UT Arlington has announced the lineup for the 2013-14 Maverick Speakers Series, and if you're a big fan of CNN, you're in luck; Anderson Cooper and Dr. Sanjay Gupta take up two slots in the five-person series.
Cooper will come to College Park Center on the UT Arlington campus on November 11, where he'll talk about his 12-year career at CNN, along with the myriad other positions he's held over the years. Here's hoping he takes at least a couple minutes to talk about his short tenure as host of The Mole.
Gupta is next in line at College Park Center after Cooper, but he won't arrive until March 18, 2014. The neurosurgeon has also been with CNN for 12 years, covering everything from 9/11 to the Iraq War to the 2011 Japan tsunami. He's gained recent notoriety for the reversal of his opinion on the medical benefits of marijuana.
Other speakers in the Maverick Speakers Series' sixth season will include immigration rights activist Jose Antonio Vargas on September 24, 2013; ESPN founder Bill Rasmussen on October 24, 2013; and NPR legal affairs correspondent Nina Totenberg on April 8, 2014. Those three lectures will take place at Texas Hall on the UT Arlington campus.
All of the events are free and open to the public, but all attendees still require a ticket. Tickets become available two to three weeks prior to each event; check the UTA site for details. So-called "Preferred Packages" are also available for $25 per person.
Dr. Sanjay Gupta will share his newly-formed thoughts on pot to Arlington.
Photo courtesy of CNN
Dr. Sanjay Gupta will share his newly-formed thoughts on pot to Arlington.
The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.
It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.
Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).
Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.
But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.
Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.
Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.
Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.
