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    Dubya on Canvas

    George W. Bush portraitist takes us behind the canvas of new work for presidential center

    Alex Bentley
    Apr 22, 2013 | 2:30 pm

    The official opening for the George W. Bush Presidential Center is Thursday, April 25, where Bush will be joined by the four other living American presidents, including Barack Obama. Former British Prime Minister Tony Blair hasn't announced plans to attend the ceremony, but we know he'll at least make an appearance via canvas.

    That's because Blair is depicted alongside Bush in his official portrait titled "The Ties That Bind," a 7-by-9-foot oil painting by renowned portraiture artist Mark Balma, which was commissioned by Dallas real estate mogul Harlan Crow. The painting, like the rest of the building, will be unveiled Thursday.

    Balma credits former First Lady Laura Bush with the idea behind the painting, which shows Bush and Blair conferring in the Oval Office. The scene is supposed to represent the two leaders coming together in the wake of 9/11 and how they would use the American-British alliance to help the world move forward after those tragic events.

    "I’m not a political person at all," says artist Mark Balma. "I’m interested in history and the people that make history."

    Balma is well-suited to paint such a meeting. He's previously been called upon to capture Ronald Reagan and Margaret Thatcher in a portrait called "A Shared Vision," a painting that now resides in the Crow Holdings building in Dallas.

    He also painted President George H.W. Bush alongside four prominent members of his staff in "Resolution," a painting that hangs in the rotunda of the George Bush Presidential Library in College Station.

    Balma says that even though Laura Bush came up with the idea for the painting, his input was far from minimal.

    "Immediately when somebody suggests something, things start popping in my head, and I had an idea for how this might look," Balma says. "Then I start to do the research to find out more about it, and [I met with] President Bush and a number of different individuals that helped give it an authenticity."

    Balma was first approached to do the portrait in 2008 and later had Bush do a series of in-person sittings in the Oval Office. Although he was unable to do the same with Blair, the wealth of pictures and video of the two men together helped Balma conceive the look of the painting.

    He did, however, engage both men in the process.

    "I asked them what they thought of it, and they were pleased with what I had come up with as the concept," Balma says. "With these portraitures, there’s a real diplomacy that’s involved with trying to bring together a lot of ideas that sometimes you think are impossible to bring together."

    Although some may choose to read into how well or how poorly the painting shows Bush and Blair, Balma says politics played no part in what he chose to do.

    "I’m not a political person at all," Balma says. "I’m interested in history and the people that make history. If you can tie [portraiture] to an historical event, it becomes a vehicle by which people can access this time and for future generations to look back in time."

    George W. Bush and Tony Blair are depicted in the Oval Office in "The Ties That Bind," a Mark Balma painting commissioned by Harlan Crow of Dallas.

    George W. Bush and Tony Blair in Mark Balma's portrait The Ties That Bind
    Photo courtesy of Mark Balma
    George W. Bush and Tony Blair are depicted in the Oval Office in "The Ties That Bind," a Mark Balma painting commissioned by Harlan Crow of Dallas.
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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

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