictional football league. To see if the team really wants Cade to be White’s heir apparent, they set up a week of pre-draft training for Cade at White’s sprawling desert house.

    What at first appears to be an intense-if-ethically-murky immersion into White’s way of staying physically and mentally fit starts to devolve into a psychological quagmire. Cade, who recently suffered a head injury, is desperate to impress White in order to prove he’s the next GOAT. The main thrust of the film is how far Cade will go in that pursuit, and if White’s tactics will succeed in corrupting Cade fully.

    Written and directed by Justin Tipping, and co-written by Zack Akers and Skip Bronkie, the film tries to say a lot of things but ultimately can’t make a case for any of them. Scenes involving big collisions and questionable behind-the-scenes tactics comment on the danger of the game of football and the win-at-all-costs mentality. But the film also brings in a supernatural element that muddles anything it might have had to say about the game itself.

    There’s actually way less football in the film than you might think. Any actual games are viewed either through a screen or clip montages that don’t give a feel for how talented either Cade or White is. The practice sessions at White’s house aren’t great showcases, either, with the mind games White uses on Cade taking priority. There’s plenty of macho one-upsmanship, but neither main character has the charisma to sell it properly.

    The trailer for the film hints at the bloody craziness the third act contains, but Tipping and his team do a poor job at setting it up. While Cade is slightly unnerved at the things he witnesses, he seems to mostly accept everything asked of him. But the character’s mindset changes in a matter of seconds later in the film, almost as if the filmmakers had left 15-20 minutes of footage on the cutting room floor that would have explained the sudden shift in tone.

    Wayans, best known for his comedy work with his family, does a decent job in portraying a player who will do whatever it takes to stay on top (the fact that the 54-year-old can credibly play someone much younger helps). Withers has the physique to look like a top-level quarterback, but - as seen in the recent I Know What You Did Last Summer remake - his acting could stand to be refined. It’s actually comedians Tim Heidecker and Jim Jeffries who come off the best in supporting parts.

    A football-themed movie like Him coming out just as the football season is ramping up would seem to be perfect timing, but the story doesn’t succeed as either a commentary on the sport or a type of horror film. Football may be a brutal game to play, but sitting through this film might hurt your brain even more.

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    Him is now playing in theaters.

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    Movie Review

    Supergirl loses the sense of fun that Superman brought to DC Comics films

    Alex Bentley
    Jun 26, 2026 | 12:00 pm
    Milly Alcock in Supergirl
    Photo courtesy of DC Studios and Warner Bros. Pictures
    Milly Alcock in Supergirl.

    The new Superman in 2025 brought with a renewed sense of optimism for, if not the concept of the comic book movie, then at least the DC Comics universe. After more than a decade of DC films that felt mostly creatively bankrupt, the leadership of James Gunn gave the story a sense of fun. That included the brief introduction of Kara Zor-El, aka Supergirl, who’s now getting her own showcase in, naturally, Supergirl.

    When we first met her in Superman, Supergirl was in rough shape, arriving at the Fortress of Solitude visibly inebriated. Nothing has changed at the beginning of this film, save for her aimlessly traveling around the universe with her rambunctious dog, Krypto. One of her random stops puts her in the same bar as Ruthye (Eve Ridley), who is looking for help tracking down Krem (Matthias Schoenaerts) and a group known as the Brigands after they brutally murdered her family.

    Kara is initially loath to offer aid, but when Krem shoots a poison dart into Krypto while escaping, her motivation goes way up, especially since Krem holds the antidote. Kara, with Ruthye doggedly following her, uses every means available to her to find Krem, a journey that is hampered by galaxies having different colored suns than the one that gives her powers, the yellow sun.

    Directed by Craig Gillespie and written by Ana Nogueira, the film is a big step back in the fun category, not least because Supergirl is deep in her feelings for much of the film. Her personal trauma, which is detailed in occasional flashbacks, gives a reason for her depression, but fails to land fully. The story seems to want everyone to be sad, as it includes a child trafficking ring and multiple instances of families being murdered.

    Milly Alcock and Krypto in Supergirl Milly Alcock and Krypto in Supergirl.Photo courtesy of Warner Bros. Pictures

    To try to counteract that downer material, the filmmakers give Supergirl many opportunities to show off her fighting skills. While still CGI-heavy, the action scenes contain enough of a semblance of reality that they feel exciting. Unfortunately, this is undercut by the inclusion of several slow-motion sequences, giving the impression that the filmmakers didn’t trust the actors to deliver the goods on a consistent basis.

    Superman (David Corenswet) makes a handful of appearances in the film, and while his presence is welcome given how well the character came across in the previous movie, it also doesn’t allow Supergirl to become her own person. Almost everything she does is colored by either her cousin or her parents, and since her powers are identical to those of Superman, there is very little that makes her story unique aside from how she’s dealing with the fallout.

    Alcock (House of the Dragon, Sirens) gives an appealing performance despite her character being drunk and/or moody most of the time. She definitely sells what Supergirl is going through, so if given a better story in a future film, she’s proven her capability. Schoenaerts makes for a pretty good villain, although he’s aided by a look that includes a face full of studs. Jason Momoa has a memorable supporting role as the bounty hunter Lobo, even if his character doesn’t add much to the story.

    While not a full-on disaster, Supergirl does not continue the momentum that Superman started. With a story that’s more concerned with showing audiences death scenes than a hero saving people, the film doesn’t seem to understand the appeal of a character like Supergirl or how to make her someone audiences will return to over and over again.

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    Supergirl is now playing in theaters.

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