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    Actor Spotlight

    Dallas actor Bill Jenkins talks former lives and breaking his back onstage

    Lindsey Wilson
    Oct 8, 2013 | 10:16 am

    Award-winning actor Bill Jenkins has appeared in a variety of roles on numerous Dallas-Forth Worth stages. He's also a Ramones fan who's kissed Zsa Zsa Gabor; has a penchant for driving fast; and tells a very sweet story about how he met his wife, actress Linda Leonard.

    These life experiences (and those had during his former lives — you'll want to read on) have given Jenkins a deep well to draw from when he's onstage. In WingSpan Theatre Company's production of Samuel Beckett's Happy Days, Jenkins plays the reticent counterpart to Stephanie Dunnam's Winnie, a chatty woman who spends the play more than half buried in a mound of dirt.

    Jenkins recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Bill Jenkins

    Role in Happy Days: Willie

    Previous work in the DFW area: WaterTower, Echo, Theatre Three, African American Rep, Uptown, Dallas Theater Center, Dallas Children’s Theatre, Circle, Kitchen Dog, Lyric Stage, Casa Mañana, Granbury Opera House, Stage West, Theatre Britain, Granny’s Dinner Theater

    Hometown: Birmingham, Alabama

    Where you currently reside: East of White Rock Lake in Dallas

    First theater role: Elyot in Private Lives (college); Marlowe in She Stoops to Conquer at Theatre Three (professional)

    First stage show you ever saw: Rapunzel (children’s theater). Gave me a "thing" for girls with long hair.

    Moment you decided to pursue a career in theater: College review "Bill Jenkins became Elyot" (from Private Lives at Centre College of Kentucky)

    Most challenging role you’ve played: Dysart in Equus (grad school) or Peter in Forty Carats opposite Zsa Zsa Gabor. The latter was my first Actors Equity role at Granny’s Dinner Theater. Only seven days of rehearsal — kissed Zsa Zsa 25 times and lived to tell about it!

    Special skills: Sailing, driving fast

    Something you’re REALLY bad at: My theater nickname is “Hell on Props” because I'm really clumsy.

    Current pop culture obsession: The musical group Cage the Elephant

    Last book you read: Jane Roberts' The Education of Oversoul Seven

    Favorite movie(s): Bell, Book and Candle; Heaven Can Wait with Warren Beatty; My Favorite Year; Avatar

    Favorite musician(s): Joe Walsh, Mott the Hoople, Little Feat, The Ramones, Soul Coughing, Cake

    Favorite song: "Rocky Mountain Way" by Joe Walsh or "Sheena Is a Punk Rocker" by The Ramones

    Dream role: Atticus in To Kill A Mockingbird (played it — I am a descendant of four generations of Alabama lawyers and judges) and Henry opposite my wife, Linda Leonard, as Eleanor in The Lion in Winter

    Favorite play(s): I Hate Hamlet by Paul Rudnick, Eastern Standard (Theatre Three’s Patrons’ Favorite Award), Three Days of Rain by Richard Greenberg and The Dead Presidents’ Club by Larry L. King (Critics Forum Award for Richard Nixon)

    Favorite musical(s): The Sound of Music (where I met my wife playing Von Trapp opposite her Maria) and My Favorite Year (Critics Forum Award for Alan Swann)

    Favorite actors/actresses: Peter O’Toole, Michael Caine, Mark Wahlberg, Rosalind Russell, Katherine Hepburn, Katherine Heigl

    Favorite food: Custom Ital-chos at Terilli’s with a full-bodied, oaky red wine

    Must-see TV show(s): The Good Wife, Grimm, Blacklist

    Something most people don’t know about you: I was supposedly good friends with Thomas Jefferson, killed in the Civil War as a Union soldier, and was a show biz lawyer in LA during the '30s and '40s — all in former lifetimes.

    Place in the world you’d most like to visit: Paris and London with my wife

    Pre-show warm-up: Mentally aligning myself with the character/prayer

    Favorite part about your current role: Very little memorization

    Most challenging part about your current role: Due to above, character analysis was virtually cryptic.

    Most embarrassing onstage mishap: I fell three stories from the catwalk and broke my back onstage at WaterTower Theatre during the last 35 bars of the musical Working playing Mike the narrator, because I was too macho to worry about having a safety back-up system for a stunt I was doing.

    Career you’d have if you weren’t a performer: Sound designer

    Favorite post-show spot: At home with my dogs and my wife (when she’s out of her show) licking our wounds or toasting our success

    Favorite thing about Dallas-Forth Worth: People tend to drive a little fast.

    Most memorable theater moment: Preaching on Easter Sunday as Jerry in Theatre Three’s God’s Man in Texas

    ---

    WingSpan Theatre Company's Happy Days plays at the Bath House Cultural Center October 10-26.

    Bill Jenkins and Stephanie Dunnam in WingSpan Theatre Company's Happy Days.

    Happy Days at WingSpan Theatre Company in Dallas
    Photo by Lowell Sargeant
    Bill Jenkins and Stephanie Dunnam in WingSpan Theatre Company's Happy Days.
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    Theater News

    Dallas' Theatre Three gets provocative with 2026-2027 season productions

    Alex Bentley
    Apr 21, 2026 | 12:45 pm
    Theatre Three staff
    Photo by Jeffrey Schmidt/courtesy of Theatre Three
    The 2026-2027 season from Theatre Three will feature seven bold productions.

    The 2026-2027 season for Dallas' Theatre Three will feature a lineup of seven productions, musicals, comedies, and solo performances that collectively explore identity, resilience, love, and the chaos of being human.

    Taking place in both the main Norma Young Arena Stage and Theatre Too spaces, the season blends iconic titles with daring new works, inviting audiences into stories that are as entertaining as they are thought-provoking, says a release.

    Opening the season on the Norma Young Arena Stage will be the groundbreaking rock musical Spring Awakening, featuring music by Duncan Sheik and book and lyrics by Steven Sater.

    Based on Frank Wedekind’s controversial play, the production (running September 10-27, 2026) follows teenagers pushing against the constraints of a repressive society as they navigate desire, identity, and the consequences of silence.

    The Theatre Too season will kick off with Doug Wright’s Pulitzer Prize-winning play I Am My Own Wife, running October 15-November 1, 2026.

    Performed as a solo piece, it tells the true story of Charlotte von Mahlsdorf, chronicling survival, identity, and self-invention in the face of Nazi and Stasi oppression.

    The holiday season brings mischief and mayhem with GREMLINS! (mostly), a brand-new commission by local playwright Matt Lyle inspired by the beloved 1984 cult classic movie.

    Running December 3-20, 2026 on the Norma Young Arena Stage, the play is packed with dark humor and chaotic fun, promising a wildly entertaining theatrical experience where one small mistake leads to unforgettable consequences.

    Dear Jack, Dear Louise by Ken Ludwig, starts the 2027 portion of the Theatre Too season, running February 4-21.

    The play offers a heartfelt and humorous love story inspired by the playwright’s own parents. Through letters exchanged during World War II, two strangers discover connection, resilience, and romance across distance and uncertainty.

    In the spring, laughter takes center stage on the Norma Young Arena Stage with Neil Simon’s fast-paced farce, Rumors.

    Running March 11-28, 2027, the production features a glamorous anniversary party spiraling into confusion as gossip flies and lies multiply in a hilarious race to keep up appearances.

    Closing the Theatre Too season will be Miss Margarida’s Way by Roberto Athayde, running April 29-May 16, 2027.

    As Miss Margarida’s lesson unfolds, audiences find themselves implicated in a provocative exploration of authority, control, and complicity. The sharp, darkly comic satire transforms a classroom into a battleground.

    The season culminates in a major event: the regional premiere of Teeth, the bold and genre-defying musical by Michael R. Jackson and Anna K. Jacobs.

    Running June 3-20, 2027, the production is equal parts hilarious, provocative, and empowering. It is a coming-of-age story with a bite; exploring power, fear, sexuality, and self-determination in a way that is as unforgettable as it is unflinching.

    Committed to providing accessible theatre to the community next season, Theatre Three will continue to offer $10 T3Rush tickets for Thursday night performances.

    Students can also purchase $10 tickets to any performance with a valid student ID, or take advantage of $5 student rush tickets.

    Subscriptions are available for renewal now at Theatre3Dallas.com. New subscriptions will be available on June 15. Single tickets and Flex Passes will be available August 3.

    For more information, call 214-871-3300 x1 or e-mail at BoxOffice@t3dallas.org.

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