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    Movie Review

    Booksmart works hard to show full depth of female friendship

    Alex Bentley
    May 24, 2019 | 1:30 pm
    Booksmart works hard to show full depth of female friendship
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    When it comes to comedies about teenagers going wild, more often than not they focus on male characters. That stereotype may be beginning to change as, following 2018’s Blockers, teen girl characters are once again front and center in Booksmart.

    Molly (Beanie Feldstein) and Amy (Kaitlyn Dever) are best friends on the verge of graduating from high school and moving on to highly respected universities. Their school-first attitudes are shattered, though, when they learn that many of the popular kids, whom they had assumed didn’t do well in school because of their partying, are also going to great colleges.

    In the classic “one last night before school ends” movie tradition, Molly and Amy decide to throw caution to the wind and finally party like everyone else. The only problem is actually getting to the party. The duo endures a host of hijinks en route to their intended destination, in the process learning a lot about their classmates and themselves.

    Marking the directorial debut of Olivia Wilde and written by the all-female team of Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, the film provides a nice mix between over-the-top antics and down-to-earth sensibilities. Befitting the two girls’ mostly buttoned-down personalities, the filmmakers draw laughs from fish-out-of-water scenarios, as well as a variety of characters that stand in stark contrast to their dispositions.

    The biggest reason the film works as well as it does is the intimate look into Molly and Amy’s friendship. The audience is privy to a number of private details about their lives that make them highly relatable. They’re goofy, they’re nerdy, and they’re sexual, traits we all share in our own way no matter your background. The film also offers equal time for different sexual orientations, with both girls nursing crushes, one on a boy and one on a girl.

    Feldstein, who knocked it out of the park as the sidekick in Lady Bird, shines again in another high school role. With her talent and comic timing, she may soon challenge brother Jonah Hill for acting supremacy. Dever, who’s been in a string of high-profile projects in which she’s not the star, may see her profile rise after this great performance. Special note should also be made of fantastic supporting roles turned in by Jason Sudeikis, Billie Lourd, and Skyler Gisondo.

    Booksmart, despite a plethora of profanity and sexual innuendo, is a mostly sweet film that works hard to show the full depth of a female friendship. Showcasing two up-and-coming highly-talented actors, it’s a movie that holds up well against other recent notable comedies.

    Skyler Gisondo in Booksmart.

    Skyler Gisondo in Booksmart
    Photo by Francois Duhamel
    Skyler Gisondo in Booksmart.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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