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    Back to School

    Monsters University makes the grade for Pixar

    Alex Bentley
    Jun 20, 2013 | 6:00 am
    Monsters University makes the grade for Pixar
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    Success can be a movie studio’s own worst enemy. The quality of the majority of Pixar’s films have been such that any deviation from that norm is considered to be disappointing, even if the substandard film outshines most other animated offerings.

    After delivering a great finale to the Toy Story trilogy, Pixar is in a bit of slump after the horrendous Cars 2 and the so-so Brave. To try to break out, Pixar is going back to the well of familiar characters with Monsters University, marking the first prequel in its history.

    Aside from maybe The Incredibles, it’s hard to think of another Pixar film that better deserved the prequel treatment than Monsters, Inc. The opportunity to see how Mike (Billy Crystal) and Sully (John Goodman) met and acted in college is darn near irresistible.

    Monsters University doesn’t reach the heights of Pixar’s classics, but it’s a vast improvement over its previous two offerings.

    The set-up is great too. Mike dreams his entire life — footage of him as a kid is priceless — of going to Monsters University and becoming a full-fledged scarer. Once he gets there, though, he finds out that desire and ability may not exactly be the same thing, especially when there are truly scary monsters like Sully in his way.

    The filmmakers do a lot of things right, including playing just enough on character nostalgia so as to make things familiar, but not so much that they’re just repeating themselves. There are also a number of clever twists on the college experience from the monster perspective, including dorm life, fraternities and sports.

    On the down side, though, the main thrust of the film is a timeworn plot that’s all the less fresh for how much it’s been used lately. Mike and Sully are forced to team up with a fraternity filled with outcasts and misfits in order to prove their worth. Each of the members has their individual charms, but that doesn’t hide the rote nature of their presence.

    Still, there’s just something special about being back in the world of scaring, and seeing how the combative nature of Mike and Sully’s friendship evolves never fails to entertain. That’s mostly thanks to the voice talents of Crystal and Goodman, who both know their way around a good joke.

    New additions such as Helen Mirren as Dean Hardscrabble, Sean Hayes and Dave Foley as twins sharing the same body, and Nathan Fillion as the head of a rival fraternity keep the movie popping. And callbacks to characters like Randy (Steve Buscemi), Roz (Bob Peterson) and Henry J. Waternoose are executed flawlessly.

    Monsters University doesn’t reach the heights of Pixar’s classics, but it’s a vast improvement over its previous two offerings. And fans of original storytelling will be glad to know that Pixar’s next two films – The Good Dinosaur and Inside Out – are all new.

    Sully and Mike discover that college dorm rooms can be just a bit cramped.

    Monsters University
      
    Photo courtesy of Disney Pixar
    Sully and Mike discover that college dorm rooms can be just a bit cramped.
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    Juneteenth News

    See century-old Juneteenth document at Dallas' Hall of State

    Associated Press
    Jun 20, 2025 | 12:41 pm
    Juneteenth
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    The origin of the Juneteenth celebrations — marking the end of slavery in the U.S. — goes back to an order issued as Union troops arrived in Texas at the end of the Civil War.

    General Order No. 3 was issued on June 19, 1865, when U.S. Maj. Gen. Gordon Granger landed in the South Texas port city of Galveston, as troops posted handbills and newspapers published them.

    The Dallas Historical Society has one of those original handbills on display at the Hall of State in Fair Park: part of "Juneteenth: A Celebration of Freedom," a four-month exhibit that debuted on Thursday, June 19, and will remain until October 19, closing day of the 2025 State Fair of Texas.

    The immersive, rotating exhibition will incorporate historical documents and an explainer of how General Order No. 3 helped Texas evolve from a slavery state to emancipation for all.

    Progression of freedom
    On Jan. 1, 1863, nearly two years into the Civil War, President Abraham Lincoln issued the Emancipation Proclamation, which declared the freedom of “all persons held as slaves” in the still rebellious states of the Confederacy. But it didn't mean immediate freedom.

    “It would take the Union armies moving through the South and effectively freeing those people for that to come to pass,” said Edward T. Cotham Jr., a historian and author of the book “Juneteenth: The Story Behind the Celebration.”

    Cotham said that while enslaved people were emancipated “on a lot of different dates in a lot of different places across the country,” June 19 is the most appropriate date to celebrate the end of slavery because it represents the “last large intact body of enslaved people to be freed."

    He said many enslaved people across the South knew of the Emancipation Proclamation, but that it didn't mean anything until troops arrived to enforce it.

    About six months after General Order No. 3 was issued, the 13th Amendment abolishing slavery was ratified.

    General Order No. 3
    The order begins by saying “all slaves are free” and have "absolute equality” of rights. Going forward, the relationship between “former masters and slaves” will be that of employer and hired laborer. It advises freedmen to “remain at their present homes and work for wages," adding that they must not collect at military posts and “will not be supported in idleness.”

    The handbills were also handed out to church and local officials. Cotham said Union chaplains would travel from farm to farm to explain the order to workers, and many former enslavers read the order to the people they had enslaved, emphasizing the part about continuing to work.

    The Dallas Historical Society's handbill came from the collection of newspaperman George Bannerman Dealey, who founded the society, said Karl Chiao, the society's executive director. Dealey began working at a Galveston newspaper in 1874 before being sent to Dallas by the publisher to start The Dallas Morning News.

    Chiao said their handbill is the only one they know of that still exists. The National Archives holds the official handwritten record of General Order No. 3.

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