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    Movie Review

    Selah and the Spades thinks high school is all drama and no fun

    Alex Bentley
    Apr 16, 2020 | 2:51 pm
    Selah and the Spades thinks high school is all drama and no fun
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    Movies about high school or kids of high school age are rarely experimental with their stories. They tend to deal with ideas like young love, budding sexuality, cliques, and bullying, things that are universal no matter where a person attended school. But every now and again, filmmakers attempt to stretch the boundaries of what a high school movie can be.

    That’s definitely the case with Selah and the Spades, which is set at a private school where different factions help the student body engage in vices like cheating in classes, illegal parties, gambling, and, of course, drugs and alcohol. That last vice is the purview of the Spades, led by Selah (Lovie Simone), who rules over her small kingdom with an iron fist with the help of her friend Maxxie (Jharrel Jerome).

    When a new student, Paloma (Celeste O’Connor), comes in, Selah takes her under her wing in a bid to groom her as the new leader of the Spades when Selah graduates. Her crusade, however, is complicated by the ambitions of the leaders of the other factions, a suspicious administration, and her own hubris.

    Written and directed by first-time feature filmmaker Tayarisha Poe, the film feels like a mixture between Dear White People and Heathers, although it has no interest in having fun. The usual high school film would use the presence of the factions’ vices to engage in all manner of hijinks, but those things are deadly serious in this film. More than one student winds up getting a beatdown when they don’t abide by the code of keeping the goings-on secret.

    More to the point, Poe is only truly interested in one faction – the Spades. She shows the factions meeting and interacting on multiple occasions, but everything revolves around Selah and her controlling personality. How the other factions go about their business is barely touched upon, but we get lots of details about what types of drugs the Spades sell, how they keep track of who orders what, and more.

    What the film doesn’t have is much narrative momentum. There are teases of a story, like allusions to a past incident that haunts Selah or the factions bickering about who’s really in charge. But none of it adds up to much and there doesn’t ultimately seem to be anything at stake. A moment toward the end that would be a game changer in any other film falls flat, feeling more like the status quo for these particular characters.

    Also, it’s unclear what to make of the fact that the faction called the Spades, a term that has been used as a slur toward African Americans, is made up entirely of black students. Did Poe, who herself is black, intend it as a reclaiming of the word? The film does not address any racial divisions that may exist at the school, although it’s notable that the headmaster, portrayed by Jesse Williams, is black.

    On the positive side, the majority of the actors come off well, delivering performances that never undermine the dramatic material. Simone, best known for the OWN series Greenleaf, has a cool confidence that makes Selah a force with which to be reckoned. Jerome, who won an Emmy for his role in When They See Us, makes the most of his time on screen. O’Connor and Anna Mulvoy Ten make roles that could have been one note into something much more interesting.

    Selah and the Spades is not an escapist film by any stretch, so it’s hard to say if it will have an appeal for the high school crowd or adults. But given that it’s premiering on Amazon Prime Video instead of in theaters, it might stand a chance to garner an audience looking for something new.

    ---

    Selah and the Spades premieres exclusively on Amazon Prime Video on April 17.

    Lovie Simone in Selah and the Spades.

    Lovie Simone in Selah and the Spades
    Photo courtesy of Amazon Studios
    Lovie Simone in Selah and the Spades.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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