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    Movie Review

    Dark Phoenix is a dismal end to X-Men as we know them

    Alex Bentley
    Jun 6, 2019 | 1:54 pm
    Dark Phoenix is a dismal end to X-Men as we know them
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    The quality of the X-Men movies has ebbed and flowed over the past 20 years since the original X-Men debuted in 2000. But whether they were good, bad, or somewhere in between, they've all had a reason for being, something that cannot be said for the latest (and last?) entry, Dark Phoenix.

    The film finds the core X-Men group — Professor X (James McAvoy), Mystique (Jennifer Lawrence), Beast (Nicholas Hoult), Jean Grey (Sophie Turner), Cyclops (Tye Sheridan), Storm (Alexandra Shipp), Quicksilver (Evan Peters), and Nightcrawler (Kodi Smit-McPhee) — getting into the business of space rescue in the early '90s after a space shuttle is overtaken by a mysterious force. During said rescue, Jean becomes infected with the force, greatly loosening her already tenuous control of her powers.

    Turns out that force is coveted by an alien race that has been tracking it through the universe, one which can take on human forms, as Vuk (Jessica Chastain) does to one unfortunate soul. After a tragic incident, mutants around the world, including Magneto (Michael Fassbender), must decide if Jean is worth saving or if she must be eliminated to save the rest of them.

    Writer/director Simon Kinberg, taking the reins after writing a handful of other films in the series, has delivered perhaps the least exciting X-Men film. The beats of the story seem more dutiful than anything else, both in making sure each popular character has at least something to do and in trying to pay homage to the popular Dark Phoenix saga from the comic books.

    The biggest problem is that the film doesn't build up any kind of true enmity. Jean does end up doing some reprehensible things, but it's clear that it's due to a force she cannot control, so any anger directed her way by certain characters holds no water. Despite their stated nefarious plans, the alien race never feels like a true menace. It's almost as if Kinberg threw them in as an afterthought so that there would be more than just mutant-on-mutant violence.

    Previous X-Men movies have been successful in using metaphors to relate to the real world, but this film makes only a cursory attempt at that. The fragile relationship between mutants and humans is damaged by Jean's outbursts, but Kinberg does not do a good job of demonstrating that they would cause as much as harm as they do.

    What pleasure there is to be had in Dark Phoenix is from the performances of the actors who know their characters well by now. McAvoy, Fassbender, Lawrence, Hoult, and others give gravity to actions that would otherwise be considered ridiculous. It's just too bad the story doesn't live up to their talents.

    With Disney's purchase of 20th Century Fox, the future of the X-Men series is up in the air. If this is to be the final film in its current incarnation, it's an unfortunate end to characters that essentially started the movie superhero boom.

    Sophie Turner in Dark Phoenix.

    Sophie Turner in Dark Phoenix
    Photo courtesy of Twentieth Century Fox
    Sophie Turner in Dark Phoenix.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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