Dallas celebrity chef Stephan Pyles welcomed the cast of Ballroom With a Twist, aka a traveling Dancing With the Stars, to San Salvaje for the official cast party.
After a successful show at the Music Hall at Fair Park, a posse comprising Cheryl Burke, Karina Smirnoff, Maksim Chmerkovskiy and Tony Dovolani headed to the modern Latin restaurant, where the staff was ready and waiting. Other BWAT cast members — including Legacy Perez, Jenna Johnson and Randi Lynn Strong — as well as former Bachelor and DWTS castmember Sean Lowe and wife Catherine, also hit up the Arts District hot spot, bringing the tally to more than 30 singers and dancers.
Tony Dovolani was the life of the party, showing that trademark charm and charisma his fans adore.
Dovolani was the life of the party, showing that trademark charm and charisma his fans adore. He and Smirnoff created quite a stir on the patio with their smoking hot moves, causing passersby to snap photos and drivers to roll down their windows to get a better look.
Salsa band Fifo Y Su Combo impressed the group so much that they opted to hire the band for another hour. Sources also tell us that Burke and Smirnoff were dolls throughout the evening, never letting their celebrity status get in the way of a little Texas fun.
If you were inspired by this dance party, you can create your own: San Salvaje has live Latin music and dancing every Friday and Saturday, from 9 pm to midnight.
For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.
Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.
Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.
Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.
The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.
Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.
Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.
The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.
