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    The More Alamo the Better

    Alamo Drafthouse opens first location in Frisco with brand new bar concept

    Alex Bentley
    May 23, 2018 | 11:00 am

    Alamo Drafthouse DFW has a new location in the works, in Dallas' hottest suburb to the north: Frisco.

    The new location will bring something brand new to the market: Video Vortex, an Alamo Drafthouse bar concept that is new to Texas and only the second such bar for the chain as a whole.

    This will be Alamo's seventh North Texas location, but the first Alamo in Frisco. According to a release, it will be part of The Hub at Frisco Station, the planned entertainment district next to The Star, the Dallas Cowboys' practice facility, and is expected to open in 2020.

    Located at the northwest corner of Warren Parkway and the Dallas North Tollway, it will be an eight-screen theater with seating for over 1,200. It will feature the chain's signature mix of first-run films and specialty programming; a made-from-scratch food and beverage menu; and luxury recliner seating.

    The bar is inspired by the company's long-running Video Vortex programming series that celebrates straight-to-video cult classics from the 1980s through the early 2000s. Video Vortex goes back in time to the classic video rental store, featuring free movie rentals, themed cocktails, and 32 local draft beers on tap.

    Along with Blu-ray and DVD titles, the Video Vortex rental collection will feature rare VHS tapes and genre releases, including many titles never released on digital formats. The bar will also feature a fully stocked Mondo store with movie-related merchandise, games, toys, posters, and vinyl releases for sale.

    Alamo Drafthouse Frisco will also present blockbuster tentpole titles in the grandest possible way via "The Big Show," Alamo Drafthouse's Premium Large Format auditorium that showcases the very best presentation standards available today, including laser projection and Dolby Atmos sound technology.

    As it nears its opening date, Alamo Drafthouse Frisco will be hiring for approximately 150 positions, largely from the surrounding neighborhoods. To apply or to learn more, visit drafthouse.com/dfw/careers.

    Alamo Drafthouse Frisco is planned to open in 2020.

    Rendering of Alamo Drafthouse Frisco
    Image courtesy of 5G Studio Collaborative
    Alamo Drafthouse Frisco is planned to open in 2020.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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