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    Do it for the 'gram, ma'am

    DFW art museum's snappy new exhibition is a 19th-century Instagram feed

    Stephanie Allmon Merry
    Jul 22, 2020 | 12:13 pm

    While Dallas museums remain closed, Fort Worth art institutions have reopened their doors to visitors, and there's an exciting new exhibition opening next month that is sure to be worth a drive to the west side of the Metroplex. The Amon Carter Museum of American Art will unveil "Acting Out: Cabinet Cards and the Making of Modern Photography" on August 18.

    It will be the first in-depth examination of a 19th-century photographic phenomenon called cabinet cards, which were basically a direct ancestor to selfies. Think: 19th century meets Instagram.

    "Charting the proliferation of this underappreciated photographic format, 'Acting Out' reveals that cabinet cards coaxed Americans into thinking about portraiture as an informal act, forging the way for the snapshot and social media with its contemporary 'selfie' culture," the Carter says in a release.

    The exhibition will display hundreds of photographs — many seen publicly for the first time — from collections nationwide and the Carter’s own massive photography collection.

    “This exhibition harnesses the resources of our vast photography collection and archive to show visitors the contemporary relevance of the medium’s pre-modern history," says Carter executive director Andrew J. Walker in the release.

    They further explain the history of cabinet cards like this:

    "In the second half of the 19th century, cabinet cards gave birth to the golden age of photographic portraiture in America. Measuring 6 1/2 by 4 1/4 inches, roughly the size of the modern-day smartphone screen, they were three times larger than the period’s leading photographic format. This larger size revealed previously obscured details in the images captured, encouraging action-ready gestures and the introduction of an astonishing array of props. Where photographs had once functioned as solemn records of likeness and stature, cabinet cards offered a new outlet for entertainment and remembering life’s everyday moments."

    Cabinet cards prompted subjects of photos to become more comfortable with having their portrait made — and then to take their own photos as records of their lives.

    "By the time Eastman Kodak introduced its new affordable Brownie camera in 1900, cabinet cards had primed Americans to photograph every aspect of their lives," the museum says. "Though produced over 100 years ago, cabinet cards have a familiarity and a levity that resonates with our experience of photography today."

    The display will be divided into four parts, chronicling the birth and evolution of the cabinet card, all the way to Americans’ acceptance of the camera as a tool for shared amusement.

    “In our current moment of ‘selfie’ culture and social media-centered interaction, understanding the history of self-presentation and portraiture is more prescient than ever,” says John Rohrbach, senior curator of photographs at the Carter. “This exhibition reveals how 19th-century Americans approached photography far more playfully than ever before, a transformation that forever shifted our relationship to the medium.”

    "Acting Out: Cabinet Cards and the Making of Modern Photography" was organized by the Carter and will be on view August 18-November 1, 2020. Then it will travel to the Los Angeles County Museum of Art.

    The Carter reopened to the public June 19 after its months-long coronavirus shutdown. It was the first major DFW museum to reopen; Dallas museums have chosen to remain closed but have announced guidelines for how they will safely reopen when the time comes.

    The Carter has implemented new health and safety guidelines amid the COVID-19 pandemic, including the wearing of masks and social distancing measures.

    For more information, visit the museum's website.

    Benjamin J. Falk, New York, NY, Helena Luy, 1880s.

    Acting Out: Cabinet Cards and the Making of Modern Photography
    Photo courtesy of Amon Carter Museum of American Art
    Benjamin J. Falk, New York, NY, Helena Luy, 1880s.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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