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    Heartfelt Independent Film

    The Discoverers puts quirky spin on family road trip movie

    Alex Bentley
    Aug 29, 2014 | 12:00 am
    The Discoverers puts quirky spin on family road trip movie
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    Awkward road trips involving dysfunctional families seem to be the theme of every other independent film, but that doesn’t mean that there isn’t room for another good one. All you need is smart writing and solid actors committed to the cause.

    Both are in abundance in The Discoverers, a film that takes interest in the journey of Lewis and Clark to the extreme. Lewis Birch (Griffin Dunne) is a college professor who is about to publish a book on a little-known key figure from that historical trek.

    His plans to take a road trip with his two kids, Zoe and Jack (Madeleine Martin and Devon Graye), are derailed when his mom dies and he’s forced to care for his senile father (Stuart Margolin) for a few days. But even that is short-lived, as his dad escapes to a nearby reenactment of Lewis and Clark’s journey, an adventure they’re forced to join in order to lure him back to reality.

    First-time director Justin Schwarz hits the sweet spot with kids who can both roll their eyes at their dad’s advice but also admire him.

    The premise sounds patently silly in synopsis form, but as it plays out on screen, it’s a heartfelt, genuine look at the inescapable nature of families. Although Lewis is estranged from his parents, the fact that he has dedicated a good portion of his life to documenting a part of something that means so much to them shows their influence on him.

    Similarly, Zoe and Jack appear to have a good amount of respect for their dad even though they’re living out the strange and confusing life of kids with divorced parents.

    First-time writer/director Justin Schwarz manages to hit the sweet spot of late teens/early 20s kids who can both roll their eyes at their dad’s advice but also admire his dedication to their well-being.

    Schwarz also does well in his depiction of the Lewis and Clark re-enactors. He lightly mocks the ridiculousness of their pursuit, which includes dressing in period garb and using era-appropriate language, but also respects the individuals who choose to participate. Lewis, Zoe and Jack never act like they’re above any of the people in the camp, a key distinction in making the story work.

    Dunne is one of those “that guy” actors, someone who elevates everything he’s in despite his less-than-superstar status. Here, he makes Lewis walk a fine line between likable and unlikable with his honest performance. Although Lewis is far from perfect, Dunne keeps him appealing by never overplaying any of his crucial moments.

    Martin uses the same disaffected demeanor she did on Californication, but she makes it work for this character. Margolin, David Rasche, Dreama Walker and Cara Buono all help keep the story strong with their performances as well.

    It’s unlikely many moviegoers will be all that interested in the particulars of Lewis and Clark, but The Discoverers keeps the history alive with a sweet, affecting story about the power of family.

    Griffin Dunne and Stuart Margolin in The Discoverers.

    Griffin Dunne and Stuart Margolin in The Discoverers
    Photo courtesy of The Discoverers
    Griffin Dunne and Stuart Margolin in The Discoverers.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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