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Your Show of Shows

Gallery picks of the month: Word play, outsider art and drawing the line

Kendall Morgan
kendall Morgan
Jun 28, 2013 | 6:00 am

A fresh exploration of outsider art, a three-dimensional artist’s statement in colorful resin, and drawings that line up some top contemporary talent: These are just a few of the reasons to visit our top art gallery picks in the coming month.

THOMAS KENNAUGH: Solo Exhibition at Photographs Do Not Bend
Opening reception:
June 29, 5-8 pm

Exhibition dates: June 29-August 3

Generally defined as art created outside the boundaries of official culture, outsider art encompasses works from the naïve, the untrained, the visionary, and the mentally or emotionally challenged. Having curated artists of this genre in Columbus, Ohio, Thomas Kennaugh was inspired to create his own compelling collages and sculptures.

A buyer and seller of fine art and photography since 1974, Kennaugh draws on his vast archives to make each of his multilayered pieces, which have more than a little in common with the likes of Joseph Cornell and Peter Blake. Now based in Denton, he reveals his latest collages in his first Texan exhibition at PNDB.

The “Victorian futurism” explored in the steampunk movement also has an influence on Kennaugh, who cites sources such as Norman Brosterman’s Out of Time: Designs for the Twentieth-Century Future — featuring visions of the flying cities and bubble-topped cars from the 19th and 20th centuries — as an ongoing inspiration. 



“It’s a great book, and it’s pretty steampunk before that term came out,” says Kennaugh. “I was a picker of images for [Brosterman], and that started my interest in those kinds of images. It’s interesting to see how confusing technology is and the wonder of where we’re going.”

Needless to say, for Kennaugh the future is “wow.”

WORD PLAY: Simeen Farhat, at Cris Worley Fine Arts
Opening reception:
June 29, 6-8 pm

Exhibition dates: June 29-August 3

In Simeen Farhat’s hands, words are much more than type on a page. In her vibrant exhibition opening June 29 at Cris Worley, the Pakistan-born, Dallas-based artist turns everything from snippets of poetry to her own artist’s statement into textural, abstract sculptures of cast resin.

Sometimes you have to leave your home base to get the attention you deserve, and Farhat’s 2010 exhibition at Xerxes Fine Arts in London led to group and solo appearances in Austria, Bahrain, Dubai, Germany, Kuwait, Pakistan and Switzerland. Her Cris Worley exhibit is a homecoming of sorts, and the pieces shown in “Word Play” have an intimate focus not found in her earlier work.

Says Worley, “She’s using text from actual email correspondence and other specific, personal things. They’re magic words that are shaped like a genie emerging from an oil lamp. It has that feel from her culture, and you get bits from her cultural references without it being so obvious.”

According to Farhat, her sculpture speaks “eloquently about life, death, love, freedom of thoughts, and philosophy.” The fact that it does so without ever shouting at the viewer makes the medium and the message equally important.

ON DRAWING: LINE, various artists, at Holly Johnson Gallery
Opening reception:
June 29, 6-8 pm

Exhibition dates: June 29-August 17

In the art world, two heads can be often be better than one. Dallas gallerist Holly Johnson took this approach for her latest exhibition, teaming up with colleague Devin Borden to curate the best in works on paper from 11 established artists. After its Dallas run, the show will travel to Borden’s eponymous gallery in Houston through September and October.

Friends for 20 years, the duo’s “On Drawing: Line” might just be the first in a series of collaborations; if all goes well, they’re planning another dual show with a different theme next year. For this summer’s team effort, painters, sculptors and installation artists have all taken their turn with pen, pencil and paper, and Johnson says the results are more complex than they may first appear.

“Some are more minimal and obsessive, other are more abstract expressionism,” she says. “They’re challenging in the way they’re made — almost every [piece] is like a little jewel.”

"World Play: Simeen Farhat," at Cris Worley Fine Arts June 29-August 3.

Simeen Farhat at Cris Worley Fine Arts
Photo courtesy of Cris Worley Fine Arts
"World Play: Simeen Farhat," at Cris Worley Fine Arts June 29-August 3.
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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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