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    NY Runway Report

    Ralph Lauren blows away Central Park crowd with new kind of runway show

    Clifford Pugh
    Sep 10, 2014 | 9:42 am

    The beautiful people took over New York's Central Park Monday night as young, athletic and drop-dead gorgeous Ralph Lauren models from recent years — sporting colorful polo shirts with their names emblazoned on the back — overran the large lake near the west edge of the grand park like ants at a picnic.

    Members of the fashion media and New York notables who came out for the debut of the Polo Ralph Lauren for Women spring 2015 collection felt downright schlubby by comparison.

    With a new clothing line (the Polo for Women collection is more colorful and casual — and less expensive — than the top-of-the line Ralph Lauren Collection) and the Polo brand's first flagship store on Fifth Avenue, Lauren and his son David decided to launch it in a high-tech, holographic way mixed with the classic touches for which the designer is known.

    Lauren launched Polo for Women in a high-tech, holographic way mixed with the classic touches for which the designer is known.

    Before the new kind of runway show began, the crowd wound its way through the park as hunky guys in white Polo shirts stood every few feet on the path with flashlights so no one would stumble. Once near the lake, more young men in white Polos stood with silver trays laden with champagne; others served bowls of late-summer tomato salad, New England lobster rolls and Ralph burgers from behind white wooden carts, while a four-piece orchestra played classical music.

    Guests headed to the edge of the lake around 9:30 pm, where suddenly a four-story-high fountain of water erupted, and holographic images of New York landmarks like the Brooklyn Bridge and the High Line appeared out of thin air under the nighttime sky. Holographic models showcased the new collection on the water screen as it constantly changed locations, colors and patterns.

    With all the razzle dazzle of the new technology using live action and CG to generate 4D effects, the clothes got a bit lost in the display, although there were more than 45 looks that range from casual sateen varsity jackets, lace dresses and striped sweaters to boldly colored evening wear.

    At the end of the presentation, a holographic Ralph Lauren made his runway bow to the Frank Sinatra tune, "Fly Me To The Moon," just like at a regular show, and then disappeared as the Polo logo vanished into a sea of stars in the nighttime sky.

    The real Ralph Lauren was there too, with his family, and friends including Diane von Furstenberg and Barry Diller, Anna Wintour, Kendall Jenner, Ciara and Karlie Kloss.

    The film was about 10 minutes — about the time of a regular runway show— but the crowd didn't disperse quickly. Many stayed around to watch the runway show again, ogle the models and drink more champagne.

    As I left, David Lauren, who his wife Lauren Bush Lauren told me was fascinated with the technology, was eagerly looking at images on a photographer's camera as the few traces of clouds disappeared and a full moon broke through on a chilly, near picture-perfect night.

    Lauren Bush Lauren, David Lauren, Andrew Lauren, Ralph Lauren, Ricky Lauren, Dylan Lauren

    Ralph Lauren family at Polo event
    Photo by Neil Rasmus BFAnyc.com
    Lauren Bush Lauren, David Lauren, Andrew Lauren, Ralph Lauren, Ricky Lauren, Dylan Lauren
    unspecified
    news/fashion

    Designer News

    Legendary Dallas designer debuts sleek new women’s collection

    Lisa Petty
    Aug 14, 2025 | 3:34 pm
    Geoffrey Henning
    Thomas Garza
    Geoffrey Henning

    You may not know his name, but Geoffrey Henning likely had a hand in shaping your wardrobe.

    The designer’s 20-plus years at Dallas-based JCPenney, culminating as Vice President of Design across men’s, women’s, and children’s categories, put him in the unique position of dressing a substantial percentage of the population.

    His unique eye, first honed at the studio of the legendary Alfred Sung in Canada, and later in New York, went on to help inform the look of an era for middle America through one the biggest retailers of its time. If you’re envisioning the “Cerulean Sweater” scene from The Devil Wears Prada right now, you’re on the right track.

    In February 2025, Henning entered his post-JCP era — but a retirement, it’s certainly not. He recently debuted an all-new collection called GRACITY/tx that reflects the whole of his experiences thus far.

    "I have been very fortunate over my career to journey through the different aspects of design," Henning says. "From starting with a purity of ethos at a designer level, to inspiring style at an accessible price point, which allowed for a broader expression of my craft."

    This combination of influences is at the heart of GRACITY/tx, named for “gray, the space between extremes.”

    "When I look at the women who have influenced me over the years, there is a common theme: vulnerability and strength," he says.

    Leading with subtle sophistication, the line includes dresses, outerwear, and separates that are sleek, versatile, and impeccably styled. Above all, they project the wearer’s own self-confidence.

    Attendees at the recent debut show included Dallas fashion insider Rhonda Sargent Chambers, who recalled that "when Geoffrey and I first met, I was struck by his deep knowledge of fashion design, fabric origins and history."

    "His creative designs have graced our presence for over twenty years, and he is now creating pieces that no one has seen elsewhere," Chambers said.

    Nikki Solomon, founder of Inwood Village designer boutique Rich Hippie, echoed the sentiment succinctly: “No one does it like Geoffrey," she said.

    Henning, not one for the spotlight, observed quietly while stying a model in alternating looks: a stunning chemise to dress up or down, a halter in black and white, an impeccably constructed strapless mini to wear through all four seasons. Details like leather belts and exposed hook-and-eye closures bring a touch of Dallas-specific drama.

    The collection can be found at Elements in Dallas, Sloan/Hall in Houston, and private trunk shows that they market on social media. Prices range from $200 for shell tops to $2,000 for long dresses, and they're also planning to add a shop button to their website.

    Ultimately, the occasion represented a new tick on a timeline that has proved, throughout the years, this designer’s deep understanding of the people he dresses and the city they love, another balance of contrasts.

    “My work brought me here, but Dallas has kept me because it’s bold, it’s proud, it’s authentic, it loves the arts, and it remains grounded in the spirit of the Wild West," Henning says.

    Geoffrey Henning

    Thomas Garza

    Geoffrey Henning

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