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    Alleged Reality TV Wrongdoing

    Dallas contestant and 9 others slap American Idol with $250 million discrimination lawsuit

    Claire St. Amant
    Jul 29, 2013 | 3:56 pm

    Ten former contestants are suing American Idol and its sponsors for racial discrimination. Dallas-born singer Akron Watson is among the plaintiffs alleging wrongdoing by Fox Broadcasting, Coca-Cola, AT&T and Ford Motor Company in a class-action complaint for $250 million.

    The lawsuit — all 429 pages of it — was filed July 24 in a U.S. District Court in Southern New York and also lists plaintiffs Jaered Andrews, Corey Clark, Jacob John Smalley, Donnie Williams, Terrell and Derrell Brittenum, Thomas Daniels, Ju'Not Joyner, and Chris Golightly.

    All the plaintiffs are African-American males with prior arrests who were booted from the show based on their criminal record, even if they were never convicted of a crime.

    All the plaintiffs are African-American males who were booted from the show based on their criminal record, even if they were never convicted of a crime.

    The suit opens with a quote from Thurgood Marshall, the first black justice of the U.S. Supreme Court, speaking about the experience of the black man in America. "The dream of America as the great melting pot has not been realized for the black man; because of his skin color he never even made it into the pot," the quote reads in part.

    Watson was 23 years old when he auditioned for season six of American Idol in 2007. His rendition of Sam Cooke's "Change Is Gonna Come" earned him a so-called golden ticket and trip to Hollywood for the next round of auditions.

    But he never made it on the plane. A producer called Watson two days before the trip and told him he was no longer in the competition.

    Watson was arrested in April 2003 for possession of marijuana, a misdemeanor. Although Watson says he disclosed his criminal history and the producers never mentioned the arrest when kicking him off the show, he still believes it is the reason for his dismissal.

    "I earned my way in, and you knew about my background, I have no clue why you wouldn't let me go and perform," Watson told People magazine in 2007.

    In the suit, Watson's attorney, James Freeman, offers an alarming reason as to why his client was led on. By allowing contestants with arrest records onto the show, "the plaintiffs' identities could be used to scandal-monger Nielsen ratings while reinforcing the age-old stereotype of 'the black criminal,'" the suit reads.

    "After illegally obtaining the contestants' criminal background information through a process known as contestant vetting, [the defendants] chose to systematically disqualify and publicly humiliate — with maximum fanfare — virtually every top-ranking black American Idol contestant who had a record of arrest (no matter how petty the alleged crime and no matter whether there was a conviction or an acquittal)."

    The suit goes on to say that white contestants who had criminal records were "championed as models of redemption," including those who had been convicted of armed bank robbery and felony drug possession. At least seven out of nine white contestants with criminal records went on to sign major record deals and/or have respectable careers in the music industry, the suit says.

    "It is irrefutable that over the course of the last decade, American Idol's producers, owners, network and sponsors have applied one set of 'contest rules' to black participants and an entirely different set of rules to white contestants," the suit reads. " ... This is exactly the type of unequal treatment that the Civil Rights Acts were intended to remedy."

    The 10 plaintiffs face a difficult road in proving what they allege was "a colossal hoax" with disparate treatment based on race. In 2012, a judge threw out a racial discrimination lawsuit based on casting decisions for the reality dating show The Bachelor due to First Amendment protections for free speech.

    Corey Clark was booted from season two of American Idol.

    Former American Idol contestant Corey Clark
    Heavy.com
    Corey Clark was booted from season two of American Idol.
    unspecified
    news/entertainment

    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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