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    Presidential paintings

    George W. Bush's new portraits of 43 immigrants include famous faces and everyday heroes

    Stephanie Allmon Merry
    Apr 20, 2021 | 4:24 pm

    George W. Bush is back on the canvas. On Tuesday, April 20, the former U.S. president, a self-described "simple painter," unveiled 43 new portraits of inspiring immigrants at the George W. Bush Presidential Center at Southern Methodist University in Dallas.

    "Out of Many, One: Portraits of America's Immigrants" is a special, limited-time exhibit that includes portraits of sports stars, politicians, CEOs, and everyday heroes whom Bush painted to "remind us of the countless ways in which America has been strengthened by those who have come here in search of a better life," he says in a statement. The exhibition coincides with the April 20 release of Bush’s new book, Out of Many, One: Portraits of America's Immigrants (Crown, $38).

    One of the most recognizable faces to Dallasites will be Mavericks star Dirk Nowitzki, who came to Dallas from Germany to play in the NBA in 1998. He reportedly began the process of becoming a U.S. citizen after he retired in 2019. His portrait appears on the cover of the book, and an accompanying story describes his journey:

    As a 7 foot tall 20-year-old from Germany, Dirk Nowitzki arrived in Dallas and began learning the challenges that come with starting a new life in a foreign land — and about high expectations from basketball fans. But by the end of his career, Dirk was so beloved that the city named a street after him not because he's one of best players in NBA history, but because of how much he's given back to his adopted home.

    Other notable subjects include former U.S. secretaries of state Henry Kissinger and Madeleine Albright; golf star Annika Sorenstam; movie star and former California Gov. Arnold Schwarzenegger; Austin-based professional runner Gilbert Tuhabonye; tech CEO Roya Mahboob; Ernst & Young talent leader Thear Suzuki; and Chobani yogurt founder Hamdi Ulukaya.

    The title of the book and exhibition was inspired by the motto on the Great Seal of the United States, "E pluribus unum," which means “out of many, one.”

    “At its core, immigration is a sign of a confident and successful nation," Bush says in the book. "It says something about our country that people all around the world are willing to leave their homes and leave their families and risk everything to come to our country. Their talent and hard work and love of freedom have helped us become the leader of the world."

    Both the book and the exhibit shine a positive light on immigrants (which some critics are calling ironic). They also foster discussion on the many issues surrounding the immigration debate in the United States — a topic that is particularly relevant as the Biden administration grapples with a swell of migrants at the Southern borders.

    During an April 18 interview with CBS Sunday Morning, Bush said one of his biggest disappointments as president was not passing meaningful immigration reform, and he called on Congress to tone down their "harsh rhetoric" on immigration.

    Bush also penned a Washington Post op-ed both expressing his views on how to restore confidence in America's immigration system and promoting the book — using a little of his characteristic, self-deprecating wit.

    “Next week, I’m proud to publish a new collection of my paintings, entitled Out of Many, One. The book may not set the art world stirring — hopefully, the critics won’t call it 'One Too Many,'" he writes. "I set out to accomplish two things: to share some portraits of immigrants, each with a remarkable story I try to tell, and to humanize the debate on immigration and reform.

    “I hope that these faces, and the stories that accompany them, serve as a reminder that immigration isn’t just a part of our heritage. New Americans are just as much a force for good now, with their energy, idealism and love of country, as they have always been.”

    Bush's project got a grand premiere Tuesday morning on NBC's Today, where he and former first lady Laura Bush took part in a naturalization ceremony of U.S. citizens and then sat down for a chat with daughter and show host Jenna Bush Hager. His promotional blitz will also include an appearance on ABC’s Jimmy Kimmel Live! on April 21.

    "Out of Many, One" will be on view at the Bush Center through January 3, 2022. Timed tickets ($10) must be purchased online in advance; current hours are 10 am-3 pm Tuesday through Saturday only.

    The permanent museum exhibit remains closed due to COVID-19 and open in a future reopening phase. Café 43 will be open for reservation-only dining at reduced capacity.

    ---

    "Out of Many, One: Portraits of America's Immigrants" runs April 20, 2021-January 3, 2022 at the George W. Bush Presidential Center, 2943 SMU Boulevard, Dallas; bushcenter.org.

    Gilbert Tuhabonye survived genocide in Barundi and became a professional runner, who now lives in Austin.

    Gilbert Tuhabonye portrait by George W. Bush
    Photo courtesy of George W. Bush Presidential Center
    Gilbert Tuhabonye survived genocide in Barundi and became a professional runner, who now lives in Austin.
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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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