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    Your Show of Shows

    Gallery picks of the month: Word play, outsider art and drawing the line

    Kendall Morgan
    kendall Morgan
    Jun 28, 2013 | 6:00 am

    A fresh exploration of outsider art, a three-dimensional artist’s statement in colorful resin, and drawings that line up some top contemporary talent: These are just a few of the reasons to visit our top art gallery picks in the coming month.

    THOMAS KENNAUGH: Solo Exhibition at Photographs Do Not Bend
    Opening reception:
    June 29, 5-8 pm

    Exhibition dates: June 29-August 3

    Generally defined as art created outside the boundaries of official culture, outsider art encompasses works from the naïve, the untrained, the visionary, and the mentally or emotionally challenged. Having curated artists of this genre in Columbus, Ohio, Thomas Kennaugh was inspired to create his own compelling collages and sculptures.

    A buyer and seller of fine art and photography since 1974, Kennaugh draws on his vast archives to make each of his multilayered pieces, which have more than a little in common with the likes of Joseph Cornell and Peter Blake. Now based in Denton, he reveals his latest collages in his first Texan exhibition at PNDB.

    The “Victorian futurism” explored in the steampunk movement also has an influence on Kennaugh, who cites sources such as Norman Brosterman’s Out of Time: Designs for the Twentieth-Century Future — featuring visions of the flying cities and bubble-topped cars from the 19th and 20th centuries — as an ongoing inspiration. 



    “It’s a great book, and it’s pretty steampunk before that term came out,” says Kennaugh. “I was a picker of images for [Brosterman], and that started my interest in those kinds of images. It’s interesting to see how confusing technology is and the wonder of where we’re going.”

    Needless to say, for Kennaugh the future is “wow.”

    WORD PLAY: Simeen Farhat, at Cris Worley Fine Arts
    Opening reception:
    June 29, 6-8 pm

    Exhibition dates: June 29-August 3

    In Simeen Farhat’s hands, words are much more than type on a page. In her vibrant exhibition opening June 29 at Cris Worley, the Pakistan-born, Dallas-based artist turns everything from snippets of poetry to her own artist’s statement into textural, abstract sculptures of cast resin.

    Sometimes you have to leave your home base to get the attention you deserve, and Farhat’s 2010 exhibition at Xerxes Fine Arts in London led to group and solo appearances in Austria, Bahrain, Dubai, Germany, Kuwait, Pakistan and Switzerland. Her Cris Worley exhibit is a homecoming of sorts, and the pieces shown in “Word Play” have an intimate focus not found in her earlier work.

    Says Worley, “She’s using text from actual email correspondence and other specific, personal things. They’re magic words that are shaped like a genie emerging from an oil lamp. It has that feel from her culture, and you get bits from her cultural references without it being so obvious.”

    According to Farhat, her sculpture speaks “eloquently about life, death, love, freedom of thoughts, and philosophy.” The fact that it does so without ever shouting at the viewer makes the medium and the message equally important.

    ON DRAWING: LINE, various artists, at Holly Johnson Gallery
    Opening reception:
    June 29, 6-8 pm

    Exhibition dates: June 29-August 17

    In the art world, two heads can be often be better than one. Dallas gallerist Holly Johnson took this approach for her latest exhibition, teaming up with colleague Devin Borden to curate the best in works on paper from 11 established artists. After its Dallas run, the show will travel to Borden’s eponymous gallery in Houston through September and October.

    Friends for 20 years, the duo’s “On Drawing: Line” might just be the first in a series of collaborations; if all goes well, they’re planning another dual show with a different theme next year. For this summer’s team effort, painters, sculptors and installation artists have all taken their turn with pen, pencil and paper, and Johnson says the results are more complex than they may first appear.

    “Some are more minimal and obsessive, other are more abstract expressionism,” she says. “They’re challenging in the way they’re made — almost every [piece] is like a little jewel.”

    Thomas Kennaugh solo exhibition at Photographs Do Not Bend, June 29-August 3.

    DO NOT USE - Thomas Kennaugh at Photographs Do Not Bend Gallery
    Photo courtesy of PDNB Gallery
    Thomas Kennaugh solo exhibition at Photographs Do Not Bend, June 29-August 3.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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