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    Movie Review

    Booksmart works hard to show full depth of female friendship

    Alex Bentley
    May 24, 2019 | 1:30 pm
    Booksmart works hard to show full depth of female friendship
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    When it comes to comedies about teenagers going wild, more often than not they focus on male characters. That stereotype may be beginning to change as, following 2018’s Blockers, teen girl characters are once again front and center in Booksmart.

    Molly (Beanie Feldstein) and Amy (Kaitlyn Dever) are best friends on the verge of graduating from high school and moving on to highly respected universities. Their school-first attitudes are shattered, though, when they learn that many of the popular kids, whom they had assumed didn’t do well in school because of their partying, are also going to great colleges.

    In the classic “one last night before school ends” movie tradition, Molly and Amy decide to throw caution to the wind and finally party like everyone else. The only problem is actually getting to the party. The duo endures a host of hijinks en route to their intended destination, in the process learning a lot about their classmates and themselves.

    Marking the directorial debut of Olivia Wilde and written by the all-female team of Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, the film provides a nice mix between over-the-top antics and down-to-earth sensibilities. Befitting the two girls’ mostly buttoned-down personalities, the filmmakers draw laughs from fish-out-of-water scenarios, as well as a variety of characters that stand in stark contrast to their dispositions.

    The biggest reason the film works as well as it does is the intimate look into Molly and Amy’s friendship. The audience is privy to a number of private details about their lives that make them highly relatable. They’re goofy, they’re nerdy, and they’re sexual, traits we all share in our own way no matter your background. The film also offers equal time for different sexual orientations, with both girls nursing crushes, one on a boy and one on a girl.

    Feldstein, who knocked it out of the park as the sidekick in Lady Bird, shines again in another high school role. With her talent and comic timing, she may soon challenge brother Jonah Hill for acting supremacy. Dever, who’s been in a string of high-profile projects in which she’s not the star, may see her profile rise after this great performance. Special note should also be made of fantastic supporting roles turned in by Jason Sudeikis, Billie Lourd, and Skyler Gisondo.

    Booksmart, despite a plethora of profanity and sexual innuendo, is a mostly sweet film that works hard to show the full depth of a female friendship. Showcasing two up-and-coming highly-talented actors, it’s a movie that holds up well against other recent notable comedies.

    Beanie Feldstein and Kaitlyn Dever in Booksmart.

    Beanie Feldstein and Kaitlyn Dever in Booksmart
    Photo by Francois Duhamel
    Beanie Feldstein and Kaitlyn Dever in Booksmart.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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