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    Dixie Chicks Rock

    Political-as-ever Dixie Chicks rock the house in Dallas

    Alex Bentley
    Aug 7, 2016 | 1:19 pm

    When Natalie Maines criticized then-President George W. Bush in 2003, it caused controversy not only because she was going after a sitting president, but also because it seemed out of character for the Dixie Chicks. Thirteen years later, the Chicks' politics are front and center, but because it's such a central part of who they are -- and has been for a long time -- it has ceased to be controversial.

    In fact, you couldn't avoid the subtle and not-so-subtle political statements during the group's August 5 concert at Gexa Energy Pavilion, their first appearance in Dallas since a 2006 concert at American Airlines Center. Pre-show advertisements invited concertgoers to check out voter registration and Planned Parenthood booths on the concourse. At least two audience members, Megan Hughes and Jessica Hughes-Ford of Arkansas, decorated their bodies in a similar manner to the Chicks' iconic nude Entertainment Weekly cover in a show of solidarity for the trio.

    However, when it came time for the music, the group mostly let their lyrics do the talking, spreading the love equally between their three most recent albums, Fly, Home, and Taking the Long Way. Songs off the latter album, especially encore song "Not Ready to Make Nice," can't help but be viewed through the prism of that long-ago controversy, because the album was a reaction to their critics. And songs off of Home like "Truth No. 2" and "Travelin' Soldier," the latter of which was No. 1 at the time of Maines' statement, also resonate more given the group's history.

    Their choice of cover songs -- Prince's "Nothing Compares 2 U," Patty Griffin's "Don't Let Me Die in Florida," Beyoncé's "Daddy Lessons," Bob Dylan's "Mississippi," and Ben Harper's "Better Way" -- each made statements just by their presence, to say nothing of the respectful and excellent way in which the Chicks covered them.

    There were two notable exceptions to the music-only approach. During "Goodbye Earl," in which a beaten wife and her friend kill the abusive husband, images of famous alleged killers like O.J. Simpson and Robert Durst were flashed on the big screen behind the group, as well as a split-second image of Donald Trump made to look like the devil. Trump and the rest of the current and former 2016 presidential hopefuls made a reappearance during "Ready to Run," a light-hearted song given new meaning by pictures of candidates from both parties made up to look like clowns.

    The two opening acts, Smooth Hound Smith and Vintage Trouble, proved themselves worthy of supporting the Chicks. Smooth Hound Smith, the duo of Zack Smith and Caitlin Doyle, consisted of nothing more than an electric guitar, a kick drum, and a tambourine, but they delivered some of the best stomping tunes imaginable.

    Vintage Trouble, a foursome decked out in suits and tuxedos, lived up to their name both in style and music. Lead singer Ty Taylor evoked the late James Brown, doing everything in his power, including trekking out to the lawn, to get the relatively sparse opening act crowd on their feet.

    With no new music on the horizon for the Dixie Chicks, fans will have to make do with this tour to get their fix. Luckily, the trio were in as fine form as ever, showing that you can never keep a good group down.

    A picture of Donald Trump drawn to look like the devil appeared during the Dixie Chicks' "Goodbye Earl."

    Picture of Donald Trump at Dixie Chicks concert
    Photo by Kevin Mazur
    A picture of Donald Trump drawn to look like the devil appeared during the Dixie Chicks' "Goodbye Earl."
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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